La toute-puissance du hasard est au centre des textes cruels et drôles réunis ici (Tchékhov, Maupassant). Ces écrivains ont une fascination commune pour un thème complexe et troublant.
Pierre, musicologue comblé de 50 ans, a tout pour être heureux, un appartement agréable, une belle maison de campagne, des amis, des maitresses et même une femme qui l'aime, Aurélie. Un jour il aperçoit une femme vêtue d'un bleu de rêve. Dès lors, Pierre va chercher cette "apparition" dans tout Paris…
Mixing together the erotic and a theme of imminent death, director Michel Deville has fashioned an increasingly unsettling tale, based on the French novel Sur la Terre Comme au Ciel by Rene Belletto. When David (Christophe Malavoy) arrives at the home of Julia (Nicole Garcia) and Graham (Michel Piccoli) to teach guitar to their teenage daughter, a certain attraction starts between the student and teacher. That disappears when Julia seduces David at his apartment, and the two begin an affair, seemingly with the tacit consent of Julia's husband.
In this fascinating and unconventional examination of the creative process, an artist near the end of his career finds new inspiration in a young model. Edouard Frenhofer (Michel Piccoli) is a famous and well-respected artist who lives in a comfortable estate in the French countryside. At the age of 60, Frenhofer considers his career as a painter to be over; he says he no longer feels any inspiration to create, and his last attempt at a major work, a nude study of his wife Liz (Jane Birkin) called "La Belle Noiseuse" (The Beautiful Nuisance), has sat unfinished for ten years. Just as Frenhofer has lost his enthusiasm for his art, he has also lost his passion for Liz; their relationship is polite and friendly, but without enthusiasm. When Frenhofer tells Nicolas (David Bursztein), his young protege, that he no longer feels the desire to paint, Nicolas suggests that he needs a more inspiring subject, and he offers his girlfriend Marianne (Emmanuelle Beart) as a model. Frenhofer is taken with Marianne's beauty, and, with Liz's cool approval, he and Marianne spend several arduous sessions together, exchanging ideas and opinions as Frenhofer methodically attempts to create a final masterpiece.
Four successful middle-aged men Marcello, a pilot; Michel, a television executive; Ugo, a chef; and, Philippe, a judge go to Philippe's villa to eat themselves to death. After the first night, Marcello insists that women should join them. Three prostitutes make it through a day or two; Andrea, a local school teacher, stays to the end. The villa, the food, and a Bugati roadster are essential props.