When Miles Davis released Live-Evil in 1970, fans were immediately either taken aback or keenly attracted to its raw abstraction. It was intense and meandering at the same time; it was angular, edgy, and full of sharp teeth and open spaces that were never resolved. Listening to the last two CDs of The Cellar Door Sessions 1970, Sony's massive six-disc box set that documents six of the ten dates Davis and his band recorded during their four-day engagement at the fabled club, is a revelation now. The reason: it explains much of Live-Evil's live material with John McLaughlin.
None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete.
Included in Q's "50 Heaviest Albums of All Time". In the context of Miles Davis' early '70s electric experimentation, DARK MAGUS seems like the final overload. It is a wall of screaming sound; a descent into a sonic abyss from which there can be no escape. The band is a polyphony of rhythm, three banshee-like electric guitars, two saxophones trying to make some harmonic sense of this post-modern revival meeting, and one headless-horseman of a trumpet player guiding the tempest.
This excellent compilation includes some spectacular Miles Davis rarities, all recorded during 1951-52...
In 1925, when the Charleston was all the rage, Fletcher Henderson, generally credited as "the inventor, of big-band jazz", was still firmly installed at the New York's celebrated Roseland Ballroom, and calling upon the services of such jazz star as Louis Armstrong, Busier Bailey, Don Redman and Coleman Hawkins.
Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL.
There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.