Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
Reissue with the latest remastering. Comes with liner notes. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A bit of a hint of the 70's work by Shorter – as he plays here with a slightly larger group, and a bit of an electric sound. Sonny Sharrock and John McLaughlin play guitar, Airto plays percussion, and Maria Booker sings vocals on a rendition of "Dindi" – and this complicted larger group gives Shorter a quite different sound than some of his earlier Blue Note quartet and quintet sides. The session's got a great spiritual soul jazz undercurrent – pointing the way towards aspects of jazz in the 70s – and titles include "Super Nova", "Swee Pea", "Water Babies", and "Capricorn".
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. This CD presents two complete sessions led by vibraphonist Milt Jackson: one where the eventual members of the Modern Jazz Quartet are joined by saxophonist Lou Donaldson, and eight quartet tracks with Thelonious Monk. The July 2, 1948, date with Monk was recorded eight months after the pianist's first recordings as a leader. Jackson, responding to the demands of Monk's music with his customary fluid grace, is key to these definitive early recordings of "Evidence," "Misterioso," "Epistrophy," and "I Mean You."
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Witch Hunt" and a track for the first time in the world. On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those recordings, Shorter had been unfairly branded with the "just-another-Coltrane-disciple" tag, despite his highly original and unusual compositions.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet.
In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu by producer Tommy LiPuma. When Tutu (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, lavishly packaged and remastered, from the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.
Miles Away, a compilation of songs by Miles Davis. Released in 2008 on Not Now Music. On top of that, the sound is alright, the packaging is elegant (a fold-out digipak, with cool b&w photos of Miles beneath each disc), and we even get brief, informative liner notes. Not Now Music are getting dangerously good at this budget comp thing.