Matthias Kirschnereit is one of the leading German pianists of his generation. His international solo career has taken him to five continents. He has very close links to the Bamberg Symphony Orchestra, with whom he is recording Mozart's collected piano concertos for Arte Nova. Kirschnereit's fascination with Mozart's piano concertos dates back to his youth.
The conventional wisdom about Venetian Antonio Lotti, composer of the a cappella masterwork "Crucifixus," is that as a card-carrying member of the stil antico he represented a conservative viewpoint akin to that of his later contemporary Leonardo Leo – the fewer instruments the better, the closer to the polyphonic language of Palestrina the better. Moreover, if the "Crucifixus" was the only work of Lotti that someone became acquainted with, then he/she could not be blamed for believing this was so, although he/she might note the distinct Baroque harmonic coloring of the piece as being rather unlike that of Palestrina. Here is a challenge for you – CPO's Antonio Lotti: Vesper Psalms performed by the Sächsisches Vocalensemble and Batzdorfer Hofkapelle under Matthias Jung. It presents a selection of Lotti's surviving concerted sacred choral works, pieces that are scored with a small Baroque orchestra and easily comparable to contemporary music by Handel, Johann Sebastian Bach, and his direct competitor Antonio Vivaldi. Careful scrutiny of the poorly compiled worklist for Lotti in Grove's Dictionary of Music and Musicians reveals that some of these pieces are so listed, but with no mention whatsoever of the instrumental forces involved; they are identified as a cappella works just like the others. One wonders to the extent of Grove's oversight in this matter.
3CDs OF INVALUABLE ZAPPA BROADCASTS. INCLUDES SETS FROM HIS 1973 TOUR, COMPILED BY THE MAN HIMSELF. This triple CD features three rare recordings, all originally broadcast on FM radio, and now available here in this superb fold out digipack set. Featuring performances made at; Central Park, New York in 1968, with the original Mothers Of Invention (and featuring numbers from both the early and late sets on the day in question); from the TV & simultaneous radio transmission from Udel in Holland in 1970 (the first live show by the second incarnation of the Mothers, and featuring Flo & Eddie in the ranks) and, on the third CD, a collection of live performances from Zappa s 1973 tour, from a tape put together by Frank himself and broadcast on New Year s Eve 1974. The tracks and shows represented on this set illustrate the spectrum of Zappa and his various groups live abilities across the first decade of the man s career, and in so doing reveal a quite fascinating trajectory of Frank Zappa's live work.
Franz Krommer (1759-1831) was a prolific and very good composer, whose music is now being resuscitated with great and deserved success. It was difficult to be a composer in Vienna at the same time as Beethoven and Schubert, and most of their contemporaries have not survived the pressure. But Krommer managed to retain his personality and originality, becoming the last official director of chamber music and court composer to the Habsburg court under the conservative Emperor Francis I. The first of the two symphonies was published in 1803. Among its many interesting features is a haunting litde trio in the form of a waltz. The second work is much later, with four horns and three trombones, and is in C minor, but ending in the major. In both works, Krommer's knowledge of, and predilection for, the wind instruments is notable. The two works were well worth recording, especially with such felicitous performances and bright, pleasing recorded sound.