Mfsl 1960

Bob Dylan - Highway 61 Revisited (1965) MFSL Remastered, Ultradisc UHR, Hybrid Mono SACD 2017, Audio CD Layer

Bob Dylan - Highway 61 Revisited (1965)
Mastered by Shawn R. Britton & Rod LoVerde
Ultradisc UHR, Hybrid Mono SACD 2017, Audio CD Layer

EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb | Mp3 (CBR320) ~ 127 Mb | Scans included
Label: Mobile Fidelity Sound Lab, Columbia, Sony | # UDSACD 2182 Monaural, 88875091852
Singer/Songwriter, Folk-Rock, Country-Rock, Blues-Rock | Time: 00:49:25

Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album. The album was ranked No. 4 on Rolling Stone's "500 Greatest Albums of All Time". "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 1 on Rolling Stone's 500 Greatest Songs of All Time list.
Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {Blue Note Japan SHM-CD TYCJ-81010 rel 2013} (24-192 remaster)

Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {Blue Note Japan SHM-CD TYCJ-81010 rel 2013} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 384 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 245 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1960, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81010
Jazz / Hard Bop

One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".

The Unforgiven (1960)  Video

Posted by Tavaz at March 31, 2018
The Unforgiven (1960)

The Unforgiven (1960)
BluRay Remux | MKV | 1920x1080 | English | H264 @ 22000 kbps | FLAC @ 226 kbps | 2 h 1 min | 18.9 GiB
Subtitles: English
Genre: Drama, Western, Romance

The neighbors of a frontier family turn on them when it is suspected that their adopted daughter was stolen from the local Kiawa tribe.

The Full Treatment (1960)  Video

Posted by Tavaz at March 31, 2018
The Full Treatment (1960)

The Full Treatment (1960)
BDRip | MKV | 1280x544 | English | H264 @ 5041 kbps | DTS @ 768 kbps | 1 h 47 min | 4.37 GiB
Genre: Drama, Mystery

British film, released in the United States as "Stop Me Before I Kill!". A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan's physical injuries heal …

The Full Treatment (1960)  Video

Posted by Tavaz at March 31, 2018
The Full Treatment (1960)

The Full Treatment (1960)
BDRip | MKV | 1920x824 | English | H264 @ 9403 kbps | DTS @ 768 kbps | 1 h 47 min | 7.65 GiB
Genre: Drama, Mystery

British film, released in the United States as "Stop Me Before I Kill!". A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan's physical injuries heal …
The Mothers Of Invention - We're Only In It For The Money (1968) {MFSL UDCD 764 24k Gold}

The Mothers Of Invention - We're Only In It For The Money (1968) {MFSL UDCD 764 24k Gold}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 280MB + 5% Recovery
MP3 CBR 320 Kbps | 90MB + 5% Recovery
Genre: Rock, Experimental Rock

From the beginning, Frank Zappa cultivated a role as voice of the freaks - imaginative outsiders who didn't fit comfortably into any group. We're Only in It for the Money is the ultimate expression of that sensibility, a satirical masterpiece that simultaneously skewered the hippies and the straights as prisoners of the same narrow-minded, superficial phoniness. Zappa's barbs were vicious and perceptive, and not just humorously so: his seemingly paranoid vision of authoritarian violence against the counterculture was borne out two years later by the Kent State killings.
Roy Orbison - The All-Time Greatest Hits Of Roy Orbison (1972) [MFSL, UDCD 774]

Roy Orbison - The All-Time Greatest Hits Of Roy Orbison (1972)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
MFSL, UDCD 774 | ~ 332 or 126 Mb | Scans(jpg) -> 35 Mb
Rock & Roll / Early Pop / Rock

The listener is immediately convinced, from the opening a cappella bits of "Only the Lonely," that no one conveys pain and longing more sublimely or succinctly than Roy Orbison. But his songs are also masterpieces of production: so technically precise that his deceptively simple tunes and lush melodies flow even more smoothly behind his desperate baritone croon and quivering falsetto…
Blind Faith - s/t (1969) (Polydor Dennis Drake & MFSL masterings) **[RE-UP]**

Blind Faith - s/t (1969) (MFSL and Polydor Dennis Drake mastering)
EAC Rip | FLAC with CUE and log | scans | 279 mb. 253 mb
MP3 CBR 320kbps | RAR | 107 mb, 106 mb
Genre: blues rock, pop rock, classic rock

Blind Faith is the 1969 debut album by Blind Faith. It would also be the last album by Blind Faith. These are two different masterings of the album: the Polydor Dennis Drake mastering and the MFSL pressing. There is also the RSO "unremastered" version that came out first with two bonus tracks but I did not feature that here.
Ray Charles - The Genius Of Ray Charles (1959) [MFSL 2012] PS3 ISO + Hi-Res FLAC / RE-UP

Ray Charles - The Genius Of Ray Charles (1959) [MFSL 2012]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 38:29 minutes | Scans included | 1,01 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 678 MB
Mobile Fidelity Sound Lab # UDSACD 2055

The Genius of Ray Charles is a 1959 album by Ray Charles. In 2003, the album was ranked number 263 on Rolling Stone magazine's list of the 500 greatest albums of all time. Some players from Ray Charles' big band are joined by many ringers from the Count Basie and Duke Ellington bands for the first half of this program, featuring Charles belting out six songs arranged by Quincy Jones. "Let the Good Times Roll" and "Deed I Do" are highlights, and there are solos by tenorman David "Fathead" Newman, trumpeter Marcus Belgrave, and (on "Two Years of Torture") tenor Paul Gonsalves. The remaining six numbers are ballads, with Charles backed by a string orchestra arranged by Ralph Burns.
Elvis Costello & Burt Bacharach - Painted from Memory (1998) [MFSL Remastered 2017, Ultradisc UHR, Hybrid SACD, Audio CD Layer]

Elvis Costello & Burt Bacharach - Painted from Memory (1998)
Mastered by Rod LoVerde, Ultradisc UHR, Hybrid SACD 2017, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 292 Mb | Mp3 (CBR320) ~135 Mb | Scans included | 00:52:38
Baroque Pop, Ballad, Easy Listening | Label: Mobile Fidelity Sound Lab | # UDSACD 2193

Elvis Costello and Burt Bacharach first collaborated on "God Give Me Strength," a sweeping ballad that functioned as the centerpiece in Allison Anders' Grace of My Heart. It was a stunning song in the tradition of Bacharach's classic '60s work and it was successful enough that the composers decided to collaborate on a full album, Painted from Memory. Wisely, they chose to work within the stylistic parameters of Bacharach's '60s material, but Painted from Memory never sounds like a stylistic exercise. Instead, it's a return to form for both artists. Bacharach hasn't written such graceful, powerful melodies since his glory days, and Costello hasn't crafted such a fully realized album since King of America. It's a testament to both that even if the album is clearly in Bacharach's territory, it feels like a genuine collaboration.