A collection includes: 'Faith' (1987); Listen Without Prejudice (1990); 'Older' (1996); 'Ladies & Gentlemen: The Best Of George Michael' (1998); 'Songs From The Last Century' (1999); 'Patience' (2004); and 'TwentyFive' (2006).
Vulgar Unicorn are made up of Bruce Soord and Neil Randall. Bruce main group now is The Pineapple Thief. They boast of being one of the few truly progressive bands left in the UK, and they certainly sound very different to the norm. This British duo used the help from trumpet, saxophone and violin in some ambitious instrumental developments. Vulgar Unicorn is song oriented melodic prog. The compositions move in and of these influences creating variety and interest but not any wasted time. Also included in their sound is some space prog influences. This combination creates interesting changes in texture and mood. The melodious and refined themes, the sound effects, the simplicity of the moods evoke Pink Floyd, Camel or Coda. Vulgar Unicorn has their own niche, which is very easy to listen to.
His fourth CD from Alligator is his jazziest and bluesist recording to date. Clarke has written half of the compositions and put his own sound and style on those he did not write. Highlights include "The Boss" (inspired by saxophonist Willis Jackson) which is a fast jump that finds chromatic harp riffing along with a horn section – some interesting ideas. Other tunes are the Benny Moten tune "Moten Swing," "My Mind is Working Overtime," (a Latin-tinged tune written by Clarke), and "Letter from Home".
The Space Box contains three discs of prog rock and art rock, as well as trance-inducing Kraut rock, from the early '70s. Most of this music was inspired by the sonic experimentalism of late-'60s Pink Floyd – it builds on the long, free-form coda to "Interstellar Overdrive." There are subtle differences between the bands – for instance, Hawkwind tends to lean toward hard rock more than their contemporaries, who explore psychedelia and classical music flourishes. Even though the set is well compiled and contains some fine songs (Faust and Gong sound particularly good), there's no denying that there is a limited audience for this, even among prog-rock fans. It's experimental music that is oddly limited, working the same vibe, if not the same sound. If you're not a fanatic of space-rock, then the three discs of The Space Box will simply be too much to digest.