This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
For nearly half a century, Miles Davis (1926-1991) was arguably the preeminent innovator in jazz - rarely staying in the same place twice, experimenting with the most cutting-edge styles and ideas he could imagine. This year, some of Miles' most enduring works for Columbia Records are collected the way they were originally heard: MILES DAVIS: THE ORIGINAL MONO RECORDINGS. Each CD, newly remastered by Mark Wilder at Battery Studios, is housed in a mini-LP replica jacket, faithfully replicating the original LP sleeves. They are encased in a quality slipcase, alongside a 40-page booklet with rare photos and brand-new essay offering in-depth, first-hand accounts from George Avakian, who signed Miles to Columbia in 1955, AND play-by-play from mastering engineer Mark Wilder. This is the true genius of Miles Davis as most people first heard it, the way it was intended to be heard: in mono.
The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.
Issued in a foldout cardboard sleeve vinyl replica, with 24-page booklet and obi. This package contains previously released material. Obi: "The complete studio sessions with over two hours of audio including false starts, alternate takes, studio dialogue, and non-album tracks. 24-page deluxe booklet contains detailed liner notes alongside rare, unforgettable images, and Grammy®-nominated essay Kind Of Blue At 50 by Francis Davis."
By 1972 Miles Davis was firmly established as the most innovative and influential jazz artist on the planet. Taped between the recording and release of his controversial On The Corner album, this dense, polyrhythmic set captures the first of four consecutive performances he gave at Paul’s Mall in Boston, showcasing a new, Indian-influenced sound, and was originally broadcast on the local WBCN-FM station. It’s presented here together with background notes and images.
Some performances get talked about decades after they happened. It's all about "you had to be there" and if you would believe all the people who claimed to be present at such a show, the venue would have collapsed. Two of those shows are now released in full. Trumpet maestro Miles Davis performed at the Concertgebouw in Amsterdam on April 9 and October 15, 1960. John Coltrane was on sax in April and his replacement Sonny Stitt played in October. With Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums. Miles Davis was on fire both nights.
Outstanding three CD set featuring the entire July 1988 15 song performance at the Munich Philharmonic Concert Hall plus a blistering 35 minute version of 'Call It Anything' taken from his1970 Isle of Wight Festival show. The Munich concert features able assistance from Kenny Garrett, Bobby Irving, Adam Holzman and Joseph McCreary amongst others while the Isle of Wight track features Chick Corea, Keith Jarrett, Dave Holland and Jack DeJohnette.