Kristoffer Gildenlow is a Swedish musician and singer-songwriter, best known as the bassist for Pain Of Salvation from 1995 until 2006. "Rust" is his first studio album, which featured a wide range of music and guest musicians. Fragile, dark, melancholic and soothing is the theme as Kristoffer Gildenlöw's "Rust" takes us on a sentimental journey through memories and dreams. Although this is not a concept album in any way, there is a red line throughout the album, dealing with youth, growing old, death and finding peace in life. The music is a personal emotional journey with a singer songwriter feel, ambient art rock moods and even touches of folk…
Faustina Bordoni was one half of Handel’s so-called ‘Rival Queens’ for just under three seasons (172628), and in 1730 she married Hasse in Venice – so Vivica Genaux’s recital of arias for Faustina by Handel and Hasse is such an obviously sensible idea that it’s amazing it hasn’t been done before. Quantz praised Faustina’s immaculate articulation and excellent trills – and Genaux lives up to that vocal artistry brilliantly with the copious trills and arching melodic phrases in the long but lovely ‘Piange quel fonte’ from Hasse’s Numa Pompilio.
Gabriel is back with another funky contemporary jazz album, collaboration with Jeff Lorber (keys, g, b). In addition Brian Bromberg (b), Chuck Loeb (g), Rock Hendricks (sax) and Rob Tardik (g) all make guest appearances. Hasselbach plays trumpet, flugelhorn, trombone and flute. He soars, soothes and keeps the melodies crisp. They waste no time getting down to business with the opener "King James", the first of ten cuts that sizzle. Gabriel and company are energized and when you plug this one in you too will be Kissed By The Sun!
Anyone interested in stunning violin artistry should buy this amazing disc straightaway. It’s one of the best things I’ve heard in a long time. I hadn’t come across Tianwa Yang’s Sarasate series for Naxos before but I will certainly search out the other discs as a matter of some urgency. Her playing is simply extraordinary - no wonder she’s been described as “A Pride of China”. This isn’t one of those flashy, hollow, 20-notes-a-second recitals that quite frankly drive me to distraction.