In addition to THE NEAL MORSE BAND, featuring MIKE PORTNOY, the 38 musicians on stage create a prog orchestra. Over two nights (one on each video disc) in 2015, they perform new arrangements of material from NEAL MORSE’s career. The two concerts span over five hours, venturing beyond the studio versions they’re based on…
Belisario is, quite simply, one of Donizetti’s finest achievements. Dating from the high watermark of Donizetti’s maturity, with its premiere in 1836 (the year after the debut of Maria Stuarda in Milan and Lucia di Lammermoor in Naples), Belisario proved a triumph on stages throughout the 19th century. Yet, incredibly, it is little known today. The libretto, by Salvadore Cammarano (who collaborated with Donizetti on Lucia di Lammermoor), tells the moving and typically complicated story of the 6th century Byzantine general. Falsely accused by his wife, Antonina, of killing their son, he was blinded and exiled as his punishment. Only the recognition by his daughter, Irene, that her father’s former captive, Alamiro, was her long-lost brother restores Belisario’s reputation; tragically, too late to save his life.
A Sunday in Autumn (1994). Jon Mark uses his electronic keyboards to produce a CD filled with incredibly evocative music. The melancholy and reflection that flow through every song on this recording are indicative of the time of year when trees go bare, the air grows cold, and winter begins to appear. Some of the songs are tinged with bittersweet memories, others are more minor-key and somber.
Asia Journey (1996). Blending his unique warm and melodic yet still distinctly ambient keyboards with a subtle yet tangible Far Eastern texture, Jon Mark has once again delivered the goods. This man can, apparently, do no wrong…
Brother Bear: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 2003 animated feature Brother Bear. It contains the film's music composed by Mark Mancina and Phil Collins, as well as songs written by Collins, and performed by Tina Turner, The Blind Boys of Alabama, Oren Waters, The Bulgarian Women's Choir, and even Collins himself. Much of the soundtrack in the film consists of the songs performed by Collins as a montage, much like what was done with the earlier Disney soundtrack to film Tarzan, but not entirely. The album was released on October 21, 2003 by Walt Disney Records.
Harry Belafonte's first album features a solid variety of songs from American folk tradition, learned during his studies of folk music at the Library of Congress in the early 1950s. He had signed with RCA Victor in 1952, recording a series of well-received singles. Belafonte's new-found love for music of the West Indies can be found in songs such as "Man Piaba" (which he wrote) along with songs from English and Scottish tradition such as "Lord Randall" and "The Drummer & the Cook." Songs from African-American tradition include the chain gang song "Tol' My Captain" and the ubiquitous "John Henry." Mark Twain was a good initial effort, but Belafonte's repertoire and delivery would get stronger with the next album.
La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.