"The Awakening" is a diverse album marked by romantic ballads, chunky dance tracks and even a fusion instrumental. The single, “Remote Control,” is a vibrant piece of dance music with Otis Jr. ‘s steady rhythm guitar, catchy ensemble vocals and Mark’s smooth tenor gliding over a powerful rhythm track. “Remote Control” sets the tone for The Reddings’ other strong party songs “Funkin’ On The One,” “It’s Friday Night,” and “Doin’ It.” On everyone of these songs Dexter’s energetic lead bass lines and the trio’s graceful harmonies again and again show the Reddings’ great innate musical talent in action.
While at least one track from this album showed up decades ago on an Epic compilation, the remainder of this album has remained in the Columbia archives until Reel Music had it remastered and release. The sound is incredible - even with some of the tracks in mono, This is the result of Steve Alaimo's production at the AGP studios in Memphis, the Memphis Boys backing (see the Ace album for more detail) supported by the Memphis Horns, and Bill Lacey's remastering. This is a stunning album - strong songs, great production and Gwen McCrae in fine voice. The hits - which are certainly evident 40 years later were buried as Columbia was in the midst of moving to its HBS-inspired black music strategy under the leadership of Clive Davis. This is a great addition to any 70s soul library.
The Smell of Incense are a Norwegian prog/psych band with roots in the mid eighties and a long, sordid history that includes connections to such hardcore and obscure Scandinavian D.I.Y. acts as The New Incredible Headcleaners, Famlende Forsøk, Ym:Stammen, and Døve Munker. Smell have existed as a fluid and sporadic lineup for years, issuing just three studio albums along a handful of singles and collaborations in since 1986. The band's debut album 'All Mimsy Were the Borogoves' consisted mostly of a number of little-known as well as irreverent covers, while their later releases focused more on original material blending pop, folk, trip-hop and heavy psych for a unique sound reflecting both the psychedelic traditional and experimentation present in much of modern Scandinavian progressive music…
One of the great lost treasures of australian 70’s music. Although Autumn began as a bubblegum band in the late-60’s, the early-70’s found them, after various line-up changes, a markedly different band. With lush harmonies, Beatlesque arrangements and a great batch of songs that ranged from breezy pop to progressive rock (as well as the the seven minute orchestral extravaganza: ‘Kill My World’), Comes… Autumn showed a mature and accomplished band that belied both their age and their beginnings. Features the singles ‘Falling’, and ‘Goblin’s Gamble’ plus 5 bonus tracks: including the rare final single ‘Just Couldn’t Believe It’, a spirited cover of The Beatles’ ‘Day Tripper’ and previously unreleased demos. Deluxe reissue is packaged in a 6 panel digi-pak. It has been remastered by Gil Matthews. Liner notes featuring quotes from a recent interview with lead singer Tony Romeril and a 24 page booklet filled with rare photos, posters.