Marc 2012

MSC Marc (Classic) 2012.1  Software

Posted by scutter at Oct. 31, 2012
MSC Marc (Classic) 2012.1

MSC Marc (Classic) 2012.1 | 1.3 Gb

MSC Software Corporation, the leader in multidiscipline simulation solutions that accelerate product innovation, announced the release of Marc 2012. This new release of Marc provides engineers with significant performance improvements for the desktop and enhanced robustness for a broad range of nonlinear finite element analysis applications.

MSC Marc (Mentat) 2012.1  Software

Posted by scutter at Oct. 22, 2012
MSC Marc (Mentat) 2012.1

MSC Marc (Mentat) 2012.1 | 1.2 Gb

MSC Software Corporation, the leader in multidiscipline simulation solutions that accelerate product innovation, announced the release of Marc 2012. This new release of Marc provides engineers with significant performance improvements for the desktop and enhanced robustness for a broad range of nonlinear finite element analysis applications.

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)  Music

Posted by murena at Nov. 6, 2017
VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | Covers included | 14,5 Gb
MP3 320 kbps | 55 CDs, 58:55:41 min | 7,9 Gb
Genre: Classical / Label: Deutsche Grammophon

MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
Alexis Kossenko & Arte dei Suonatori - Charpentier: Leçons de ténèbres (2012) [Official Digital Download 24/88]

Stephan MacLeod, Alexis Kossenko & Arte dei Suonatori - Charpentier: Leçons de ténèbres (2012)
FLAC (tracks) 24-bit/88.2 kHz | Time - 65:29 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In France, during the reign of Louis XIV, the religious service known as Tenebrae was one of the most distinctive ceremonies in the liturgical year. Gradually, in the course of the office, the candles were extinguished, recalling the darkness that covered the earth when Jesus died on the cross.

KAOS Protokoll - Quick & Dirty (2012)  Music

Posted by Domestos at March 31, 2018
KAOS Protokoll - Quick & Dirty (2012)

KAOS Protokoll - Quick & Dirty (2012)
WEB FLAC (tracks) ~ 391.70 Mb | 63:56 | Cover
Nu Jazz, Fusion | Country: Switzerland | Label: Unit Records

The world is sinking into chaos - and we provide the soundtrack! Right above the state capital, the birthplace of this source of sensations known as the KAOS-Protokoll, calamity is brewing. People are already reporting metallic jarring melodies which pursue them all the way into their dreams. Hunting bass lines are spreading their mischief and insanity-strewing drumgrooves are clearing the streets.

Diana Krall - Glad Rag Doll (2012) {CD+DVD, Deluxe Edition, Japan}  Music

Posted by popsakov at March 18, 2018
Diana Krall - Glad Rag Doll (2012) {CD+DVD, Deluxe Edition, Japan}

Diana Krall - Glad Rag Doll (2012) {CD+DVD, Deluxe Edition, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 367 Mb | MP3 CBR320 ~ 165 Mb
DVD5 | VIDEO_TS | MPEG-2 Video, NTSC 720x480 (16:9), 29.970 fps, VBR ~ 7810 kb/s
LPCM 2.0, 48.0 kHz/16 bits, 1536 kb/s | Subtitles: Japan | 11:01 | ~ 810 Mb
Full Scans (JPG, 600 dpi) ~ 50 Mb | RAR 5% Recovery
Vocal Jazz, Standards, Contemporary Jazz | Verve Records #UCCV-9445

For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of Krall's vocal trademarks. Check the speakeasy feel on opener "We Just Couldn't Say Goodbye," with Marc Ribot's airy chords, Jay Bellerose's loose shuffle, and Dennis Crouch's strolling upright bass. Krall's vocal actually seems to express delight in this loose and informal proceeding – though her piano playing is, as usual, tight, top-notch.

Marc Dugain, "La malédiction d'Edgar"  eBooks & eLearning

Posted by TimMa at March 9, 2018
Marc Dugain, "La malédiction d'Edgar"

Marc Dugain, "La malédiction d'Edgar"
Gallimard | 2012 | ISBN: 2070773795 | French | EPUB | 493 pages | 0.6 MB

«Edgar aimait le pouvoir mais il en détestait les aléas. Il aurait trouvé humiliant de devoir le remettre enjeu à intervalles réguliers devant des électeurs qui n'avaient pas le millième de sa capacité à raisonner. Et il n'admettait pas non plus que les hommes élus par ce troupeau sans éducation ni classe puissent menacer sa position qui devait être stable dans l'intérêt même du pays. Il était devenu à sa façon consul à vie.» …

Sans raison apparente - Marc Aurielis  eBooks & eLearning

Posted by Maroutan at March 4, 2018
Sans raison apparente - Marc Aurielis

Sans raison apparente - Marc Aurielis
French | 2012 | 206 Pages | ISBN: 1481806289 | EPUB | 150.29 KB

Alors que certains pratiquent un sport, font du business ou apprennent le piano, Paul lui, casse des banques et prend des otages. C’est sa façon de relever des défis et de développer sa part de créativité. Pour lui, préparer un casse, c’est comme créer une entreprise. On établit une stratégie, on jauge le risque, on anticipe et l’on met des outils à disposition. À une nuance près, dans l’un, on lève des fonds et dans l’autre, on les soutire. Un seul impératif : que ce soit un casse parfait ! C’est ce à quoi va s’employer Paul dans l’élaboration d’un braquage sur mesure, non dénué de charme et d’originalité, surtout quand le lieutenant chargé de l’affaire s’appelle Marie.

Sekou Bunch - Sekou (1991/2012) [DSD64 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at Feb. 10, 2018
Sekou Bunch - Sekou (1991/2012) [DSD64 + Hi-Res FLAC]

Sekou Bunch - Sekou (1991/2012)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 64:45 minutes | 1,56 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 64:45 minutes | 1,31 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Sekou Bunch is a world renowned musician and bassist. Born and raised in New York City, Sekou Bunch was exposed to the arts, virtually from the very beginning. Thirty plus years in the trenches providing the rock solid backbone for some of the brightest stars in the business; Michael Jackson, Anita Baker, Luther Vandross, George Benson, Whitney Houston, Lionel Richie, Roger Daltrey and Marc Anthony to name a few has provided Bunch rich opportunity to draw influence from rock, jazz and R&B.
Marc Minkowski, Les Musiciens du Louvre - Rameau: Hippolyte et Aricie (2011)

Marc Minkowski, Les Musiciens du Louvre - Rameau: Hippolyte et Aricie (2011)
EAC | FLAC | Image (Cue & Log) ~ 799 Mb | Total time: 56:05+57:13+54:07 | Scans included
Classical | Label: Archiv Produktion | # 477 9393 | Recorded: 1994

Hippolyte et Aricie was Rameau's first surviving lyric tragedy and is perhaps his most durable, though you wouldn't know it from the decades we had to wait for a modern recording. Now there are two: this one, conducted by Marc Minkowski, and William Christie's version on Erato. Choosing between the two is tough. Minkowski uses a smaller and probably more authentic orchestra, and with the resulting leaner sound, the performance has more of a quicksilver quality accentuated by Minkowski's penchant for swift tempos. His cast is excellent. The central lovers in the title are beautifully sung by two truly French voices, soprano Véronique Gens and especially the light, slightly nasal tenor of Jean-Paul Fourchécourt. In the pivotal role of the jealous Phèdre, Bernarda Fink is perfectly good but not in the exalted league of Christie's Lorraine Hunt. So there's no clear front-runner, but anyone interested in French Baroque opera must have at least one.
–David Patrick Stearns