Best Of Solo Albums was never released in the US. It was released in various countries around the world. The album contains three tracks from each of the "Solo" albums. The rarest version is the original German pressing because of the KISS logo on the cover.
The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.
Synth pop's first international superstars, the Human League were among the earliest and most innovative bands to break into the pop mainstream on a wave of synthesizers and electronic rhythms, their marriage of infectious melodies and state-of-the-art technology proving enormously influential on countless acts following in their wake. The group was formed in Sheffield, England, in 1977 by synth players Martyn Ware and Ian Marsh, who'd previously teamed as the duo Dead Daughters; following a brief tenure as the Future, they rechristened themselves the Human League after enlisting vocalist Philip Oakey. The trio soon recorded a demo, and played their first live dates; they soon tapped Adrian Wright as their "Director of Visuals," and his slide shows quickly became a key component of their performances.
It's likely that a large portion of the audience Del Amitri won with the lightly infectious, incessantly catchy "Roll to Me" thought of the Scottish group as a new band, not an outfit that had been recording for over a decade. That may be one of the reasons why Hatful of Rain: The Best of Del Amitri was released in 1998, a mere three years after "Roll to Me" climbed into the Top Ten. (It could also be that the follow-up, Some Other Sucker's Parade, stiffed on the charts.) In any case, Hatful of Rain is an excellent overview of Del Amitri's career, containing no less than 17 tracks, including all of their American and British hits. It may overlook their early independent singles, yet the consistency of their major-label work in the '80s and '90s gives the collection a sense of cohesion, even if it is sequenced out of chronological order. What matters is that Hatful of Rain contains everything that a casual fan could want while reconfirming their stature as a solid singles band to their core constituents – and that's everything a good greatest-hits album should do.
Looked at in the cold light of day and from some years' distance, Gene Loves Jezebel would seem like the last band whose work would stand the test of time. Weird thing, though – in all their "everything goes" exuberance, from abstract goth wailing to balls-out Sunset Strip rock, the Aston brothers, much like their labelmates in the Cult, made everything work somehow. Not all the time, certainly, but Voodoo Dollies wisely draws on the best and biggest hits of the group, not to mention a couple of rarer items for the hardcore fanbase, to make an enjoyable career overview (certainly better than Some of the Best of Gene Loves Jezebel). Following a straight chronological order and enjoying the usual high quality of Beggars Banquet remastering, the 18-track collection is a fine treat. Besides the obvious numbers like "Desire (Come and Get It)," "The Motion of Love" (appearing here in a single mix), and "Jealous," the less well-known songs help to really flesh out the band's freaked-out, glammed-up appeal.
Ton Liebt Klang Presents Best Of Electro Swing Elite Compilation album 22 original hits and the original artists. Includes tracks by Phos Toni, Wolfgang Lohr & Alice Francis, Jamie Berry,Sound Nomaden feat. MSP, Jazzotron & Manivi and more.
In 2017 the legendary US band Kiss brought their pyro-loving, make up-wearing, guitar-shredding live show to the world! It's KISSWORLD Kiss, America's #1 Gold Record Award winning group of all time in every category, have a stunning catalogue of rock n roll classics. "KISSWORLD - The Best OF Kiss" brings 20 of their best loved tracks together on one album. Iconic fan favourites such as "I Was Made For Lovin' You", "Rock And Roll All Nite" and "Detroit Rock City" alongside top 5 UK chart hits "Crazy Crazy Nights" and "God Gave Rock 'N' To You II" on one huge collection.