la Spiaggia Del Destino

James Levine, London Symphony Orchestra, Leontyne Price, Placido Domingo - Verdi: La Forza del Destino (1998)

James Levine, London Symphony Orchestra, Leontyne Price, Plácido Domingo - Verdi: La Forza del Destino (1998)
EAC | FLAC | Image (Cue & Log) ~ 838 Mb | Total time: 65:30+69:52+36:00 | Scans included
Classical | Label: RCA | # 74321 39502 2 | Recorded: 1976

Verdi's "La Forza del Destino" is a story of forbidden love, seduction, jealousy, honor and revenge. The opera was composed in 1862 and had its premiere in St. Petersburg. In this recording from 1976 with star cast (Leontyne Price in the role of Donna Leonora, Plácido Domingo as Don Alvaro and Sherrill Milnes as Don Carlo) under the direction of James Levine the beauty and attention to detail Verdi comes out particularly well. The London Symphony Orchestra and the John Alldis Choir provide the perfect musical accompaniment for the ensemble, which includes Fiorenza Cossotto, Bonaldo Giaiotti and Gabriel Bacquier. This recording is considered one of the best of Verdi's La Forza del Destino.
Gianluigi Gelmetti, Teatro Regio di Parma Chorus and Orchestra - Verdi: La forza del destino (2012) [Blu-Ray]

Gianluigi Gelmetti, Teatro Regio di Parma Chorus and Orchestra - Verdi: La forza del destino (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 178 min | 45,4 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 178 min | 9,62 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: Italian, English, German, French, Spanish, Chinese, Korean, Japanese

For "La forza del destino", Verdi created one of his most famous melodies, the "fate" motif that permeates the whole of the score. Music and action alternate in masterly fashion between large-scale crowd scenes and intimate interiority, in that way illustrating Verdi's real theme: the manner in which fallible human beings are destroyed by a cruel fate.
Francesco Molinari Pradelli, Orchestra del Teatro di San Carlo Napoli, R.Tebaldi, F.Corelli, Verdi: La Forza del Destino (2002)

Francesco Molinari Pradelli, Orchestra del Teatro di San Carlo Napoli, Renata Tebaldi, Franco Corelli, Verdi: La Forza del Destino (2002/1958)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.79 Gb (DVD9) | 160 min
Classical | Hardy Classic | Sub: English, Francais

“…Tebaldi proved at the Maggio Musicale at Florence in 1953 under Mitropoulos that Leonora was to be among her most successful roles, and here she confirms the fact in spades with her lustrous, effortlessly shaped and eloquent traversal of the role. By her side she has the incomparable Corelli, singing his first Don Alvaro, and revealing that his brilliant, exciting yet plangent tone is precisely the right instrument to project Alvaro's loves and sorrows. At this stage of his career his thrilling upper register and incisive delivery of the text were at their most potent, as he makes abundantly clear in aria and duet. As his antagonist, Bastianini sings with the kind of Verdian élan seemingly now extinct among his breed. He may not be the most subtle of Verdian baritones, but here his macho approach ideally suits Don Carlo's vengeful imprecations.” (Gramophone Classical Music Guide)
Zubin Mehta, Orcestra and Chorus of the Maggio Musicale Fiorentino - Verdi: La Forza del Destino (2009) [Blu-Ray]

Zubin Mehta, Orcestra and Chorus of the Maggio Musicale Fiorentino - Verdi: La Forza del Destino (2009) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 24967 kbps / 1080i / 29,970 fps | 179 min | 38,7 GB
Audio1: Italian / LPCM Audio / 2.0 / 16-bit | Audio2: DTS-HD MA 7.1 / 48 kHz / 2500 kbps / 16-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 179 min | 8,59 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 16 bits
Classical | TDK | Sub: English, Deutsch, Francais, Espanol, Italiano

La forza del destino (The Force of Fate), premiered in St. Petersburg 1862, is one of Verdi’s most important opera compositions. Its plot is complicated and combines a sequence of interlaced unfortunate strokes of fate. Donna Leonora is the centre of events, together with her brother Don Carlo di Vargas and her lover Don Alvaro. The story was originally set in 18th century Spain, however the French director Nicolas Joël established the action in a slightly later period, in the time of the Empire, the early 19th century.

