Micus Rapidshare

Stephan Micus - On The Wing (2006)  Music

Posted by Designol at May 4, 2017
Stephan Micus - On The Wing (2006)

Stephan Micus - On The Wing (2006)
EAC | FLAC | Tracks (Cue&Log) ~ 244 Mb | Mp3 (CBR320) ~ 126 Mb | Scans included
Ethnic Fusion, Experimental, Folk Jazz | Label: ECM | # ECM 1987, 985 4516 | 00:49:16

Stephan Micus' folk soundworld investigations have taken him all over the globe. He is a disciplined student of every musical instrument he encounters, and understands how to get what he needs out of them without comprising either the instrument's original purpose or history, or his own vision, and he lets the instruments (sometimes in strange combinations) speak for themselves from his inner well of inspiration and nearly egoless expression. For those interested in poetry, Micus does in his world of music what poet and translator Jerome Rothenberg (who has compiled countless important anthologies of poetic traditions from all over the modern and ancient world) does for the written and oral tradition in poetry: represents it for what it is and allows the reader/listener to experience it for themselves. The stark beauty of On the Wing is expressed by Micus using Middle Eastern and Asian instruments, from the Iraqi mudbedsh (a single reed instrument made from cane) to the long-necked and bowed Turkish sattar and the Egyptian nay.

Stephan Micus - East Of The Night (1985)  Music

Posted by Designol at March 31, 2017
Stephan Micus - East Of The Night (1985)

Stephan Micus - East Of The Night (1985)
EAC | FLAC | Tracks (Cue&Log) ~ 141 Mb | Mp3 (CBR320) ~ 115 Mb | Scans included | 00:47:32
Ethnic Fusion, Neo-Classical, Minimal, New Age | Label: Japo/ECM | # JAPO 60 041, 825 655-2

East Of The Night, released in 1985, is one of Micus’s most melodic albums. Its two long tracks epitomize, ever so humbly, the dictum of less is more. The title piece, a conversation for 10-string guitar (an instrument of his own design) and shakuhachi, feels like a dialogue between master and disciple. Micus’s guitar combines the reediness of a lute with the subtle ferocity of a koto, making it a natural partner to the shakuhachi’s dawning breath. Each pluck of a string works the upholstery of the sky until a surface of untreated wood is revealed behind it. Details of handiwork once obscured by finery and ornament now become naked art. With the softness of a windblown curtain, the plectrum moves from foreground to background before the shakuhachi takes on a Milky Way texture in a suite of thrumming stardust. The flute fragments, multiplies, and ends the set’s first half on a congregational sigh.

Stephan Micus - Listen To The Rain (1983)  Music

Posted by Designol at March 28, 2017
Stephan Micus - Listen To The Rain (1983)

Stephan Micus - Listen To The Rain (1983)
EAC | FLAC | Tracks (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included | 00:43:24
Ethnic Fusion, Neo-Classical, Minimal, New Age | Label: Japo/ECM | # JAPO 60040, 815 614-2

If Micus’s saga were an ongoing raga, then 1983’s Listen to the Rain would be one of its most inward-looking prayers. All four meditations that make up the album, while externally distinct, are internally connected through Micus’s use of guitar. The Spanish variety plays a particularly active role throughout, with the sole exception of “Dancing with the Morning,” for which he pairs the ubiquitous steel-stringed with the suling, a bamboo flute often heard in gamelan ensembles of southeast Asia. Knowledgeable listeners will recognize both the rarity of the backpacker’s trusty companion in the Micus canon and its elemental necessity in this setting. The ascetic sheen of its metal strings paints a world of shine to which a human presence adds less manufactured colors. The suling’s unclipped wings, by extension, are exhaled into the sky above, circling and darting through the surrounding melodies until they take shape under cover of their own imagination.

Stephan Micus - Till The End Of Time (1978)  Music

Posted by Designol at March 26, 2017
Stephan Micus - Till The End Of Time (1978)

Stephan Micus - Till The End Of Time (1978)
EAC | FLAC | Tracks (Cue&Log) ~ 178 Mb | Mp3 (CBR320) ~ 96 Mb | Scans included | 00:35:53
Neo-Classical, Minimal, Ethnic Fusion, New Age | Label: Japo/ECM | # JAPO 60026, 513 786-2

Before migrating across the ECM continent, Stephan Micus outfitted some of his most formative expeditions in the territories of the JAPO sub-label. On these albums one hears Micus at his most elemental, turning every gesture into inter-spatial awareness. The album’s duration of 36 minutes only serves to deepen its intimacy as a space in which the listener might catch a cushion of meditation in a world of splinters. Micus’s practice has always been to render the stem before the flower, and in the album’s title track a table harp provides that very illustrative function. Its dulcimer-like heart beats a rhythm at once ancient and fresh, curling as the scriptural page, its edges darkened from constant contact with the hands. Those same hands cradle a method of speech so musical that its melody is discernible only in the freedom of solitude.

Stephan Micus - Implosions (1977)  Music

Posted by Designol at March 14, 2017
Stephan Micus - Implosions (1977)

Stephan Micus - Implosions (1977)
EAC | FLAC | Tracks (Cue&Log) ~ 201 Mb | Mp3 (CBR320) ~ 109 Mb | Scans included | Time: 00:43:40
Neo-Classical, Minimal, Ethnic Fusion, New Age | Japo/ECM | # JAPO 60017, ECM 829 201-2

An ethereal, primordial Experience. Implosions is a state of consciousness that wraps you in the arms of swirling air, transports you to ethnic lands, where spices catch your pallet. Where stories are swapped and legends of old are discovered again. Stephan Micus takes you down the river Ganges as he plays from the sitar, you are in a languished state of being. His ethnic chants suffocate you until you are spirit removed from flesh. The mist begins to fall and as the fog rolls in you are swept into the remotest parts of the world, where things thought to have been lost or abandoned have been uncovered. Caravans from the east are swept into a mirage in the horizon, while strange red stone pillars stab at the sky. Then you come across the foothills of machu picchu, incensed by its abandonment you climb to the summit there an elder of a race long since vanished gives you knowledge of the new world. You stumble back into reality, Unable to return.

