Pehr Henrik Nordgren received composition lessons starting from 1958 in Helsinki and studied musicology at the university from 1962 to 1967, as well as receiving private tuition from Joonas Kokkonen from 1965 to 1969. At the Tokyo University of the Arts, he supplemented his composition studies from 1970 to 1973 with Yoshio Hasegawa and became acquainted with traditional Japanese music, which soon became an influence in his works.
Impressive and ultimately accessible 20th Century quartets by Welsh composer Daniel Jones (1912-1993) performed with absolute grip and certainty by the Delme ensemble. What is most remarkable in Jones is the wide dispersion of his musical intellect. The seemingly natural variety of his compositional thinking and the depth of his concentration are staggering. And perhaps this is the best way to describe these eight works: complex "concentrations." While not paralleling contemporary downlanders like Bax, Bridge or Simpson, yet venturing much further than the prototypes of Prokofiev, Shostakovich or Bartok, but eschewing ………..
Beethoven's String Quartets are well known for their inventiveness. The mold of the string quartet form, established by Haydn, was shattered by Beethoven's profound expression and expansion of the "rules." Between 1999 and 2003, the renowned Pražák Quartet recorded all of the Beethoven string quartets, and this match of program and performers is one made in heaven.
The Quartet's repertoire was centered on the Viennese classics, but with a serious emphasis on the 20th century. It was the stated goal of the quartet to include at least one modern work in each performance. Their repertoire spanned from Early Classicism, Romanticism, to the Second Viennese School (Berg, Schoenberg, Webern), Bartуk and embraced many contemporary composers. This took expression not the least in personal statements by composers like Witold Lutoslawski and Luciano Berio, of whom the former said: "Personally I am indebted to the Alban Berg Quartet for an unforgettable event. Last year in Vienna, they played my quartet in a way such as will never be likely equaled."
The Pavel Haas Quartet, one of the very finest chamber ensembles of the present time, earned for their first two CDs (Janáček, Pavel Haas) numerous prestigious accolades (Classic FM Gramophone Award, BBC Music Magazine Award, Cannes MIDEM Classical Award, etc.). With the Prokofiev pieces featured on this album the Quartet has for the first time entered the field of the Russian (or, if you will, international) repertoire.
With this two-disc set of the piano quartets, Nicholas Angelich proves conclusively that he is the best Brahms pianist of his generation. His previous Brahms recordings – a 2005 disc of the violin sonatas with Renaud Capuçon, a 2006 solo collection featuring the Paganini Variations, a 2007 solo collection of the late piano works, and a 2008 disc of the First Piano Concerto with Paavo Järvi leading the Frankfurt Radio Symphony – showed his skill in a variety of settings.
It’s hard to pick a favorite William Parker outfit. Everything he touches is magic, from his giant orchestras to his solo outings. But his quartets might be his ideal venues: There’s enough structure that the music can’t be called free jazz, and there’s enough leeway to let democracy command the performance. Last October, Parker took two quartets into the studio on the same day, and the result—recorded all in one day—is the blissful two-disc set Meditation/Resurrection.
The Orford String Quartet was a Canadian string quartet active from 1965 through 1991. They came to be the leading string quartet in Canada, and one of the finest in the world. For 26 years, the Orford String Quartet was the best of its breed in Canada.