l Piano Campbell

Jean-Efflam Bavouzet - Claude Debussy: Complete Works for Piano, Volumes 1-5 (2007-2009) 5CD [Combined Repost]

Jean-Efflam Bavouzet - Claude Debussy: Complete Works for Piano, Volumes 1-5 (5CD)
EAC | FLAC | Image (Cue&Log) ~ 947 Mb | Artwork Included
Genre: Classical | Label: Chandos | Time: 05:58:58

Jean-Efflam Bavouzet’s vivid and personal interpretations of Debussy’s complete works for piano are available for the first time in an attractive five-volume set, this is the series that put Bavouzet on the map, and established him firmly as a leading and internationally acclaimed pianist.

Tex - Volume 25 - L'Agguato (Araldo)  Comics

Posted by Mendose at May 19, 2018
Tex - Volume 25 - L'Agguato (Araldo)

Tex - Volume 25 - L'Agguato (Araldo)
Italian | CBR | 164 pages | 88.3 MB
Stephanie Moraly, Romain David - Charles Koechlin: Violin Sonata, Piano Quintet (2017) {Timpani}

Stephanie Moraly, Romain David - Charles Koechlin: Violin Sonata, Piano Quintet (2017) {Timpani}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 285MB + 5% Recovery
MP3 CBR 320 Kbps | 189MB + 5% Recovery
Genre: Classical

Stéphanie Moraly débute le violon à l’âge de 6 ans et fait montre d’un talent précoce. Élève de Suzanne Gessner au CRR de Paris, elle remporte son premier concours à 10 ans et, à 11, donne son premier récital, obtient le Premier Prix du Concours Jeunes Prodiges Mozart et se produit en soliste aux Théâtres des Champs-Elysées et du Châtelet à Paris, ainsi qu’à Prague. A 16 ans, elle entre au Conservatoire de Paris dans la classe de Sylvie Gazeau, en sort avec un Premier Prix à 19, et part ensuite se perfectionner avec Michèle Auclair au New England Conservatory de Boston.

L'Albero Del Veleno - Tale Of A Dark Fate (2017)  Music

Posted by v3122 at May 19, 2018
L'Albero Del Veleno - Tale Of A Dark Fate (2017)

L'Albero Del Veleno - Tale Of A Dark Fate (2017)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Black Widow, BWRDIST 6748 | ~ 277 or 106 Mb | Scans(png) -> 173 Mb
Progressive Rock / Symphonic Prog

Italian group L'Albero del Veleno (The Poison Tree) released a well-received debut back in 2013 entitled `Le Radici del Male' (`The Roots of Evil'), a cinematic horror-influenced work of gloomy Goblin-styled pieces. It was a superb first effort from a talented bunch of young musicians, but now it almost seems like a mere practice run for what they've delivered here four years later! 2017's `Tale of a Dark Fate' is a fully instrumental rock opera told in two acts, conveying the stories of Hypnos and Thanatos, two siblings of ancient Greek mythology that reside in the underworld, and it holds all the moodiness and mystery of that legendary above-mentioned horror soundtrack group, but L'Albero del Veleno go much further…
Wu Han, Philip Setzer, David Finckel - Schubert: Piano Trios (2008)

Wu Han, Philip Setzer, David Finckel - Schubert: Piano Trios (2008)
EAC | APE (image+.cue, log) | Covers Included | 77:47 | 305 MB
Genre: Classical | Label: Artistled Records | Catalog: 10802-2

Schubert’s two Piano Trios are amongst his greatest works, contrasted both within themselves and between each other although written within weeks of each other. The B flat has a superficially contented character at the start, but even here clouds seem to come across the sky at increasingly frequent intervals. The E flat is a more obviously dramatic work throughout, and the curiously ambiguous march of the slow movement is surely some of the most inspired music Schubert ever wrote.