Stephan Micus - Life (2004)  Music

Posted by Designol at April 15, 2016
Stephan Micus - Life (2004)

Stephan Micus - Life (2004)
EAC | FLAC | Tracks (Cue&Log) ~ 241 Mb (incl 5%) | Mp3 (CBR320) ~ 141 Mb (incl 5%) | Scans included
Genre: World Fusion, Ethnic, Chamber Music, Neo-Classical | Label: ECM | # 1897, 981 8811 | Time: 00:52:38

Stephan Micus is a composer who lives on the island of Mallorca and is a compulsive collector of oddball musical instruments. An acoustic music purist, Micus generates unusual, almost electronic-sounding textures from his collection of instruments through multi-tracking, but does not utilize anything electronic to generate the sounds. On Life, Micus plays such instruments as the bagana, tin whistle, various kinds of gongs, sho, zithers, and Thai singing bowls, and uses recording techniques to build the multifarious parts played into a contiguous whole. The result is a very colorful blend of peculiar tones, gestures, and voicings. Although Micus seems to release a new ECM album almost every other month, Life is the result of three years of careful planning and labor, and Micus claims that the process of overdubbing is far more complex on this album than any other that he has done.

Stephan Micus - Bold As Light (2010) [Repost]  Music

Posted by Designol at April 12, 2016
Stephan Micus - Bold As Light (2010) [Repost]

Stephan Micus - Bold As Light (2010)
EAC | FLAC | Tracks (Cue&Log) ~ 255 Mb (incl 5%) | Mp3 (CBR320) ~ 158 Mb (incl 5%) | Scans included
Genre: World Fusion, Minimal, Neo-Classical | Label: ECM | # 2173, 274 3086 | Time: 00:50:00

At a time when, at least for First World residents, there seems no respite from the relentless, rapid pace of life, artists like Stephan Micus provide welcome clarity; proof that there are alternatives. Difficult though it may seem, when immersed in all the push-and-pull of day-to-day distractions, there is another way; it's just not necessarily an easy one. For nearly four decades, Micus has traveled the world, a student of culture and society…and the music that naturally evolves from the two. Acquiring and learning to use ethnic instruments from around the world—often taught to him in the remotest locales—for the past two decades, Micus has always, ultimately, returned home to the island of Majorca, off the coast of Spain, where he has honed his craft through an organic process of experimentation, recording and gradual shaping of music that truly transcends all cultural boundaries. Each of the eighteen albums he's released since 1977—first, on the JAPO subsidiary, and then on the main ECM label—has introduced at least one new instrument to his expanding array of flutes, reeds, percussion, stringed instruments.

Stephan Micus - The Garden Of Mirrors (1997) [Re-Up]  Music

Posted by Designol at April 5, 2016
Stephan Micus - The Garden Of Mirrors (1997) [Re-Up]

Stephan Micus - The Garden Of Mirrors (1997)
EAC | FLAC | Tracks (Cue&Log) ~ 241 Mb (incl 5%) | Mp3 (CBR320) ~ 132 Mb (incl 5%) | Scans included
Genre: World Fusion, Ethnic, New Age, Neo-Classical | Label: ECM | # ECM 1632, 537 162-2 | Time: 00:51:15

The Garden of Mirrors is an album by Stephan Micus, released by the ECM label. It was recorded in 1995–1996 and released the following year. It follows the tradition of all of Micus's earlier works in that he plays all of the instruments: he also provides all of the voices for the 20-man chorus in three of the tracks. Micus's inspiration for this album was two traditional low-range West African harps that he studied in Gambia: the bolombatto and the sinding. When playing these two instruments, Micus claims to have identified with early African American music, which they influenced, claiming that the bassline in jazz was influenced by these harps. Other instruments used by Micus include steel drums and four different flutes: the Japanese shakuhachi, the Balinese suling, the Irish tin whistle, and the Egyptian ney.

Andrea Micus & Günther Hoppe - Das Elternmitmachbuch: So geht Schule  eBooks & eLearning

Posted by Underaglassmoon at June 21, 2014
Andrea Micus & Günther Hoppe - Das Elternmitmachbuch: So geht Schule

Andrea Micus & Günther Hoppe - Das Elternmitmachbuch: So geht Schule
Deutsch | Schulratgeber | 24. Februar 2014 | ISBN-10: 357907069X | 192 Seiten | epub, mobi | 9.49 Mb

Wie Schule und Eltern an einem Strang ziehen können

Stephan Micus - Panagia (2013) {ECM 2308}  Music

Posted by tiburon at Feb. 19, 2013
Stephan Micus - Panagia (2013) {ECM 2308}

Stephan Micus - Panagia (2013) {ECM 2308}
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Scans 100dpi | 245MB + 5% Recovery
Genre: Ethnic Fusion, New Age

“Panagia” is Stephan Micus’ 20th album for ECM, and it coincides with his 60th birthday in January 2013. The Greek word Panagia is one of the names of the Virgin Mary, Mother of Christ. Stephan Micus’ album takes six Byzantine Greek prayers and sets them in his own inimitable way with instruments he has collected in years of travels round the world. “The album alternates sung poems with instrumental tracks and thus has a clearly symmetrical, even ritualistic, structure”, says Micus.