This movie version of Bizet's popular opera Carmen was filmed on location, conveying a kind of atmosphere, a sense of space, movement, and presence that's hard to achieve in a staged performance. It takes the action out of doors for many scenes, with the opening titles superimposed on the bloody conclusion of a bullfight. Elsewhere the changing of the guard, the crowd scenes, the dance number that opens Act 2, and the panoramic scenery of the smugglers' mountain hideout all benefit from the freedom granted by movie cameras.
Burnished brass and a nuanced understanding of the massive architecture of Bruckner's symphonies provided the underpinnings of Lorin Maazel's Bruckner cycle in Munich from January through March 1999. The subtle intricacies of Maazel's distinguished readings are fully captured in the live recordings of those performances, now available as a boxed set.
In memoriam Maestro Maazel, Sony Classical re-releases the ‘Maazel Great Recordings’ 30-CD Box to honour his great work.
In memoriam Maestro Maazel, Sony Classical re-releases the “Maazel Great Recordings” 30-CD Box to honour his great work. During his career, he conducted more than 150 orchestras in some 5,000 opera and concert performances. He served as general manager and artistic director at the Vienna State Opera and conducted the Bayreuth Festival in Germany, the first American to do so in both cases. He also served at the Radio Symphony of Berlin, the Bavarian Radio Symphony Orchestra, the Cleveland Orchestra and the Munich Philharmonic.
This was one of the first digital version (the very first?) of Tchaikovsky's violin concerto and remains pretty competitive though perhaps not a first choice. Kremer's playing is surely polished and technically impressive; the phrasing is wonderful and the tone beautiful. Still, it is unfortunately a little short on charm and expressive depth - Tchaikovsky's concerto isn't really the most appropriate vehicle neither for classical restraint nor almost curmudgeonly introspective approaches; it is peripatetic grand drama and passion and heart-on-sleeve through and through and despite Kremer's sweetness of tone he never manages to scale the heights or plunge the emotional abysses of the music.
"Between 1972 and 1982 Maazel was Music Director of The Cleveland Orchestra and between 1973-79 made a series of recordings for Decca – all of which are collected here.
The repertory includes many orchestral spectaculars and Decca’s first recording in Cleveland, Prokofiev’s Romeo and Juliet, is one of the very best and a recording which has achieved reference status. “…. The precision of The Cleveland Orchestra is little short of miraculous… the recording is one of Decca’s most spectacular, searingly detailed but atmospheric too.”
Lorin Maazel's early recordings are the ones collected here and they are his finest work. Maazel was always a gifted conductor but as he aged he had a tendency to slow his tempi substantially, which I find conveys a somewhat diffuse and unfocused quality to his interpretations. His early work, however, is incisive, dramatic, beautifully articulated and well-textured. He extracts wonderful performances from his orchestras, with a special ability to make woodwinds and strings combine to magical effect.
Maazel's performances appear not only on audio recordings but on film - he was the conductor for film versions of Don Giovanni (Joseph Losey's award-winning adaptation, mentioned below), Carmen and Franco Zeffirelli's interpretation of Otello.
Although primarily known as a conductor, Maazel was no stranger to composition himself, arranging material from Wagner's Ring Cycle into a 75-minute suite, The Ring Without Words, and composing an opera based on George Orwell's dystopian novel Nineteen Eighty-Four; and as if this were not enough, he was also an accomplished violinist (see below for a recording of his performance of Vivaldi's Four Seasons)…
A host of accomplished conductors including Daniel Harding, Daniele Gatti, Bernard Haitink and Eliahu Inbal lead the Royal Concertgebouw Orchestra in these performances of Mahler's Symphonies Nos. 1-10. Recorded in Amsterdam over two seasons in 2010/11, the collection also includes 'Das Lied von der Erde'.
Filmed on location in picturesque Vicenza, Italy, Wolfgang Amadeus Mozart’s operatic masterpiece Don Giovanni is beautifully translated to film by director Joseph Losey (The Servant) and Mozart’s incomparable music is performed by the legendary Paris opera, conducted by Lorin Maazel. Set in Seville in the 1600s, a young nobleman Don Giovanni (Ruggero Raimondi) is well-known philanderer with a long list of amorous conquests.