2010 sophomore album from the British Alt-Rockers. You Me At Six's emergence is a DIY Punk dream come true: one unsigned suburban Rock outfit - zapped through with sinewy guitar riffs and can't-get-you-out-of-my-head harmonies - are suddenly rocket launched from Surrey's suburban toilet circuit into the festival big time and onto Radio One's playlist with only a MySpace fan page to light the fuel. Along the way, the five piece amass a fan base of thousands.
The Faces were unanthologized on CD prior to 1999, but ever since Rhino's corking single-disc Good Boys…When They're Asleep…, the group has seen a number of different compilations of different sizes, of which Rhino U.K.'s 2012 set Stay with Me: Anthology is the fifth. At two discs, this has 2007's The Definitive Rock Collection as its closest cousin: they're both double discs that cover a tremendous amount of ground, but Stay with Me has a slight edge, weighing in at 36 tracks compared to Definitive's 30. Of those 30 tracks, 27 cuts are present and accounted for on Stay with Me – the missing numbers are "Open to Ideas," "Jodie," and "(I Know) I'm Losing You," the latter two cuts from solo Rod Stewart albums where he was backed by the Faces – and those other nine songs include some of the Faces' very best, including the roaring rocker "That's All You Need," Ronnie Lane's sweet, plaintive "Richmond," and the gloriously shambolic "On the Beach".
C’est l’histoire du plus grand piratage de toute l’Histoire, d’une invention révolutionnaire qui a fait chuté les majors, d’un site web illégal qui proposait quatre fois plus de musique que l’iTunes Store. C’est l’histoire de visionnaires et de criminels, de nababs et d’adolescents geeks. C’est l’histoire de Steve Jobs, de Youtube, de Lil Wayne, de Jay-Z… c’est tout simplement l’histoire d’Internet. …
's lone effort reunites the singer with producer , whose mid-'70s dates for effectively launched her solo career. proves some distance removed from the jazz-funk context of their previous collaborations, however, instead couching 's potent vocals in a slickly commercial, radio-friendly setting that casts neither artist nor producer in a positive light.