This two-disc set is a live retrospective featuring 29 mostly (though not entirely) acoustic renditions of Kinks classics and obscurities, and possesses a poignancy and generosity of spirit that raises it several notches above standard Unplugged-style fare. The band's gracefully low-key reinterpretations of relative obscurities like "Picture Book," "Days," "Do You Remember Walter," and "Death of A Clown" are enough to blow a decade and a half's worth of arena-rock dust off the band's reputation. The group's updating of their early punk anthem "I'm Not Like Everybody Else" carries new levels of resonance that the band could scarcely have dreamed of in 1964. The two new studio recordings are a bit slight, but they sport an unfussed sweetness that's hard to argue with.
The cover and inside booklet of Down to the Bone's second album shows a variety of rare-groove record stores (both inside and out), displaying racks of records by Weather Report, Lonnie Liston Smith and Donald Byrd. The music itself is a delicious update of those same sounds – yes, the grooves are tighter and have a bit of hip-hop bounce, but the soloing is far and away superior to most acid-jazz releases. Programmers and group frontmen Stuart Wade and Chris Morgans have the irresistible knack of translating their influences into an instantly familiar yet radically different style of music, and the results are uniformly excellent. Original Blue Note recording artist Reuben Wilson guests on Hammond organ for "Vinyl Junkie."
Raw to the Bone is the 13th album by rock band Wishbone Ash. Like its predecessor, Twin Barrels Burning, it is one of the band's heaviest records, capitalising on the popular new wave of British heavy metal that Wishbone Ash had helped influence. It is the only Wishbone Ash album to feature Mervyn Spence on bass and vocals. It is also the last album with guitarist/vocalist Laurie Wisefield, who ended his eleven-year stint with Wishbone Ash after the release of this album.
Celebrating a decade of making music, The Best of Down to the Bone collects 11 of the soul-jazz/fusion band's biggest songs – at least one from each of their six albums – into one neatly compiled collection. Released by Narada, who Down to the Bone has been with since 2004's Cellar Funk, this best-of is a superfluous addition to anyone who has most, or many, of the group's records, but for someone who just wants to learn what Down to the Bone is about, this hits the spot.
Well to the Bone is Scott Henderson's third outing as a leader apart from his group, Tribal Tech, the band he co-founded with electric bassist Gary Willis in the mid-'80s. As one of the finest fusion guitarists of his generation, Scott Henderson returns to his blues roots with a program of ten songs that feature multi-layered tracks of guitar and a few that pay tribute to the blues-rock of the '60s and the '70s. Henderson's six-string virtuosity is accompanied by Kirk Covington on drums and John Humphrey on bass.
"Down to the Bone" is Quiet Riot's eighth album recorded at Ocean Studios, Burbank Calif. Solid guitar work and pretty good vocals. It remains their heaviest album to date, but Down to the Bone is only for the dedicated Quiet Riot fans who weren't already turned off by their past few releases.