Prometheus is an original motion picture soundtrack to the 2012 science fiction film of the same name. Written by German composer Marc Streitenfeld, the soundtrack also features two supplemental pieces by English composer Harry Gregson-Williams, and it was conducted by Ben Foster. Since working as music supervisor on Ridley's Scott's 2005 film, Kingdom Of Heaven, Scott has called on Marc Streitenfeld to score all of his subsequent movies including A Good Year, Body Of Lies, Robin Hood and American Gangster, for which he was nominated for a BAFTA. Prior to his work as a composer, Streitenfeld had collaborated with Scott as music editor, music supervisor and technical score advisor on several projects, including Matchstick Men, Black Hawk Down and Gladiator.
Since the first performance of Le Martyre de Saint Sebastien on May 22nd, 1911, there has been much speculation about the reasons which could have led Debussy to compose incidental music for the play of Gabriele d'Annunzio and about the validity and authenticity of the musical work. Granted, the circumstances in which the piece was created are grounds for suspicion.
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Shanir Ezra Blumenkranz steps out on his own to make one of the most primal and tribal installments in the Book of Angels series. Drawing on his Sephardic roots, Shanir plays gimbri throughout, giving the music a primeval Moroccan edge. Featuring the intense guitar pyrotechnics of Eyal Maoz and Aram Bajakian (who recently has been tearing it up in Lou Reed’s new band) and the atavistic drumming of Kenny Grohowski, this is Ritualistic Jewish Rock for the 21st century by a brilliant young lion from the East Village via Brooklyn/Israel!
David Krakauer is one of the greatest of all modern Klezmer clarinetists. A veteran of countless bands and ensembles and a founding member of the Klezmatics, his ensemble Klezmer Madness has been forging new roads in the world of Jewish music since the late 1980s. David and Zorn have a long history and friendship that began with Zorn's legendary Kristallnacht recording of 1992, followed thru with David’s guest appearances in various Masada ensembles and the release of his first CD with Klezmer Madness on Tzadik. Here David takes a variety of Masada compositions back to their roots, interpreting them brilliantly as traditional (and not-so-traditional) Klezmer tunes. A fascinating meeting of old and new by two of the most creative musicians in Modern Jewish music!