This was the last of the six albums John Mayall originally made for Blue Thumb/ABC Records between 1975 and 1978, about which he has said, "ABC released six of my albums as a tax write-off. A week after they were released you couldn't find them in any store." It's a live album on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings lead on several songs), bassist Steve Thompson, and drummer Soko Richardson. The approach is rock-oriented, and the set list includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a frantic tempo), along with the usual complement of generic Mayall originals, among them, a remake of "The Bear," from Blues From Laurel Canyon.
The Last Of The Neon Cynics is a collaborative project by Bill Nelson and comic book artist Matt Howarth. The download includes a 110 page high-rez full colour PDF graphic novel and all the original CD artwork. All music composed, played and recorded by Bill Nelson. Comic book graphic novel story and artwork by Matt Howarth.
Lenny Kaye started the mania for collecting overlooked garage punk classics with his superlative 1972 compilation Nuggets: Original Artyfacts from the First Psychedelic Era, and more than four decades later, garage rock collectors are still pouring out collections of rare vinyl singles documenting snarky teens bashing out rock & roll in their parents' basements or garages in the mid-'60s. One can't help but wonder if the well will ever run dry on such things, and Tim Warren, Crypt Records founder and the man behind the outstanding Back from the Grave series, seems to be suggesting that vintage garage material is becoming a dwindling resource in the title of 2015's Last of the Garage Punk Unknowns, Vols. 1-2.