The first Pink Floyd show ever recorded, one of the two featuring Syd Barrett. This RoIO is of very important signification and features two very songs (Stoned Again, aka Stoned Alone, aka Stone rust) and Rush in A Million, as well as their rejected third single Scream Thy Last Scream. The recording has been heavily remastered because of the poor source, and though the lyrics are barily audible, Syd's guitar is very clear and omnipresent.
From the outside, Primal Scream seem suitably chaotic, flitting between noise-skronk explorations and dub operas, but there's one truism that applies to the bulk of their career: if they delivered a good album last time around, they'll stumble on the next. More Light, the messy, candy-colored, psychedelic opus they delivered in 2013, found the band at something near their best, so it only follows that 2016's Chaosmosis would be something of a mess – and it is, only in an unexpected fashion.
An all-star cast assists Maynard Ferguson in this disco-tinged big-band outing. Ferguson's trademark trumpet playing is featured in all its screaming glory, and Mark Colby contributes a couple of high-energy sax solos. "Primal Scream" and "Invitation" sound as though they were lifted right off the mid-'70s disco dancefloor, complete with T.S.O.P.-type strings and pulsing rhythms. "Pagliacci," too, has the disco beat pounding underneath a Jay Chattaway adaptation of an operatic melody, with Bobby Militello featured on an energetic, overblown flute solo. Chick Corea's "The Cheshire Cat Walk" sounds like latter-day Return to Forever, as Corea's synth trades licks with Ferguson's horn over a familiar RTF rhythmic/chordal bassline sequence. The final cut, Eric Gale's "Swamp," stands out because of its reggae beat.