Mark Hollis Flac

Mark Hollis (ex Talk Talk) - Mark Hollis (1998)  Music

Posted by Designol at June 21, 2017
Mark Hollis (ex Talk Talk) - Mark Hollis (1998)

Mark Hollis (ex Talk Talk) - Mark Hollis (1998)
EAC | FLAC | Image (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 107 Mb | Scans ~ 98 Mb
Post Rock, Art Rock, Experimental, Baroque Pop | Label: Polydor | # 537 688-2 | 00:46:59

Achingly gorgeous and hauntingly stark, Mark Hollis' self-titled debut picks up where he left off with Talk Talk's Laughing Stock seven years earlier, re-emerging at the nexus point where jazz, ambient, and folk music collide. It's quite possibly the most quiet and intimate record ever made, each song cut to the bone for maximum emotional impact and every note carrying enormous meaning. Hollis paints his music in fine, exquisite strokes, with an uncanny mastery of atmosphere that's frequently devastating. And if anything, his singularly resonant voice has grown even more plaintive with the passage of time, which – combined with the understated artistry and minimalist beauty of tracks like "The Colour of Spring" and "Watershed" – makes Mark Hollis a truly unique and indelible listening experience. His obvious understanding of the power of silence aside, one prays he doesn't again wait for the seven-year itch to strike before returning.
Talk Talk - Spirit Of Eden (1988) [Reissue 2003] PS3 ISO + FLAC {RE-UP}

Talk Talk - Spirit Of Eden (1988) [Reissue 2003]
PS3 Rip | SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | 40:54 minutes | Scans included | 718 MB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 799 MB
New Wave / Synthpop / Post Rock
Derek Charke, WIRED! Ensemble & Mark Hopkins - In Sonorous Falling Tones (2017)

Derek Charke, WIRED! Ensemble & Mark Hopkins - In Sonorous Falling Tones
Classical | WEB FLAC (tracks) & d. booklet | 56:06 min | 260 MB
Label: Centrediscs | Tracks: 08 | Rls.date: 2017

In Sonorous Falling Tones features the music of Derek Charke, the WIRED! Ensemble conducted by Mark Hopkins, and Derek Charke as flute soloist. The music in this album spans the fullest range of Derek’s output, from a work written fifteen years ago while he was finishing his doctoral studies in composition at SUNY Buffalo, to the title track—a work from 2015 that features his considerable talents as a flutist. Derek creates new and complex musical worlds, always searching for some kernel of truth and beauty. Derek Charke is a JUNO and three-time East Coast Music Association award winning composer and flutist.

Mark Knopfler - Get Lucky (2009)  Music

Posted by v3122 at Nov. 10, 2015
Mark Knopfler - Get Lucky (2009)

Mark Knopfler - Get Lucky (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Vertigo, 2708675 | ~ 354 or 145 Mb | Scans(jpg) -> 78 Mb
Soft Rock / Country Rock

With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist…

Mark Knopfler - Screenplaying (1993)  Music

Posted by v3122 at Oct. 27, 2015
Mark Knopfler - Screenplaying (1993)

Mark Knopfler - Screenplaying (1993)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Vertigo, 518 327-2 | ~ 377 or 169 Mb | Scans(600dpi, jpg) -> 67 Mb
Soundtrack / Soft Rock / Modern Classical / Ambient

This album presents excerpts from four movie scores written and performed by Dire Straits leader Mark Knopfler: Cal, Last Exit to Brooklyn, The Princess Bride, and Local Hero. The music is reminiscent of the calmer parts of Dire Straits songs: melodic, lyrical, and touching…

Mark Knopfler - Get Lucky (2009) (limited edition)  Music

Posted by uff at March 6, 2014
Mark Knopfler - Get Lucky (2009) (limited edition)

Mark Knopfler - Get Lucky (2009) (limited edition)
DVD5 | VIDEO_TS | MPEG-2 Video, PAL 16:9 (720x576), 25fps, 7360kbps | DD 2.0, 192kbps | 31min | 1720Mb
1CD | Flac + Cue + Log | 300Mb
Rock | Vertigo 2708671 | rel: 2009 | covers

With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric.
The Best of Dire Straits & Mark Knopfler: Private Investigations (2005)

The Best of Dire Straits & Mark Knopfler: Private Investigations (2005)
Rock | EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
Mercury Records, 9874051 | CIS | ~ 546 or 550 or 224 Mb | FileServe, Wupload, Uploaded
Scans (JPG) Included | Scans (Tiff, 600dpi) -> 461 Mb

'The Best of Dire Straits & Mark Knopfler: Private Investigations' is a 2005 best of album. Named after their 1982 hit single, it consists of material by Dire Straits, with songs selected from the majority of the group's six studio albums (excluding the 1979 album Communiqué) from 1978 up to the group's dissolution in 1995…
Rhodri Davies, David Sylvian, Mark Wastell - There Is No Love (2017) {Confront CORE 01}

Rhodri Davies, David Sylvian, Mark Wastell - There Is No Love (2017) {Confront CORE 01}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 137 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 600 dpi (jpg) -> 10 Mb | 5% repair rar
© 2017 Confront Recordings | CORE 01 | Confront Core Series
Experimental / Poetry / Ambient / Non-Music / Bells / Electronic

In There Is No Love, Davies, Sylvian and Wastell offer a sparse and brooding setting of Bernard Marie Koltès’ text – part of a longer play from 1985 - in which its two characters, named only the Dealer and Buyer, are barely more than ciphers, their ghostly figures enacting a mysterious negotiation in a crepuscular world where emotional engagement has departed in place of commodified exchange (“There is no love”.) What, exactly, is being bought and sold is never revealed, yet Sylvian’s careful enunciation bristles with implicit violence and desire.

Melanie De Biasio - No Deal (2013) [Official Digital Download]  Vinyl & HR

Posted by HDV at Aug. 16, 2017
Melanie De Biasio - No Deal (2013) [Official Digital Download]

Melanie De Biasio - No Deal (2013)
FLAC (tracks) 24-bit/44,1 kHz | Time - 38:35 minutes | 417 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Tasteful, subtle and inscrutable, Belgium's Melanie De Biasio and the band have made one of the few modern vocal jazz records. The singer, who also plays flute on the album, which she studied at the Conservatoire Royal De Bruxelles – was born in Charleroi, Belgium, to an Italian family originally from Venice and grew up listening to Maria Callas, David Bowie, Pink Floyd, Jeff Buckley and Rage Against The Machine. But you wouldn't necessarily infer such diverse influences from No Deal. It's a record that she produced herself and is steeped in the language of blues and jazz. "No Deal" is a dark, transcendent songs that seem to suspend time.

Chantal Acda - Bounce Back (2017)  Music

Posted by delpotro at May 9, 2017
Chantal Acda - Bounce Back (2017)

Chantal Acda - Bounce Back (2017)
XLD Rip | FLAC (tracks+log+.cue) | 00:50:35 | 269 Mb
Folk, Pop, Rock, Experimental, Ambient, Female Vocal | Label: Glitterhouse Records

“These are changing times: sad times but times that are also filled with hope. And I felt like this changing world required a different position from me, another way of relating to it. Working on this album helped me in the process.
I was searching for connections: with myself, with others and with something bigger than all of us. Soon I realised that writing an album in solitude – like I usually work – started to feel hypocritical, and that playing shows at venues with great PA systems and the perfect sound and lights couldn’t feel more different from how I normally write my music.