Miles Davis , Black

Miles Davis - Black Beauty (1970) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Black Beauty (1970) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 510 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 600 dpi (png) -> 208 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4182~83
Jazz / Fusion / Jazz Rock / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. A month after losing Wayne Shorter to the beginnings of Weather Report, Miles Davis added young saxophonist Steve Grossman to the fold that included drummer Jack DeJohnette, bassist Dave Holland, electric pianist Chick Corea, and percussionist Airto Moreira. Just in time, too, since Bitches Brew had just been released. What is most interesting about this performance is how abstract it is, even by the standards exacted on In a Silent Way and Bitches Brew.
Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001] PS3 ISO + Hi-Res FLAC

Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 79:18 minutes | Scans included | 2,52 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,71 GB
Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}

Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 470 Mb | MP3 @320 -> 190 Gb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1991, 1997 Sony Music Japan | SRCS 5717~18
Jazz / Fusion / Jazz Rock / Trumpet

The recording of this concert, not released until 1973 and only in Japan, took place on April 10, 1970 at the Carousel Ballroom, where Bill Graham, the legendary west coast impresario of psychedelic rock, had moved his Fillmore Auditorium in 1968. Steve Grossman, who replaced Wayne Shorter, used only the soprano saxophone, an instrument more capable than the tenor of penetrating the wall of sound produced by the decidedly free and powerful rhythm section, which was pervaded by the electronic effects created by Chick Corea’s electric piano. On its first release, the four sides were simply titled “Black Beauty Part 1,” “Part 2,” etc.
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 501 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 400 dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. The tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {Super Bit Mapping Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 285 Mb + 216 Mb | MP3 @320 -> 101 Mb + 78 Mb
Full Artwork @ 400dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. … Full DescriptionThe tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.

The mercurial groove of "Directions," with Steve Grossman's wailing soprano, disintegrates into Stockhausenesque electronic static waves before unloading into the thick blues throttle of "Miles Runs The Voodoo Down." A trumpet solo on "I Fall in Love Too Easily" briefly slows the pace, but the rest is all forward motion. Dave Holland's rumbling bass and Jack DeJohnette's rolling backbeat power the group, while Airto Moreira furnishes exotic percussive colors. By the time Miles begins blasting trumpet runs at Chick Corea's electric piano on "Spanish Key," the worlds of jazz and improvisational rock have been united, undoubtedly leaving the audience feeling that they'd been struck by musical lightning.

Miles Davis - 'Four' & More (1964) [MFSL, UDSACD 2087]  Music

Posted by v3122 at Dec. 10, 2016
Miles Davis - 'Four' & More (1964) [MFSL, UDSACD 2087]

Miles Davis - 'Four' & More (1964)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2013 | Mobile Fidelity Sound Lab, UDSACD 2087 | ~ 343 or 132 Mb | Covers Included
Jazz, Cool Jazz, Bop, Hard Bop

In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on…
The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956) [DCC, GZS-1063]

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1063 | ~ 237 or 111 Mb | Scans Included
Jazz / Bop / Cool / Hard Bop

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively…
Miles Davis - Cookin' with the Miles Davis Quintet (1956) [DCC, GZS-1044]

Miles Davis - Cookin' with the Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | DCC, GZS-1044 | ~ 229 or 123 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Cookin' is the first of four albums derived from the Miles Davis Quintet's fabled extended recording session on October 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player…
Miles Davis - The New Miles Davis Quintet (1955) [DCC, GZS-1100]

Miles Davis - The New Miles Davis Quintet (1955)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1996 | DCC, GZS-1100 | ~ 174 or 98 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom…
Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}

Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 667 Mb | MP3 @320 -> 269 Mb
Full Artwork @ 600 dpi (png) -> 412 Mb | 5% repair rar
© 2011 eOne Music | EOM-CD-2104
Jazz / Latin / Modern Creative / Fusion / Flamenco

Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.