In 1973, Mike Oldfield burst onto the British music scene with his debut album Tubular Bells, two long instrumental suites in which Oldfield stitched together a series of melodies into a grandly scaled work in which he played the many instruments himself. The album was an audacious beginning to a career than saw him become one of the most respected artists in progressive rock, as well as a successful film composer. The Complete Mike Oldfield is a collection released in 1985 which features selections from his first ten solo albums, as well as highlights from his score for the film The Killing Fields.
Limited five disc box also includes two previously unreleased CDs of the entire Wembley concert, along with a DVD of the previously unreleased fifty-minute video film Crises at Wembley featuring full performances of `Crises' and `Tubular Bells Part One' and rare promotional videos. The set also includes a stunning new 5.1 Surround mix of the album by Oldfield himself. Digitally remastered edition of this album from the British guitarist. In 1983, Mike Oldfield released one of his most commercially successful albums, Crises, which featured the huge hit single `Moonlight Shadow' and featured guest vocal appearances from
Five Miles Out is the seventh record album by Mike Oldfield, released in 1982, at a time when his music was moving away from large-scale symphonic pieces towards a more accessible pop style. This 2013 reissue includes the original album remastered, plus a CD of live tracks from Cologne 1982, and a DVD of the album in 5.1 Surround Mix.
Mike Oldfield’s fifth album was partially recorded at Electric Lady Studios in New York City, and the title suite especially nods to the bustle of the city at the time. Impeccably arranged and produced, the album was released in November 1979. It was Oldfield’s first album that included shorter songs, including a beautiful version of George Gershwin’s I Got Rhythm, and a new arrangement of North Star by Philip Glass.
This 2010 Deluxe Edition features versions of the original record, remastered for a modern audience, unheard demo versions, plus the mixes found on the vinyl version first released in 1974 - along with DVD footage to accompany both parts of Hergest Ridge.
It was late one evening in 1973, when, with the professional musicians resident at Richard Branson's country estate The Manor finished up for the day, the unknown Mike Oldfield settled in for one night of frantic production on his debut record. By the time dawn broke, Oldfield had created one of the most groundbreaking pieces in the history of modern music. Experimental and daring, technically advanced and sublimely crafted all at once, the phenomenon that is Tubular Bells was born.
With this Deluxe Edition, Oldfield includes versions of Ommadawn previously lost, carefully selected bonus tracks, and DVD material to accompany specific tracks. Sharing the format of its two predecessors - Tubular Bells and Hergest Ridge, Oldfield stays loyal to his conceptual roots in Ommadawn, but incorporates musical styles from a far greater range of influences including folk, Celtic, and middle eastern sounds. As a result, Oldfield channels greater scope for musical development, defining Ommadawn as a creative peak in Oldfield's wide-ranging career.
Remastered by Oldfield himself, the packages contain a variety of rare material; and again, as with Tubular Bells, Hergest Ridge and Ommadawn, contain a brand new 5.1 mix on DVD excerpts from Incantations, as well as footage from Oldfield’s 1979 concert tour that supported the album. Both CD formats also include ‘Guilty’, Oldfield’s legendary 1979 single recorded in New York City at the height of the disco movement. Few expected the man who crafted 25 minute sides of symphonic rock to hit the dancefloor with such élan.
British multi-instrumentalist Mike Oldfield offers up this warmly crafted sequel to his 1975 classic Ommadawn, marking a return to a more organic style of composing. After polling fans online about what type of approach they'd like to hear, Oldfield was overwhelmingly urged to revisit the acoustic style heard on his first three albums. Eager for the challenge, he spent nearly a year in his studio crafting what would become 2017's Return to Ommadawn, an instrumental meditation on the prog-folk fantasy world he'd originally imagined four decades prior. A true solo effort, Oldfield plays every instrument on the record, which is divided into "Part I" and "Part II," each lasting about 20 minutes in a nod to the original's vinyl format…