Miles Davis , Black

Miles Davis - Black Beauty (1970) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Black Beauty (1970) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 510 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 600 dpi (png) -> 208 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4182~83
Jazz / Fusion / Jazz Rock / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. A month after losing Wayne Shorter to the beginnings of Weather Report, Miles Davis added young saxophonist Steve Grossman to the fold that included drummer Jack DeJohnette, bassist Dave Holland, electric pianist Chick Corea, and percussionist Airto Moreira. Just in time, too, since Bitches Brew had just been released. What is most interesting about this performance is how abstract it is, even by the standards exacted on In a Silent Way and Bitches Brew.
Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}

Miles Davis ‎– Black Beauty: Miles Davis At Fillmore West (1970) [2CD] {1991 Sony Japan Remaster, SRCS 5717~18}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 470 Mb | MP3 @320 -> 190 Gb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1991, 1997 Sony Music Japan | SRCS 5717~18
Jazz / Fusion / Jazz Rock / Trumpet

The recording of this concert, not released until 1973 and only in Japan, took place on April 10, 1970 at the Carousel Ballroom, where Bill Graham, the legendary west coast impresario of psychedelic rock, had moved his Fillmore Auditorium in 1968. Steve Grossman, who replaced Wayne Shorter, used only the soprano saxophone, an instrument more capable than the tenor of penetrating the wall of sound produced by the decidedly free and powerful rhythm section, which was pervaded by the electronic effects created by Chick Corea’s electric piano. On its first release, the four sides were simply titled “Black Beauty Part 1,” “Part 2,” etc.
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 501 Mb | MP3 @320 -> 179 Mb
Full Artwork @ 400 dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {1997 Columbia SBM Edition} [Re-Upload]

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. The tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.
Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001] PS3 ISO + Hi-Res FLAC

Miles Davis - Black Beauty: Miles Davis At Fillmore West (1970) [2x SACD, Reissue 2001]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 79:18 minutes | Scans included | 2,52 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,71 GB
Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {Super Bit Mapping Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 285 Mb + 216 Mb | MP3 @320 -> 101 Mb + 78 Mb
Full Artwork @ 400dpi (jpg) -> 32 Mb
© 1997 Sony Music / Columbia / Legacy | C2K 65138
Jazz / Fusion / Jazz-Funk


Miles Davis - Black Beauty. Miles Davis At Fillmore West (1970) [2CD] {SBM Edition}

BLACK BEAUTY is the initial live document of Miles Davis' electric music built out of blues, free jazz, and post-modern musical thought. The mood is one of controlled chaos, with each soloist in top form, and group interplay at a near-ESP level. … Full DescriptionThe tracks morph naturally into one another; with well-placed phrases from Miles cueing the players' transitions.

The mercurial groove of "Directions," with Steve Grossman's wailing soprano, disintegrates into Stockhausenesque electronic static waves before unloading into the thick blues throttle of "Miles Runs The Voodoo Down." A trumpet solo on "I Fall in Love Too Easily" briefly slows the pace, but the rest is all forward motion. Dave Holland's rumbling bass and Jack DeJohnette's rolling backbeat power the group, while Airto Moreira furnishes exotic percussive colors. By the time Miles begins blasting trumpet runs at Chick Corea's electric piano on "Spanish Key," the worlds of jazz and improvisational rock have been united, undoubtedly leaving the audience feeling that they'd been struck by musical lightning.
Miles Davis - Jazz At The Plaza, Vol. I (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Jazz At The Plaza, Vol. I (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 280 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 198 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4242
Jazz / Hard Bop / Modal Music / Trumpet

Jazz at the Plaza is a live album by Miles Davis. It was recorded in 1958 and released in 1973 by Columbia Records. A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Straight, No Chaser", "If I Were A Bell", and "Oleo".
Miles Davis - We Want Miles (1981) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - We Want Miles (1981) [2CD] {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 748 Mb | MP3 @320 -> 250 Mb
Full Artwork @ 600 dpi (png) -> 178 Mb | 5% repair rar | 2014 DSD remastering
© 2014 Columbia / Sony Music Japan | SICP 4019~20
Jazz / Fusion / Trumpet

Reissue. Comes with new liner notes. 2014 latest DSD remastering. Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty".
Miles Davis - More Music From The Legendary Carnegie Hall Concert (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - More Music From The Legendary Carnegie Hall Concert (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 128 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 196 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 3962 | MONO
Jazz / Hard Bop / Experimental Big Band / Modal Music / Trumpet

Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".
Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 294 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 172 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 3961 | MONO
Jazz / Hard Bop / Experimental Big Band / Modal Music / Trumpet

Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis, recorded on May 19, 1961, at Carnegie Hall and released by Columbia Records. Davis is captured with his transitional small combo featuring Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb, as well as with the Gil Evans Orchestra. It was one of only two concerts Davis and Evans performed together, and that alone makes the album necessary for collectors, but the music itself is terrific. Neither the small group nor large band performances offer any new revelations, but they both showcase a strong, powerful Davis, and the music is quite enjoyable.
Miles Davis - In Person Saturday Night At The Blackhawk Vol.2 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - In Person Saturday Night At The Blackhawk, San Francisco Vol.2 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 600 dpi (png) -> 177 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 3964
Jazz / Cool / Bop / Hard Bop / Trumpet

Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. This cd is the second of 2 put out to chronicle Miles' stay at the Blackhawk in San Francisco in 1961. After a period of transition which included the sometimes uneven results of the "Someday My Prince Will Come" lp, Miles' working band of Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers, bass, and drummer Jimmy Cobb, were coming together as a tight unit. Both dates of the Blackhawk shows are prime examples of the greatness of this working group.