Another TD soundtrack that saw the daylight years after its recording was Deadly Care, music for a TV movie that was composed and recorded back in 1987 by Edgar Froese and Chris Franke but not released until 1992. The CD contains all of the music as supplied by TD to Universal Television. "Deadly Care" is a haunting, detached and at times a melancholic soundtrack. It's dark soundscapes are apropos and the quality of the musical performances are very refined. Edgar Froese and friends entice listeners with an ominously profound, gloomy but high quality CD, namely, Deadly Care.
Originally part of a fan-based live bootleg recording project called Bootmoon, this recording of the pioneering and influential German electronic outfit Tangerine Dream is part of a series of unadorned live performances (the band habitually added post-production instrumentation and otherwise altered its sound on its official live releases). This mid-1980s performance in Cleveland presents a series of cinematic-sounding compositions that make full use of the available electronic technologies of the period, including sequencers and synthetic percussion, to heighten the sense of musical drama.
The last TD production with Johannes Schmoelling was the soundtrack for Ridley Scott's movie Legend, starring Tom Cruise, Mia Sara, Tim Currie and David Bennent. Jerry Goldsmith was the original composer of the music for Legend, but Universal Studios decided they wanted a more modern sounding music and contracted with TD, Jon Anderson (singer of Yes) and Bryan Ferry (formerly with Roxy Music) to supply new music. The TD score was used for the North American version of the film only, thus the TD soundtrack was released 1986 in USA and Canada only. All other world-wide releases used the Goldsmith film score.
So much of new differently arranged and so-called "collector's" compositions have been located at the Eastgate Studios within the last couple of months, so that the decision for the SEVENTH and LAST double CD out of the Booster series was made very easily. The Booster CD's have been a kind of a corner stone within the TD community building some guidelines for those newbies who needed some help where to start discovering the various landmarks of TD's work. Quite a reasonable number of newer compositions have also found their way into the public. But we do not want the Boosters become a racehorse within a series of titles all running against each other. Therefore decision has been made to stop with a last product which simultaneously has some of the best and rare TD compositions from all decades to offer - of course subjectively speaking. Relax, sit back and enjoy a little trip with the TD time machine through a well-known and sometimes strange musical territory.
Plays Tangerine Dream features re-recordings by several present and past members of the band. This issue will start with a more classic approach to 13 songs created within the 40 years timespan of one of the most creative bands around. The songs are re-performed partly by the original composer or by musicians who had been or still are associated with the band. Plays Tangerine Dream can be taken as a synonym for travelling back and forwards within the groups unlimited sound universe.
Electronic Meditation, Tangerine Dream's debut album, features the lineup of Edgar Froese, Conrad Schnitzler, and Klaus Schulze (his only album with Tangerine Dream). The album is not without its flaws, but it's strong in many ways and shows abundant promise. Wildly experimental timbres, passages, and textures dominate this sound world. Bringing a rock & roll effort to a decidedly avant-garde sound, the album manages to be very accessible and hard to dislike. Of those who were working at the same time, Electronic Meditation is most similar to the music of Pink Floyd and Amon Düül.
Pergamon, originally simply released as Quichotte (1980) with two parts "Quichotte" - Part one and two, is the third live album and fourteenth overall by Tangerine Dream. It consists of two long tracks of partly improvised music. Themes from the album Tangram can be heard throughout the album, as the concert took place during the process of preparing material for that studio album. Edgar Froese and Chris Franke had remixed and edited the music in East Berlin as part of the original deal. The original, untouched evening concert (taken from a radio broadcast) has been fan-released as Tangerine Tree Volume 17: East Berlin 1980 and is considerably different from the official album release…
"Soundmill Navigator", a Tangerine Dream Classics Edition, contains a vintage live recording from 1976, where the trio Baumann, Froese and Franke performed a concert at the Philharmonics.The almost 42-minute track finds the musicians in good spirits, as the set features lots of mellotron and antique sound textures, which are later on accompanied by some nice sequencing. Halfway, Edgar’s typical guitar soloing is added as well. Music wise, "Soundmill Navigator" the space ambient contains lost of elements and characteristics from their albums "Ricochet" and "Encore".
In a sense, Tangerine Dream's 2008 album, "Views from a Red Train", is an updated version of Edgar Froese's solo album "Macula Transfer" of 1976 in that many of the tracks were composed by Froese whilst killing time on the road, either in airport departure lounges, motel rooms, or simply visiting tourist spots. Happily, the result this time is an altogether more mature and developed affair, even than the solo album's 2005 rehash. The new album benefits hugely from substantial contributions from regular TD collaborating artists in addition to the composer: Bernhard Beibl provides characteristically flashy and flamboyant guitar work on a handful of tracks, complementing Edgar Froese's own intoxicating melodic riffs to perfection…
"Purgatorio" is the second part of Tangerine Dream's three part interpretation of Dante's "La Divina Commedia". Unlike the other two parts of the trilogy which were recorded live, this double CD set, running to over 130 minutes, is a studio recording. Once again (as with "Inferno"), the piece is primarily in the form of an oratorio, with seven guest female vocalists. These singers are a mixture of altos and sopranos, all with beautiful, classically trained voices.