An updating of the Faust legend, with a dash of Fritz Lang's "Der Müde Tod", to a 1950's Paris recreated in vividly abstract expressionistic sets. The film cost a small fortune to make and was virtually ignored on its release, demolished with vitriol by the critics of the Cahier du cinema. Because of that, its reputation is virtually zero. The film is, in fact, a gem of inventive, imaginative, technically stunning filmmaking totally out of reach for most of the New Wave directors.
Features the latest remastering. Includes a Japanese description, lyrics, and bonus track(s). Features original cover artwork. One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and Howard Roberts on guitar – both musicians who bring a strong sense of presence to the group passages on the date, but who are also more than willing to step aside and let Pollard really flourish on her solos during some of the album's trio tracks.