Jimmy Burns, Born in 1943 near the Delta town of Dublin, Mississippi, embodies that increasingly rare combination of blues roots deep enough to tap into 'the real thing', while still possessing the youth and vitality to present his music with plenty of life and real excitement. He honed his vocal skills singing with vocal groups in the '50s, and over the years has perfected an appealingly melodic, vocal-inflected contemorary guitar style to complement the down-home picking he'd learned in his youth. In the studio Jimmy and his regular band played off one another with a musical empathy that comes only from countless nights of proving themselves on the bandstand. With Leaving Here Walking, Jimmy pays tribute to his earliest musicla inspirations, revisits the era of classic R&B, and presents well-crafted originals covering all the facets of his long and varied life in music.
Suzanne is a well to do married woman and mother in the south of France. Her idle bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist. Her husband agrees to fix up a consulting room for her in their backyard. When Suzanne and the man hired to do the building meet, the mutual attraction is sudden and violent. Suzanne decides to give up everything and live this all engulfing passion to the fullest.
Mike Figgis' grim drama documents a romantic triangle of sorts involving prostitute Sera (Elisabeth Shue), failed Hollywood screenwriter Ben (Oscar-winner Nicolas Cage), and the constant flow of booze which he loves more dearly than life itself. Arriving in Las Vegas with the intention of drinking himself to death, Ben meets Sera, and they gradually begin falling for one another. From the outset, however, Ben warns Sera that no matter what, she can never ask him to quit drinking, a condition to which she grudgingly agrees. A darkly comic tragedy, Leaving Las Vegas charts the brief romantic convergence of two desperately needy people who together find a brief flicker of happiness.
Excellent album, another step forward for IZZ. Impressive instrumentation, especially guitar and bass, without overdoing it. From beginning to end Room is tastefully executed, leaving ample white space, and never cluttering the songs. Throughout the album, the group effectively employs its impressive vocal talents (three of the six are credited with vocals). Annmarie Byrnes' high harmony vocals add drama and emotion to already-dramatic and emotional songs.