Midas were seemingly falling in hiatus after the release of "Beyond The Clear Air" (1988), as Eigo Utoh was too busy with his normal job as a dentist to handle both a demanding occupation and the needs of a regular group. Three years would pass before his passion for music would come again on surface, reforming Midas with Eishyo Lynn again on keyboards and newcomers Kenjiro Kawakatsu (drums) and Shohei Matsuura (bass) (formerly of Mugen) joining in.Changing label, the group would now land on the endless list of Belle Antique bands and this way the new album "Midas II" sees the light in 1996…
A little less than eight years after it occurred, Concord Records issued this concert, originally broadcast on German radio, from Gerry Mulligan's last European tour, performed less than a year before his death. Mulligan appears with his regular band of the time – pianist Ted Rosenthal, bassist Dean Johnson, and drummer Ron Vincent – playing a group of originals that serve as springboards for his lyrical style of baritone saxophone playing. The group, which had been together for several years at this point, plays smoothly, offering excellent support to the leader. A special treat is the final track, a version of "These Foolish Things" on which Mulligan duets with guest star Dave Brubeck. The album demonstrates that, in his maturity, Mulligan continued to live up to the standards he had set for himself across a career stretching back 45 years. There are no real revelations this late in the game, but Mulligan and the band play with the assurance of veterans.
Midas and its singer-violinist Eigo Utoh perform a melodic and elaborated symphonic Progressive rock, typical of the prestigious Japanese School of the Eighties. "Beyond The Clear Air" (1988) is often regarded as one of the landmarks of the genre. Included here are four long tracks with some energic rhythms, evoking Curved Air or Outer Limits, peaceful and atmospheric Pageant-styled ballads with flying violin chords and precious guitar solos. Various styles are showcased here, from Rock In Opposition to folk-rock, not to mention Neo-Progressive. This major opus has been jointly reissued by the Musea and Poseidon labels, with a bonus track, called "Green Forest". Dissolved after this sole album, Midas reformed during the Nineties, and continues to publish albums since.
Welcome to the latest mix of progressive music that makes up the contents for the new Prog magazine cover disc. We kick off with a couple of tracks taken from the much-anticipated new albums from Mostky Autumn and Blackfield, and "Tomorrow Dies" and "Family Man" most certainly do not disappoint. Then we have a trio of great new acts making their Prog debuts: Koyo, Serpentyne and Kaprekar's Constant - all with different and unique sounds, and all of whom you'll be reading more about in future issues of Prog. Beatrix Players, Grice and The Mighty Handful have all appeared on our CD before, and we welcome them back with open arms, before we close with the heavy psych vibe of Jerusalem and the eclectic approach of the aptly-named Intrigue. A great selection of diverse sounds from this wonderful progressive universe that we are lucky enough to write about.