Allegri's early Baroque masterpiece Miserere from around 1630 movingly juxtaposes modal chant with tonality, and was so popular that the Vatican refused to allow it to be performed anywhere else - until the 14 year old Mozart broke the Vatican's monopoly by writing it down from memory after attending a performance. Pergolesi's late Baroque masterpiece Stabat Mater for soprano and alto dates from 1736, the year of his death at the age of 26. It was originally written for male voices but since it's hard to find a castrato these days, it's generally performed by two women or by a female soprano and counter-tenor. This performance uses a female alto but in other respects it's very much a period performance - the sound is intimate and the tempos are lively without any sacrifice of spiritual depth. The soloists, soprano Monika Frimmer and alto Gloria Banditelli, sing beautifully without overdoing the vibrato, and their voices are well matched. The disk also contains a brief "Sonata a quattro" by Vivaldi, and another setting of the Stabat Mater, by the late Baroque composer Antonio Caldara from around 1725.(Kenneth Dorter)
This anthology of devotional music from 18th-century Venice and Naples offers an interesting and varied programme. Best known is Pergolesi’s Stabat mater, but the settings by Domenico Scarlatti and Bononcini stand well in comparison. The motets by Lotti, Caldara and Alessandro Scarlatti are real discoveries; Norrington’s performances of the latter are particularly fine. Guest’s Pergolesi suffers from a focus of sound which makes the interpretation seem somewhat generalised. However, all these performances give pleasure, while the music is melodically fresh and rhythmically vital.-Terry Barfoot
John St. John aka Roland Hanneman is a New Age, Ambient and Chillout music composer.
John St. John - The Wolf (1995). The warm summer wind carries to you in perfect harmony the haunting howling of the wolf and the soothing melodies of the piano, woodwins, and strings creating an atmosphere of total peace and tranquility. A sense of profound relaxationn fills your mind and body. This is a time to deam, to reflect… and to rejoice in the majesty of nature…
The pieces brought together on this CD range widely, from ceremonial works associated with affairs of state to intimate compositions addressing moments of great personal significance. Two of the three pieces by Parry best exemplify this contrast: if I was glad – written for the coronation of Edward VII and premiered in chaotic circumstances – fits into the former category, ‘My soul, there is a country’ (from Songs of Farewell) – composed in the year of his death – belongs in the latter.