Rather than remain in just one kind of music, The Laura Cox Band likes to surprise its fans with subtle changes in style. Too bad for those who think that groups should fit into categories: here, we’re sometimes into rockin’ country, and sometimes the style varies all the way to heavy, classic rock. Somewhere between AC/DC, ZZ Top, Aerosmith and Blackberry Smoke, the group blends the sharp Southern States sound with the saturated watts of Australian fury.
In 1739 William Boyce (1711-1779) composed his 'Ode for St. Cecelia's Day' to a text by his friend, the amateur poet, John Lockman. In writing this ode Boyce followed in the footsteps of his two chief teachers, Maurice Greene and Johann Pepusch who also wrote music in St. Cecelia's honor. However, his music is more reminiscent of Handel which is not surprising, since while the much younger Boyce was becoming prominent in London's lively music scene, Handel was the most celebrated composer of the time anywhere.
Nyro peaked early, and Eli and the Thirteenth Confession, just her second album, remains her best. It's not only because it contains the original versions of no less than three songs that were big hits for other artists: "Sweet Blindness" (covered by the 5th Dimension), "Stoned Soul Picnic" (also covered by the 5th Dimension), and "Eli's Comin'" (done by Three Dog Night). It's not even just because those three songs are so outstanding. It's because the album as a whole is so outstanding, with its invigorating blend of blue-eyed soul, New York pop, and early confessional singer/songwriting. Nyro sang of love, inscrutably enigmatic romantic daredevils, getting drunk, lonely women, and sensual desire with an infectious joie de vivre. The arrangements superbly complemented the material with lively brass, wailing counterpoint backup vocals, and Nyro's own ebullient piano.