Miles Davis Complete Lossless

Miles Davis - Complete Birdland Recordings (1951-52) (2002)  Music

Posted by frangarbla at May 2, 2011
Miles Davis - Complete Birdland Recordings (1951-52) (2002)

Miles Davis - Complete Birdland Recordings (1951-52)
EAC secure mode FLAC (image+cue+log) | 375.69 Mb (FLAC) | 77:08 minutes | Covers.
jazz, classic jazz, be-bop | Disconforme Records. Cd published in 2002

Miles Davis - Complete Birdland Recordings (1951-52) (2002)

This excellent compilation includes some spectacular Miles Davis rarities, all recorded during 1951-52...
Miles Davis - Complete Live at Plugged Nickel 1965 CD4-8 of 8CDs

Miles Davis - Complete Live at Plugged Nickel 1965
Jazz | mp3 VBR 256kbps-320kbps | 158MB+121MB+150MB+159MB+107MB | 1965
Miles Davis - Complete Live at Plugged Nickel 1965 CD1-3 of 8CDs

Miles Davis - Complete Live at Plugged Nickel 1965
Jazz | mp3 VBR 256kbps-320kbps | 109 MB + 97.6 MB + 63 MB | 1965

Miles Davis - Complete In a Silent Way Sessions boxset 1969  Music

Posted by cielodelsud at Feb. 23, 2007
Miles Davis - Complete In a Silent Way Sessions boxset 1969

Miles Davis - Complete In a Silent Way Sessions boxset 1969
Jazz | mp3 | 320 Kbps | 484 Mb

This 3 CD box set covers the original recordings from September 1968 to February 1969; and illustrates how Miles and his cohorts moved from the spontaneous abstraction of the Second Great Quintet to an ethereal sound that merged jazz, rock, and R&B.
Miles Davis - So What: The Complete 1960 Amsterdam Concerts (2013) {2CD Japan Edition FNCJ-5612~13}

Miles Davis - So What: The Complete 1960 Amsterdam Concerts (2013) {2CD Japan Edition FNCJ-5612~13}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 586 Mb | MP3 @320 -> 334 Mb
Full Artwork @ 600 dpi (png) -> 490 Mb | 5% repair rar
© 2013 Dutch Jazz Archive / 55 Records | FNCJ-5612~13
Jazz / Modal Music / Hard Bop / Trumpet

Some performances get talked about decades after they happened. It's all about "you had to be there" and if you would believe all the people who claimed to be present at such a show, the venue would have collapsed. Two of those shows are now released in full. Trumpet maestro Miles Davis performed at the Concertgebouw in Amsterdam on April 9 and October 15, 1960. John Coltrane was on sax in April and his replacement Sonny Stitt played in October. With Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums. Miles Davis was on fire both nights.
Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.73 Gb | MP3 @320 -> 964 Mb
Full Artwork @ 300 dpi (png) -> 541 Mb | 5% repair rar
© 1972-75, 2007 Columbia / Legacy / Sony BMG Music | 886970 6239 2 | 24bit remastering
Jazz / Fusion / Jazz-Funk / Jazz-Rock / Free Funk / Funk

From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.
Miles Davis - All Stars Recordings (2000) {Definitive Records DRCD 11164 rec 1947-1950}

Miles Davis - All Stars Recordings (2000) {Definitive Records DRCD 11164 rec 1947-1950}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 333 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 600 dpi (jpg) -> 64 Mb | 5% repair rar
© 1947-50, 2000 Definitive Records / Disconforme | DRCD 11164
Jazz / Bop / Trumpet

This CD is a compilation of some of Miles Davis's earliest recordings as a sideman from the late 1940s. His formative years are represented here in a large group setting. The groups featured here are scaled down or actual big bands. This CD is probably most dominated by the arrangements of Tadd Dameron, arguably the definitive arranger-composer of the bop era.
Miles Davis Sextet - Someday My Prince Will Come (1961) [Analogue Productions, Remastered 2010] Audio CD Layer

Miles Davis Sextet - Someday My Prince Will Come (1961)
Mastered by George Marino at Sterling Sound, 2010
XLD | FLAC | Tracks (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Hard Bop, Cool Jazz | Label: Analogue Productions | # CAPJ 8456 SA | 00:42:13

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)  Music

Posted by Pisulik at Oct. 16, 2017
Lettuce - Witches Stew: A Tribute to Miles Davis (2017)

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)
WEB FLAC (Tracks) - 459 MB | Cover | MP3 CBR 320 kbps - 158 MB | 01:08:57
Jazz, Funk, Fusion | Label: Lettuce Records

It's a daunting task but a laudable ambition to afford direct tribute to a musician as iconic as Miles Davis and a work of his equal in stature, Bitches Brew (Columbia, 1970). But like the ensembles before them that revisited this bonafide classic, including the World Saxophone Quartet, Lettuce prove up to the task. In fact, he octet tender their homage, Witches Stew, in such a way it suggests 'The Man with the Horn,' were he still living, might well look the band for inspiration as he did Jimi Hendrix and Sly and the Family Stone at the time of the original recordings.
Miles Davis - Miles Davis and The Modern Jazz Giants (1954/1959/2017) [Official Digital Download 24/192]

Miles Davis - Miles Davis and The Modern Jazz Giants (1954/1959/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 42:09 minutes | 1,08 GB
Studio Master, Official Digital Download | Artwork: Front cover

Including sessions recorded the same day as those on Bags Groove, this album includes more classic performances from the date that matched together trumpeter Miles Davis, vibraphonist Milt Jackson, pianist Thelonious Monk, bassist Percy Heath, and drummer Kenny Clarke. Davis and Monk actually did not get along all that well, and the trumpeter did not want Monk playing behind his solos. Still, a great deal of brilliant music occurred on the day of their encounter, including "The Man I Love," "Bemsha Swing," and "Swing Spring."