Lucas Blues

Gary Lucas - The Edge Of Heaven: Gary Lucas Plays Mid-Century Chinese Pop (2001) [Re-Up]

Gary Lucas - The Edge Of Heaven: Gary Lucas Plays Mid-Century Chinese Pop (2001)
EAC | FLAC | Image (Cue&Log) ~ 220 Mb | Mp3 (CBR320) ~ 92 Mb | Scans included
Experimental Rock, Pop/Rock | Label: Label Bleu | # LBLC 2582 HM 83 | 00:38:46

Gary Lucas – charmingly oddball pop songwriter, musical world traveler, utterly hellacious guitarist – is perhaps at his most hellaciously, charmingly cosmopolitan on this frankly amazing album, which finds him adapting popular Chinese songs that were originally recorded in the 1960s and which he heard and fell in love with during a sojourn in Taiwan in the mid-'70s. His girlfriend at the time had a cassette tape of such local superstars as Chow Hsuan and Bai Kwong, and it was, he says in his liner notes, "like almost no other music I had ever heard before." Twenty-five years later he put together this quirkily gorgeous tribute, which includes jaw-droppingly virtuosic fingerstyle guitar arrangements ("Mad World," "Wall") and song settings using guest vocalists. Among the best of the latter are the limpidly beautiful "Night in Shanghai" (again, note the guitar playing) and the country-flavored "I Wait for Your Return," which is simply a hoot. He's not playing this stuff for laughs, though; his genuine affection for the music comes through loud and clear, and even when he has fun with it he is obviously trying to do so in a way that brings its haunting loveliness to the fore. Very highly recommended.
Ensemble Recherche; Arditti String Quartet; Lucas Vis - Brian Ferneyhough: Funerailles (2006) [Re-Up]

Brian Ferneyhough - Funérailles (2006)
Ensemble Recherche; Arditti String Quartet; Lucas Vis, conductor

EAC | FLAC | Image (Cue&Log) ~ 190 Mb | Mp3 (CBR320) ~ 128 Mb | Scans included
Classical, Contemporary | Label: Stradivarius | # STR 33739 | Time: 00:49:28

Noted as a "maximalist" for his densely textured, intricately constructed serial works, Brian Ferneyhough is a challenging composer by any standard, and his uncompromising and intensely demanding scores are some of the most original of the late avant-garde. In such complicated chamber works as Funérailles I (1969-1977) and Funérailles II (1969-1980), both versions for seven strings and harp, Ferneyhough presents thickets of notes and short gestures that are tightly organized, but so abrupt and pointillistic that the lay listener may mistake them as random fragments, not at all as recurring ideas. Similarly, in the rhythmically layered Bone Alphabet for percussion (1991) and the angular Unsichtbare Farben (Invisible Colors) for solo violin (1999), the ear can only take in the surfaces of the music, having no way to grasp the underlying patterns that are employed. Yet it would be a mistake to think these pieces are just cerebral exercises, since Ferneyhough is too good a composer to pass off intellectual doodles as serious work. While there are designs in these pieces only a theoretician may comprehend and abrasive sonorities only a die-hard modernist may love, there are points of tension and release that are easily perceived, and textures and timbres that a prepared listener may appreciate without too much strain.

Lucas Niggli - Alchemia Garden (2018)  Music

Posted by delpotro at March 16, 2018
Lucas Niggli - Alchemia Garden (2018)

Lucas Niggli - Alchemia Garden (2018)
WEB FLAC (tracks) - 224 Mb | MP3 CBR 320 kbps - 110 Mb | 00:47:25
Modern Classical, Jazz, Drums | Label: Intakt Records

Alchemia Garden: the album’s wonderful title, creates an enchanting, ambiguous effect. Lucas Niggli relates the organic, biological and growing, which develops on its own and is cultivated and maintained in the form of the garden, to the metamorphosis of material, the scientific search for something unknown which historically has been seen to generate something new.
Nona Hendryx and Gary Lucas - The World Of Captain Beefheart (2017)

Nona Hendryx and Gary Lucas - The World Of Captain Beefheart (2017)
WEB FLAC (Tracks) - 260 MB | Cover | MP3 CBR 320 kbps - 89 MB | 00:38:39
Rock, Pop Rock, Funk | Label: Knitting Factory

Hendryx a Labelle member whose lengthy résumé also includes work with Talking Heads and the Black Rock Coalition joins avant-guitarist Lucas to play fast and bulbous with the legacy of Captain Beefheart (Trout Mask Replica), whose Magic Band created some of the weirdest rock albums of all time.

