lp Cover

The Nice - Nice (1969) Immediate/Z12 52022 - US Promo Pressing - LP In 24bit/96kHz - ONLY RE-POST

The Nice - Nice
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52022 | Release: 1969 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
The Nice - Ars Longa Vita Brevis (1969) Immediate/Z12 52020 - US Pressing - LP In 24bit/96kHz - ONLY REPOST

The Nice - Ars Longa Vita Brevis
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52020 | Release: 1968 | This Issue: 1969 | Genre: Symphonic-Rock

Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Vanilla Fudge - Vanilla Fudge (1967) ATCO Records/SD 33-224 - 1st US Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Vanilla Fudge - Vanilla Fudge
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: ATCO Records/SD 33-224 | Released: 1967 | Genre: Psychedelic-Rock

Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Gwendal ‎– Gwendal (1974) Pathé Marconi EMI/2C 064-12725 – 1st FR Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Gwendal ‎– Gwendal
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Pathé Marconi EMI | Release: 1974 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music.
Gwendal and they first self-titled LP released in 1974, in my opinion one of they best works.
Shadowfax - Shadowdance (1983) Windham Hill Records/WH-1029 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax - Shadowdance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1029 | Release: 1983 | Genre: Jazz-Fusion

Excellent addition to any rock music collection.
Shadowdance confidently strides into the Windham Hill catalog with the showstopping New Electric India, electric guitar and thundering bass resounding.
Shadowfax ‎- Shadowfax (1982) Windham Hill Records/WH-1022 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax ‎- Shadowfax
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1022 | Release: 1982 | Genre: Jazz-Fusion

Excellent addition to any prog rock music collection.
SHADOWFAX. Nice name for a progressive rock band. At least that's how they started off. Named after Gandalf's a horse in Tolkien's The Lord Of The Rings. They are often classified as new age, but their first album really wasn't, it was rather quite like a more rocking version of OREGON and had a mixture of hard and soft songs. And really their latter albums weren't completely although they lost some of their harder edge and devoted themselves to more mellow fair.
Cat Stevens – Mona Bone Jakon (1970) A&M Records/SP4260 – US Sterling Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Mona Bone Jakon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound
Label: A&M Records/SP4260 | Release: 1970 | This Issue: 197? | Genre: Folk-Rock

Cat Stevens virtually disappeared from the British pop scene in 1968, at the age of 20, after a meteoric start to his career. He had contracted tuberculosis and spent a year recovering, from both his illness and the strain of being a teenage pop star, before returning to action in the spring of 1970 — as a very different 22-year-old — with Mona Bone Jakon.
Horslips – The Book Of Invasions (1976) DJM Records/DJLPA-10 – 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Horslips ‎– The Book Of Invasions ‘A Celtic Symphony’
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: DJM Records/DJLPA-10 | Released: 1976 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
Cat Stevens – Back To Earth (1978) A&M Records/SP-4735 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Back To Earth
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Mastered at Sterling Sound by Lee Hulko
Label: A&M Records/SP-4735 | Release: 1978 | Genre: Folk-Rock

In retrospect, it is not hard to find hints of a coming change in the final album Cat Stevens made before a near-death experience and a religious conversion.
Cat Stevens – Numbers (1975) A&M Records/SP 4555 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Numbers
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered By Bernie Grundman
Label: A&M Records/SP 4555 | Release: 1975 | Genre: Folk-Rock

Things aren’t going well for Cat Stevens on the planet, ah, polyethylene. Critics keep asking: would you buy a used I Ching from this man? Since Tea for the Tillerman, affirmation has been doubtful. Never a deep thinker and rarely a master of words, Stevens has now turned to the “majik” of numerology, only to have the melodies disappear down the decimal point. In fact, “Call Me Zero” would have been a perfect title for Numbers, an album so breathtakingly stupid that even the most loyal fan could count its merits without using any of the fingers on either hand.