lp Cover

Poco - Head Over Heels (1975) ABC Records/ABCD 890 - Original US Pressing - LP/FLAC In 24bit/96kHz

Poco – Head Over Heels
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By Wally Traugott
Label: ABC Records/ABCD 890 | Release: 1975 | Genre: Country-Rock

Keeping the songs short and to the point, Poco lets loose with a fine batch of material. This time out, they even cover the Becker-Fagen song “Dallas” with great verve.
Christine McVie - The Legendary Christine Perfect Album (1970) Sire/SASD-7522 - US Pressing - LP/FLAC In 24bit/96kHz

Christine McVie – The Legendary Christine Perfect Album
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Sire/SASD-7522 | Release: 1970 | This Issue: 1976 | Genre: Blues-Rock

Christine Perfect is the eponymous debut solo album of former Chicken Shack keyboardist/singer Christine Perfect (later known as Christine McVie). The album was released just after Perfect had left Chicken Shack, but before she joined Fleetwood Mac. It contained the Etta James song, “I’d Rather Go Blind”, which had earlier been a hit single for Chicken Shack.
Jackson Browne - For Everyman (1973) Asylum Records/SD 5067 - US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Jackson Browne – For Everyman
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Mastering Lab
Label: Asylum Records/SD 5067 | Release: 1973 | This Issue: 1975 | Genre: Country-Rock

Jackson Browne faced the nearly insurmountable task of following a masterpiece in making his second album. Having cherry-picked years of songwriting the first time around, he turned to some of his secondary older material, which was still better than most people’s best and, ironically, more accessible — notably such songs as “These Days,” which had been covered six times already, dating back to Nico’s Chelsea Girl album in 1967, and “Take It Easy,” a co-composition with the Eagles’ Glenn Frey that had been a Top 40 hit for the group in 1972.
Oregon - Out Of The Woods (1978) Elektra/6E-154 - Original US Pressing - LP/FLAC In 24bit/96kHz

Oregon – Out Of The Woods
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Masterdisk By Robert Ludwig
Label: Elektra/6E-154 | Release: 1978 | Genre: Jazz-Fusion

Essential: a masterpiece of Jazz-Fusion music
One of the most elegant and smooth jazz albums I ever heard
Oregon jazz band from USA, created a very unique album in my opinion with a lots of unusual instruments for this kind of music, like Sitar, Tabla, Flugelhorn and Oboe and give a new dimension to the jazz music.
Poco - Crazy Eyes (1973) Epic/PE 32354 - US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Poco – Crazy Eyes
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Mastering Lab By Doug Sax
Label: Epic/PE 32354 | Release: 1973 | This Issue: 197? | Genre: Country-Rock

The third biggest-selling album in the group’s history, Crazy Eyes is also the group’s liveliest and most bracing work and contains some of their most soulful music. In short, it’s the fruition of everything they’d been working toward for four years.
Traffic - Last Exit (1969) Island Records/ILPS 9097 - UK Pressing - LP/FLAC In 24bit/96kHz

Traffic – Last Exit
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Island Records/ILPS 9097 | Release: 1969 | This Issue: 1977 | Genre: Classic-Rock

Excellent addition to any rock music collection
Since Traffic originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, “Medicated Goo”/”Shanghai Noodle Factory”). In January 1969, Steve Winwood announced the group’s breakup.
Traffic - Welcome To The Canteen (1971) ILPS 9166 - 2nd UK Pressing - LP/FLAC In 24bit/96kHz - REPOST ONLY

Traffic – Welcome To The Canteen
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Island Records/ILPS 9166 | Release: 1971 | Genre: Classic-Rock

Excellent addition to any prog rock music collection
My entry to ”Traffic” was the single that was released from this live album. It was clearly labelled ”Traffic” and it was of course the great rendition from the Spencer Davis Group: ”Gimme Some Lovin”.
Mason was back for a few live appearances and two songs out of his first album are featured in this live testimonial (”Sad And Deep As You” and ”Shouldn’t Have Took More Than You Gave”). But even if the latter is particularly very much soul oriented, the final guitar part is so good, that I ended up by liking this one.
Cream - Live Cream (1970) ATCO Records/SD 33-328 - Original US Presswell Pressing - LP/FLAC In 24bit/96kHz

Cream – Live Cream
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Atlantic Studios By Al Brown
Label: ATCO Records/SD 33-328 | Release: 1970 | Genre: Classic-Rock

Cream was a band born to the stage, a fact that the band and their record label realized the public fully understood by the number one U.S. chart placement for Wheels of Fire, with its entire live disc, and the number two chart peak for Goodbye, the posthumous release that was dominated by concert recordings. And in response to those success, we got Live Cream, Vol. 1 (originally known simply as Live Cream) in the spring of 1970, nearly 18 months after the trio’s breakup.
Various - Woodstock Two (1971) Cotillion/SD 2-400 - 2 LP/Original US Monarch Pressing - LP/FLAC In 24bit/96kHz

Various – Woodstock Two
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By George Piros
Label: Cotillion/SD 2-400 | Released: 1971 | Genre: Classic-Rock

After the multi-platinum success of Music from the Original Soundtrack and More: Woodstock that accompanied Michael Wadleigh’s documentary film Woodstock (two million copies sold and it spent four consecutive weeks at the top of the Billboard charts, and even a Top 20 spot on its R&B chart!), Woodstock Two was inevitable as a sequel. Released as a double LP in 1971 with more stills from the film — though none of the music here was included — this set featured many of the same artists who’d appeared on the first volume, with two additions: Mountain, and Melanie. If anything, this set, more concise and more focused, is a better bet than its predecessor. Disc one is a stunner on more than one level. First, there are three tracks by Jimi Hendrix and his expanded lineup after breaking up the Experience (adding guitarist Larry Lee), and a trio of percussionists along with Mitch Mitchell and bassist Billy Cox. There’s the killer “Jam Back at the House,” which rolls in riffs and an instrumental array of tunes from his catalog including “Rainy Day Dream Away”; there’s a killer take on “Izabella” that’s raggedy but full of killer improvisation — check the interaction between Cox and Mitchell — and “Get My Heart Back Together,” also known as “Hear My Train A’Comin’.” These 20 minutes of music make it worth the purchase of this collection if you don’t already possess the Jimi Hendrix Live at Woodstock disc.
Alan Stivell - A Dublin (1975) Keltia III/9101 850 - Original FR Pressing - LP/FLAC In 24bit/96kHz

Alan Stivell ‎- E Dulenn / A Dublin / National Stadium
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Keltia III/9101 850 | Release: 1975 | Genre: Progressive-Folk

Excellent addition to any prog rock music collection
I didn’t know that Alan Stivell was on PA as I always thought he was just Folk, not properly prog. However this album has some prog moments, in particular “Delivrance” that’s my favourite track here.
It’s has been my first Stivell’s vinyl and it’s still the one that I prefer. I was lucky in chosing this one because my second (and last) purchase was Tremain In’Is that’s only harp and voice. Too much also for me.