Kenny Clarke was a jazz drummer and an early innovator of the BeBop style of drumming. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after hours jams that led to the birth of modern jazz. He is credited with creating the modern role of the ride cymbal as the primary timekeeper. Before, drummers kept time on the snare drum ("digging coal", Clarke called it) with heavy support from the bass drum. With Clarke time was played on the cymbal and the bass and snare were used more for punctuation. For this, "every drummer" Ed Thigpen said, "owes him a debt of gratitude." Clarke was nicknamed "Klook" or "Klook-mop" for the style he innovated.
100 CDs provide you with the most exciting, most beautiful and most swinging recordings from this period. All-Star Swing groups with their most famous recordings. Mit Henry Allen, Roy Eldrige, Ben Webster, Coleman Hawkins, Lester Young, Johnny Hodges, Benny Carter, Fats Waller, Art Tatum, Benny Goodman, Lionel Hampton, Red Norvo, Teddy Wilson, Buck Clayton, Django Reinhardt, Jack Teagarden, Rex Stewart, Chu Berry, Charlie Christian, Louis Armstrong u.a. 100-CD-Box with original recordings.
Self-Made Man contains nearly 80 minutes of all original steamy blues and smokin’ blues-rock, incorporating Chicago, boogie, swamp, swing, and harmonica blues, all recorded with a live-in-the-studio sound that is true to Studebaker John’s stage performances. For more than 25 years, John has been writing, recording and performing only original compositions, along with continuous touring throughout the US, Canada, UK and Europe in support of his music. His songs have been featured in major motion pictures and prime-time TV commercials. Many articles have been written about John in various publications including Guitar One magazine US, Blues in Britain, and a cover story in Back to the Roots magazine in Belgium. His music can be heard on blues radio shows every day around the globe. As a songwriter and musician, Studebaker John has emerged as a major creative force in the world of the blues today. If “Alternative Rock” is a meaningful description of progressive variations of this style of music, then John has laid the foundation for “Alternative Blues”. Ahead of the pack, with vision and foresight, creating a new standard and landscape for this music’s future… with John at the wheel, the future is now.
The companion piece to Conversations (recorded at the same mid-1963 sessions with producer Alan Douglas), Iron Man is every bit as essential and strikes a more consistent ambience than its widely varied twin. It also more clearly anticipates the detailed, abstract sound paintings of Dolphy's masterwork Out to Lunch, in large part because this time around the program is weighted toward Dolphy originals. "Iron Man," "Burning Spear," and the shorter "Mandrake" all have pretty outside themes, full of Dolphy's trademark wide interval leaps and playful sense of dissonance.
Recorded between 2003 and 2007, United We Swing finds an unparalleled array of musical talent that collectively boasts 94 Grammy Awards joining Jazz at Lincoln Center Managing and Artistic Director Wynton Marsalis (a nine-time Grammy Award winner himself) and his Septet. Together, they perform blues-inflected versions of iconic American repertoire and celebrate the red, white, and Blues.