Pehr Henrik Nordgren received composition lessons starting from 1958 in Helsinki and studied musicology at the university from 1962 to 1967, as well as receiving private tuition from Joonas Kokkonen from 1965 to 1969. At the Tokyo University of the Arts, he supplemented his composition studies from 1970 to 1973 with Yoshio Hasegawa and became acquainted with traditional Japanese music, which soon became an influence in his works.
A pupil of Tchaikovsky, who called him the ‘Russian Bach’, Sergey Taneyev is best known today for his four symphonies, although he also composed a sizeable body of chamber music, including nine complete String Quartets. Quartet No. 9 is a memorably melodic work, while the beautifully crafted Quartet No. 6, his last completed quartet, is rather more austere, though marked by a playful Jig, and even more masterful in construction.
In his 16 quartets for two violins, viola, and cello, Beethoven created a Mount Everest for string players and some of the most sublime, unforgettable music ever written. Continuing to astound listeners after 200 years, these glorious quartets give voice to the innermost landscape of the human heart and spirit. They stand, like Michelangelo's statues or the plays of Shakespeare, at the pinnacle of Western art.
Following the Artemis Quartet‘s prizewinning Beethoven Quartet cycle on Virgin Classics, the Berlin-based ensemble has recorded Schubert’s last three quartets, works that Artemis cellist Eckart Runge praises for both their “incredible simplicity and purity” and their “almost terrifying modernism”. Awarded both Germany‘s prestigious Klassik ECHO award and France’s Grand Prix de l’Académie Charles Cros in 2011 for their Virgin Classics Beethoven cycle, the members of the Artemis Quartet now release an all-Schubert CD. It presents the composer’s final three string quartets: No 13 in A minor, ‘Rosamunde’ (which draws on his incidental music for Helmina von Chezy’s play Rosamunde); No 14 in D minor, ‘Death and the Maiden’ (with its haunting second movement based on his song Der Tod und das Mädchen), and No 15 in G major.
The Leipzig String Quartet offers fitting tribute to Joseph Haydn on the occasion of the two hundredth anniversary of his death with its own commemorative edition. Vol. 1 presents 'The Seven Last Words of Christ', a passion composition for orchestra from 1786 that a priest had ordered from Haydn for the traditional Good Friday ceremony in the little Chapel of Santa Cueva in Cadiz in southern Spain. Later Haydn himself arranged this work for string quartet.