2-CD set of the complete and unedited concert recorded from the soundboard and mixed by the Peter Gabriel engineering team. These professionally mastered and manufactured CDs (NOT CD-Rs) are packaged in cardboard mini (LP-style) gatefold sleeves that add to the bootleg look and feel.
Typical of most Liberty products of the era, Latin Fever features a gorgeous, if perfectly lewd, jacket, which of course has no particular relevance to the musicians. Costanzo gets to reprise "The Peanut Vendor" ("El Manisero"), which was one of his three big spotlight numbers under Stan Kenton. Better are the five originals, however, including a deadly hip bass spotlight, "Bajo Numero Uno." (Sounds like a precursor to Perez Prado's seven-minute funk version of something that turns out in the last half-minute to be "Tequila.") Eddie Cano enjoys playing standards by Noro Morales and the Lecuonas in this group. While "Taboo" loses some of its exoticism with the bongos, it regains it with Alcaraz' flute. And "Malaguena" here is an excuse for a nearly eight-minute jam! Finally, "Drum-A-Mania" is a Mr. Bongo solo.
Following the discovery of the Americas, Christianity and the Roman Catholic Church was established with incredible speed. Many of the Native Indians were part of highly sophisticated civilizations, most notably the Aztecs and the Incas, and were very responsive to the new ideas, especially music, which was already an important social and spiritual element in their lives.