The first entry in the extensive series of piano solo recitals held at Maybeck Recital Hall features the great Joanne Brackeen. Although classified by some originally as an avant-gardist inspired by McCoy Tyner, Brackeen continued to grow in stature and by the late '80s had her own style. She is respectful but passionate on seven standards (keeping the melody in mind during her explorations) while her four originals are given more adventurous improvisations. […] Well worth checking out. - Scott Yanow at All Music Guide
Miles Davis' recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely recorded during this era, what he did document was often quite classic. The two sessions included on this CD (which includes three alternate takes) are among the earliest hard bop recordings and would indirectly influence the modern mainstream music of the 1960s. The first session features Davis in a sextet with trombonist J.J. Johnson, altoist Jackie McLean, pianist Gil Coggins, bassist Oscar Pettiford, and drummer Kenny Clarke; highlights include "Dear Old Stockholm," "Woody 'n You," and interpretations of "Yesterdays" and "How Deep Is the Ocean." The remaining six numbers showcase Davis in a quartet with pianist Horace Silver, bassist Percy Heath, and drummer Art Blakey, really stretching out on such numbers as "Take Off" and "Well, You Needn't." However, on "It Never Entered My Mind," Davis' muted statement (his only one on this set) looks toward his treatments of ballads later in the decade.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
Rare deluxe compilation that sounds and looks in all ways amazing. Some great picks on here in Miles' own Deception, Gerry Mulligan's Jeru or Baden Powell's Budo for starters. Lovely audophile piece in lovely taste.
Commemorating its release in 1970 and profound impact on modern music, the 40th Anniversary Collector's Edition of Miles Davis' Bitches Brew are two CDs with the original 94-plus minutes of music plus six bonus tracks, and a third CD of a previously unissued performance at Tanglewood in August of 1970 featuring Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira, and Gary Bartz. If that isn't enough, there's a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland, and DeJohnette.
Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.