One of three LPs recorded by the Gerry Mulligan Sextet of 1955-56, this set includes plenty of lesser-known songs including "Mainstream," "Igloo" and "Lollypop." With such strong soloists as baritonist Mulligan, the always swinging tenor of Zoot Sims, valve trombonist Bob Brookmeyer and trumpeter Jon Eardley, this was a classic West Coast style jazz band and each of its recordings are worth acquiring.
This 10-CD set is as good a compendium of the genius of Louis Armstrong as anyone could wish for. It’s all here: the early years with the King Oliver and Fletcher Henderson bands, the glorious period of the Hot Fives and Sevens, the big band recordings of the Thirties, the collaborations with contemporaries such as Ella Fitzgerald. Then there are the later recordings, when Satchmo’s celebrity empowered him to soar over many political and racial divides. There’s also a fascinating unreleased Hollywood Bowl concert from 1956, a CD of “out-takes” from recording sessions, and a revealing interview with Dan Morgenstern.
Essential: a masterpiece of progressive rock music
5 stars it’s the RUSH album… no ordinary songs! Guitar, bass and drums are incredible! As hard rock as progressive! The guitar sound is unique and it takes most of the place without giving you the feeling that other instruments are not present enough!!
Falling somewhere between the pop sensibilities of Ten Summoners Tales and the searching ambition of The Soul Cages, Mercury Falling is one of Stings tighter records, even if it fails to compel as much as his previous solo albums. Though he doesn't flaunt his jazz aspirations as he did in the mid-80s, Mercury Falling feels more serious than The Dream of the Blue Turtles, primarily because of its reserved, high-class production and execution. Building from surprisingly simple, memorable melodies, Sting creates multi-layered, vaguely soul-influenced arrangements that carry all of the hallmarks of someone who has studied music, not lived it.
16 Track compilation featuring James Brown, Ramsey Lewis, Marlena Shaw & Others.
Clifford Brown: "Best Coast Jazz" is the Five Star bookend session to "Clifford Brown All Stars", both having been recorded at the same session in Los Angeles in 1954. On the vinyl LP, each song took up a side, allowing for plenty of blowing room. "BCJ" would be released in 1955. One year later, Clifford Brown (and pianist Richie Powell and wife) would be dead from a car wreck on the Penn Turnpike during a rainstorm. Thus altering the course of jazz trumpet history in one tragic act. "CBAS" would be hurriedly released following the accident and we would once again shake our heads at the tremendous loss of trumpet genius Clifford Brown.
A pair of funky jazz sets from Bennie Maupin – '77's Slow Traffic To The Right and '78's Moonscapes – together in a single set! Slow Traffic To The Right is Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the tracks are pretty great too. Pat Gleeson produced and plays synth on the LP, and the cuts include "Quasar", "You Know the Deal", "Water Torture", and "Lament".
Japan Mini LP reissue with the latest 24bit/96kHz remastering. Recordings by brothers who play the identical instrument are fairly rarein jazz, but trumpeters Conte and Pete Candoli made several valuable records together without sibling rivalry. The ten selections on this album draw favorites from swing, bop, cool, and hard bop, with an excellent rhythm section (pianist Jimmy Rowles, guitarist Howard Roberts, bassist Max Bennett, and drummer Frank Capp) complementing the brothers.
Famously tagged as "fascist" in a Rolling Stone review printed at the time of its 1978 release, Jazz does indeed showcase a band that does thrive upon its power, thrilling upon the hold that it has on its audience. That confidence, that self-intoxication, was hinted at on News of the World but it takes full flower here, and that assurance acts as a cohesive device, turning this into one of Queen's sleekest albums…