Dago - Tomo 74 - La carta del destino  Comics

Posted by Coda at April 6, 2018
Dago - Tomo 74 - La carta del destino

Dago - Tomo 74 - La carta del destino
Spanish | CBR | 100 págs. | 55.6 MB

Sara Fusco - La Luce del Destino  eBooks & eLearning

Posted by Karabas91 at March 11, 2018
Sara Fusco - La Luce del Destino

Sara Fusco - La Luce del Destino
Italian | 2018 | 281 pages | ASIN: B079T1CYC4 | EPUB | 0,3 MB

L’Universo vive grazie al Bene e al Male, due facce della stessa medaglia che, solo coesistendo, possono garantire la sopravvivenza. Per questo, quando il Male diventa solo un ricordo lontano e la Luce del Bene brilla nel suo più totale splendore, Light e Sybil dovranno confrontarsi con un Destino crudele.
Entrambi sono speciali e, senza saperlo, hanno tra le loro mani la vita di ogni specie esistente e dello stesso Universo.
Bisogna combattere, sopravvivere, non arrendersi mai, perché il Male pretende il suo ritorno e non avrà pietà per ottenerlo..
Intrepido Classic - Volume 9 - Il Principe Del Sogno, Chiomadoro E La Beffa Del Destino

Intrepido Classic - Volume 9 - Il Principe Del Sogno, Chiomadoro E La Beffa Del Destino
Italian | CBR | 228 pages | 150 MB

Valery Gergiev - Verdi: La Forza del Destino (1997)  Music

Posted by tirexiss at May 16, 2017
Valery Gergiev - Verdi: La Forza del Destino (1997)

Valery Gergiev - Verdi: La Forza del Destino (1997)
EAC | FLAC (image+.cue, log) | Covers Included | 02:38:08 | 670 MB
Genre: Classical, Opera | Label: Philips | Catalog: 446 951-2

It is appropriate that the first recording of the first version of Forza should come from St Petersburg, where the work had its premiere in 1862. However, whilst the premiere was predominantly an Italian affair, this set is given entirely by Russian artists. The differences between this version and Verdi's 1869 revision for La Scala are marked: they are delineated by two essays in the accompanying booklet but even more discerningly in Julian Budden's indispensable The Operas of Verdi (in this case Vol. 2, Cassell: 1978). So it isn't necessary for me to rehearse here all the changes (even if I had the space to do so), only the main ones.

La musica del destino - Paloma Sánchez-Garnica  eBooks & eLearning

Posted by Maroutan at March 15, 2017
La musica del destino - Paloma Sánchez-Garnica

La musica del destino - Paloma Sánchez-Garnica
Italian | 2017 | 359 Pages | ASIN: B06X9DQDQV | EPUB | 436.54 KB

Marta Ribas aveva tutto per essere felice: amore, amici, prestigio. Ma un giorno, per lei e per la sua famiglia - il marito Antonio, la figlia Elena -, tutto cambia, inaspettatamente e per sempre. Un'amicizia profonda ma sbagliata, quella con il notaio Figueroa, e una lealtà mal riposta precipitano l'intera famiglia nella disgrazia, e sarà Marta a cercare, come la fenice, di risorgere dalle proprie ceneri…
John Matheson, BBC Concert Orchestra, Martina Arroyo - Verdi: La Forza del Destino [2005/1981]

Verdi - La Forza del Destino (John Matheson, Martina Arroyo) [2005/1981]
Classical | Opera Rara ORCV304 | TT: 68.08+57.33+31.03 | EAC (flac, cue, log) | Covers | 663 Mb

“This marks the final offering from Opera Rara's laudable restoration of BBC broadcasts from the 1970s and '80s of Verdi's first thoughts on specific operas, and it is quite up to the standard of the series. It differs only in being given without an audience, and was broadcast two years after the recording. On disc we know the 1862 original Forza from Gergiev's Philips set recorded, appropriately enough, in St Petersburg. That version is by and large finely cast with Russian singers and excitingly conducted, but this one, featuring British artists and one North American, need hardly fear the comparison. John Matheson may be a slightly more measured interpreter than Gergiev but he is perhaps even more adept at disclosing the many subtleties in shaping the slightly sprawling score as a unified whole. His orchestra provides fine playing – special praise for the first clarinet before Alvaro's Act 3 solo – and the BBC Singers nicely characterise their roles.