CD Album published in 2001 in one of the many reissues that has seen this singular work of the great Miles Davis. First saw the light in 1954 with 8 subjects; with 11 subjects was reissued in 1957 and added the last from 1971. The '50s brought a new style to jazz, 'cool', but breaking-twinned with the 'bebop' in decline-from the happy collaboration of the brilliant trumpeter Miles Davis and the composer Gil Evans. The roots of this music are included on this disc recorded in three different sessions between 1949 and 1950. The play made a deep impression among music critics and was a fresh and innovative deep milestone in jazz music. Davis and a group of nine musicians under his command were responsible for laying the foundations of this new concept of 'cool' jazz.
What a jumble. Nearly a decade and a half of groove morphology compressed into an EP, and overlaid with new components to show, at once, how rhythmically pioneering Davis was-as if this needed reiteration-in a Sly Stone/James Brown sense, and how much influence he still exerts in rap and R&B. An old soul informing our new soul music. But wouldn’t you know: This brief set mostly works, if you can orient yourself to what’s essentially a tour-de-force of amalgamation, a testament to the recording studio and what can be done with old session tapes as much as that original music itself.
“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder
Issued in a foldout cardboard sleeve vinyl replica, with 24-page booklet and obi. This package contains previously released material. Obi: "The complete studio sessions with over two hours of audio including false starts, alternate takes, studio dialogue, and non-album tracks. 24-page deluxe booklet contains detailed liner notes alongside rare, unforgettable images, and Grammy®-nominated essay Kind Of Blue At 50 by Francis Davis."
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.