A symbolic tale set in the sun-dappled grounds of a mysterious girls' boarding school, Lucile Hadzihalilovic's Innocence is certainly one of the more evocative, confident and also sinister portrayals of female awakening that I've seen. Moths flutter in the glow of unusual lamps that seem to hang, unattached, above well-trodden woodland paths. A forlorn, child-sized coffin stands alone in the dusty surroundings of an empty bedroom. A boat, green with decades of wear, bumps audibly and incessantly against its rickety jetty. This is the world in which these impressionable young girls, categorized by the coloured ribbons they wear, innocently frolic. They gossip, do chores, and play on the vast lawns and in the imposing shadow of a mansion; a shadow that later comes to represent the adulthood towards which they are hurtling, unknowingly, at such a relentless pace.
Cet ouvrage s'adresse à des apprenants, adultes et adolescents non-francophones, à partir du niveau seuil (niveau B1/B2 du Cadre Européen Commun de Référence) ; il encourage, grâce à une approche vivante, l'étude du rythme et de l'intonation, trop souvent négligée dans la plupart des ouvrages d'enseignement du français langue étrangère. Il peut être utilisé aussi bien en classe comme support ou complément de cours qu'en auto-apprentissage…
In the depths of the forest is closed deaf educational institution or orphanage for girls, which is not the ballet school, not a place where girls go after death. They come here in the tombs with vanishing memories of his past and his family. Their mentor - young women who is rumored to be spreading among young novices themselves once studied in this school, but for serious violations were left here forever.
Argentinean group Vox Dei started playing by the end of the 1960s. After signing up to independent label Mandioca, the band released "Azucar Amarga" and "Presente" in 1969; a year later, they issued the album Caliente. Vox Dei's conceptual album La Biblia, released in 1971, consolidated the band as one of the major local rock numbers. When Juan Carlos Godoy decided to leave the act, Ignacio Smilari joined in. Soon after Jeremias, Pies De Plomo came out, Vox Dei participated in a movie called Rock Hasta Que Se Ponga El Sol. In 1974, guitarist Carlos Michelini replaced Ricardo Soulé. The group disbanded after a live performance at Buenos Aires' Obras Sanitarias in 1981, returning in 1988 to make a new record called Tengo Razones Para Seguir.