Taj Mahal - Taj's Blues (1992)  Music

Posted by Designol at May 25, 2018
Taj Mahal - Taj's Blues (1992)

Taj Mahal - Taj's Blues (1992)
EAC | FLAC | Tracks (Cue&Log) ~ 297 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Label: Columbia / Legacy | # CCK 52465 | Time: 00:50:40
Contemporary Blues, Electric Country Blues, Folk-Blues

Taj's Blues is an entertainingly diverse record, featuring a variety of blues and roots-music styles, all fused together into a distinctive sound of its own. Half of the album is played on acoustic, the other with an electric band (which includes guitarists Ry Cooder and Jesse Davis on a handful of tracks), which gives a pretty good impression of the range of Mahal's talents. It's a good collection, featuring many of his best performances for Columbia, including "Statesboro Blues" and "Leaving Trunk," as well as the unreleased "East Bay Woman".

Taj Mahal - Phantom Blues (1996)  Music

Posted by Designol at May 23, 2018
Taj Mahal - Phantom Blues (1996)

Taj Mahal - Phantom Blues (1996)
EAC | FLAC | Image (Cue&Log) ~ 343 Mb | Mp3 (CBR320) ~ 134 Mb | Scans included
Label: BMG, Private Music | # 01005 82139 2 | Time: 00:47:58
Contemporary Blues, Rhythm & Blues, Electric Blues, Country Blues

This 1996 album picks up where Dancing the Blues left off three years earlier, with producer John Porter and most of the same studio cast. There's more of a New Orleans flavor this time, with barrelhouse pianist Jon Cleary contributing a couple of originals to go with such classics as Jesse Hill's "Ooh Poo Pah Doo" and Fats Domino's "Let the Four Winds Blow." Bonnie Raitt and a full vocal chorus help kick "I Need Your Loving" into overdrive. Mahal's one original is the tender, acoustic country-sounding "Lovin' in My Baby's Eyes".

The Art of Lucas Cranach the Elder  Graphics

Posted by nrg at May 23, 2018
The Art of Lucas Cranach the Elder

The Art of Lucas Cranach the Elder
506 jpg | up to 7097*4600 | 1.51 GB
German Renaissance painter

Ambientsketchbook - Red Pill Blues (2018)  Music

Posted by gribovar at May 22, 2018
Ambientsketchbook - Red Pill Blues (2018)

Ambientsketchbook - Red Pill Blues (2018)
WEB FLAC (tracks) - 168 MB | MP3 CBR 320 kbps (LAME 3.93) - 82 MB | Front cover
Genre: Ambient | RAR 3% Rec. | Label: Self-released

Ambientsketchbook is Northern Irish guitarist and producer Lee Gorman. Begun in 2012 as an instrumental guitar project, ASb has gradually evolved into a vehicle for exploring numerous genres, including ambient, post-rock, electronic and shoegaze. Each release has a distinct style, but share common ground in the love of melody, texture and resonance.
Joe Bonamassa - British Blues Explosion Live (2018) [BDRip, 720p]

Joe Bonamassa - British Blues Explosion Live (2018)
MKV: AVC, 1280x720 (16:9), 23.976 fps, 4 100 Kbps
DTS, 48.0 KHz, 6 ch, 1 510 Kbps / FLAC, 48.0 KHz, 2 ch, 1 657 kbps
Blues Rock | 01:44:23 | ~ 5.69 Gb

On British Blues Explosion Live, Joe Bonamassa pays homage to legendary British guitarists Eric Clapton, Jeff Beck and Jimmy Page with his stunning performance of their blues-rock classics. Recorded at Greenwich Music Time at The Old Royal Naval College in London in July, 2016…

Jimmy Rushing - Everyday I Have The Blues (1999)  Music

Posted by Designol at May 21, 2018
Jimmy Rushing - Everyday I Have The Blues (1999)

Jimmy Rushing - Everyday I Have The Blues (1999)
EAC | FLAC | Image (Cue&Log) ~ 464 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Vocal Jazz, Jazz-Blues | Label: Impulse! | # 547 967-2 | Time: 01:08:52

It may have been relatively late in Jimmy Rushing's career when he recorded two albums for ABC/BluesWay (Every Day I Have the Blues and Livin' the Blues, both of which are reissued in full on this single CD), but he was still in prime singing voice. Joined by such friends as trombonist Dickie Wells, trumpeter Clark Terry, and tenor saxophonist Buddy Tate, Rushing shows that he was still relevant on such blues-based songs as "Berkeley Campus Blues," "Blues in the Dark," "I Left My Baby," "Sent for You Yesterday," and "We Remember Prez." Even with Oliver Nelson's arrangements on the first half and an electric rhythm section on the second, both Rushing and the musicians play off each other well, resulting in a swinging set.