Schubert Ensemble - Fauré: Piano Quintets Nos. 1 & 2 (2010)  Music

Posted by tirexiss at May 18, 2018
Schubert Ensemble - Fauré: Piano Quintets Nos. 1 & 2 (2010)

Schubert Ensemble - Fauré: Piano Quintets Nos. 1 & 2 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 61:01 | 261 MB
Genre: Classical | Label: Chandos Records | Catalog: CHAN 10576

These readings of Fauré's two late piano quintets by the Schubert Ensemble of London are paradoxical. The group's performances are strong-willed and purposeful in the outer movements, particularly in the C minor Quintet's ever accelerating Finale, yet soft-focused and sensuous in the central slow movements, especially the D minor Quintet's deeply dolorous Adagio. The tone changes from robustly incisive to sweetly sonorous, the ensemble from vigorously muscular to smoothly refined, and the rhythms from sharply accented to softly undulating.

VA - Fauré Complete Songs for Voice & Piano (2018)  Music

Posted by ciklon5 at May 17, 2018
VA - Fauré Complete Songs for Voice & Piano (2018)

VA - Fauré Complete Songs for Voice & Piano (2018)
MP3 CBR 320 kbps | 4:10:52 | 582 Mb
Genre: Classical / Label: ATMA Classique

One of the problems of getting a complete set of songs by a single composer, particularly nowadays, is that there always seems to be at least one singer in the mix who has a defective voice. I should get this out of the way quickly and point out that the fly in the ointment here is Canadian baritone Marc Boucher, who has an uneven, loose vibrato and occasional strain and nasality in his high notes. He is an interesting interpreter, so he has that in his favor, whereas the wonderful soprano Hélène Guilmette doesn’t appear to interpret much at all, but for my taste he gets way too many of these songs to sing. In some of the faster songs, i.e. Les Matelots, his voice doesn’t wobble too much because he doesn’t have that many sustained notes to sing.

Antonella Frontani - L’equilibrio delle illusioni  eBooks & eLearning

Posted by Karabas91 at May 16, 2018
Antonella Frontani - L’equilibrio delle illusioni

Antonella Frontani - L’equilibrio delle illusioni
Italian | 2018 | 247 pages | ISBN: 8811601789 | EPUB | 0,8 MB

Agnese è una manager di successo che non ama i cambiamenti. Soprattutto quelli che minacciano di sconvolgere una vita all'insegna della più rigorosa disciplina, dove nessun dettaglio è mai lasciato al caso. Non si concede evasioni se non nello spazio chiuso della sua solitudine, quando cerca il conforto della musica. Adesso, a bordo di un aereo che da Torino la porterà a Erice per seguire un progetto importante, non riesce a nascondere la propria irritazione per una situazione che non ha scelto e che, in fondo, la spaventa. E poi mal sopporta il suo vicino di posto, Adriano, un insolente che ostenta il suo fascino di inguaribile dongiovanni sicuro di sé e delle proprie doti di fine seduttore. Ma Agnese, che crede di aver già capito tutto, non sa ancora che questo incontro fortuito cambierà ogni cosa..
Tedi Papavrami & Nelson Goerner - Franck & Fauré: Sonates pour violon et piano (2017) [Official Digital Download 24/88]

Tedi Papavrami & Nelson Goerner - Franck & Fauré: Sonates pour violon et piano (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 74:50 minutes | 1.22 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Two great interpreters, poets and lovers of the French repertory and chamber music join forces here: the violinist Tedi Papavrami and the pianist Nelson Goerner. They have chosen to devote this programme to the two violin sonatas of Gabriel Fauré and the Sonata of César Franck. It was in 1875 that Fauré composed his First Sonata for violin and piano, characterised by its originality and its formal design, which marked the start of a new era for French chamber music.
Anna Vinnitskaya, Krzysztof Urbański - Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 (2017) [Official Digital Download]

Anna Vinnitskaya, Krzysztof Urbański - Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 56:20 minutes | 490 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Serge Rachmaninov’s Second Piano Concerto might never have seen the light of day had it not been for hypnosis: before the twenty-seven-year-old composer began work on it, he was on his last legs – financially, artistically and psychologically. Dr Nikolay Dahl hypnotised his patient every day, whispering to him: ‘You will write your concerto. You will work with great fluency. The concerto will be of excellent quality.’ The creative block disappeared, and the concerto’s premiere in Moscow in 1901 was a triumph for Rachmaninov, who played the solo part himself.