The latest offering from James Ehnes is an outstanding 2-CD set of the Complete Works for Violin by Sergei Prokofiev. Gianandrea Noseda conducts the BBC Philharmonic in the Violin Concerto No.1 in D Major and the Violin Concerto No.2 in G Minor on disc one, and Andrew Armstrong is the accompanist for the violin and piano works on disc two. Ehnes gives thoughtful and sensitive performances of the two concertos, and is given perfect support by Noseda, a conductor who has few equals when it comes to drawing nuanced, sensitive playing from a large orchestra.
The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
Akasha is an international musical collaboration reflecting a new era in the way music is being created: the musicians that are part of this group use the internet as their meeting place. Musical ideas are exchanged back and forth in cyberspace until the desired result is achieved. Singers from the UK (Tanmayo), Israel (Gerhard Fankhauser) and New Zealand (Kiri Iriwata) exchange ideas online with instrumentalists from India (Bikram Singh on flute, Avinash Jagtap on violin) and composer/producer Chinmaya Dunster. All share a deep commitment to meditation and Eastern philosophy. Their love for the ancient spiritual chants of India has lead to Yoga Spirit, a harmonic blend of East and West, acoustic and electronic instruments, created to support yoga practice.
'Testament' is Rachel Barton Pine's very personal homage to the music of J. S. Bach, on which she performs the composer's complete Sonatas and Partitas for Solo Violin in the acoustic of her hometown St. Pauls Church in Chicago, where she first heard and fell in love with Bach's music.
Teodorico Pedrini is the only 18th century composer of which we know that he wrote European music in China, where he arrived after an eight year long journey from Italy to the Canary Island, Chile, Mexico, Peru and the Philippines. After his arrival in Beijing in 1711, he worked for the emperors Kangxi, Yongzheng and Qianlong until his death in 1746. Until today, he has been appreciated as one of the most important cultural ambassadors for Western music in Asia of all times.
This video that takes students from opening the case to playing a simple tune in no time. Topics include: maintenance and care for the instrument, correct posture and holding techniques, simple finger patterns, bowing and plucking methods, your first notes, music theory, and helpful hints to get you started fast.
The Gemini Series features an impressive roster of singers, conductors, soloists, and ensembles of international renown, all from the incomparable EMI Classics stable. EMI's rich legacy of recording expertise comes to the fore in performances from the 1960s to the 1990s. Gemini titles are predominantly collections of single composers and fantastic value with well over an hour of music on each CD, making them the ideal place to start or develop a collection of classical music. Each 2-CD set contains over two hours of music for a fantastically low price. Attractively designed and packaged in space-saving brilliant boxes, each set includes three-language booklets with detailed notes on the music.
Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.
Welcome to Picture Yourself Playing Violin! It begins at the basics with no prior musical knowledge assumed. This book/DVD package is truly intended for complete beginners—it guides you through your first steps of acquiring a violin, setting up the violin to practice, actually moving the bow and fingering hands, understanding and reading sheet music, and learning how to practice a song up to a point to where you feel comfortable performing it in front of your first audience.