100 CDs provide you with the most exciting, most beautiful and most swinging recordings from this period. All-Star Swing groups with their most famous recordings. Mit Henry Allen, Roy Eldrige, Ben Webster, Coleman Hawkins, Lester Young, Johnny Hodges, Benny Carter, Fats Waller, Art Tatum, Benny Goodman, Lionel Hampton, Red Norvo, Teddy Wilson, Buck Clayton, Django Reinhardt, Jack Teagarden, Rex Stewart, Chu Berry, Charlie Christian, Louis Armstrong u.a. 100-CD-Box with original recordings.
Ton Liebt Klang Presents Best Of Electro Swing Elite Compilation album 22 original hits and the original artists. Includes tracks by Phos Toni, Wolfgang Lohr & Alice Francis, Jamie Berry,Sound Nomaden feat. MSP, Jazzotron & Manivi and more.
By the time the neo-swing craze hits its peak, this compilation will be looked upon as a sensational collection of the swing pioneers. With the likes of Big Bad Voodoo Daddy, the Cherry Poppin' Daddies, and the Royal Crown Revue, Swing This, Baby! is 48 minutes of the kind of upbeat and frenzied dance music that propelled the big-band sound back into mainstream society. The charm of the album, though, is not solely due to the more established names it boasts. While other collections might have loaded the palette with those well-known names, Swing This, Baby limits each of 15 bands to one song apiece.
There is an impressive amount of variety on this swing-based set despite the small size of the group. Clarinetist Tim Laughlin, vocalist/rhythm guitarist Rebecca Kilgore, pianist Tom Roberts, bassist Marty Eggers and drummer Hal Smith all understand prebop jazz quite well. Many of the songs are taken from the swing era (including "Piano Man," "Drum Boogie," "What a Little Moonlight Can Do," "Sing, Sing, Sing, and "Cow Cow Boogie") but in most cases the quintet brings something fresh to the well-known tunes.
Oscar Alemán is one of the great unknown talents in jazz history. A brilliant guitarist who sounded very close to Django Reinhardt at times, Alemán was overshadowed in Europe by Reinhardt in the 1930s and spent much of the rest of his career in his native Argentina, remaining well known only in that country. This 1998 double CD from Dave Grisman's Acoustic Disc label has highlights from Alemán's career, including the eight selections he recorded during his three European sessions of 1938-1939, plus music from 1941-1947 and 1951-1954. Although the settings varied (including a sextet with violinist Svend Asmussen, a nonet, and two unaccompanied guitar solos), Alemán's basic swing style stayed the same, retaining its enthusiasm and creativity and remaining unaffected by bop. Sticking throughout to acoustic guitar and taking an occasional good-time vocal, Alemán is heard in peak form. He deserves to be much better known. A definitive two-fer from a major talent.