Originally recorded for the Canadian television program In Session in 1983, this was a historic meeting of two artists that has been proven to be a very special moment This famed live jam session by Albert King and Stevie Ray Vaughan has proven to be an evening that will never be forgotten…
Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation–the stylistic similarities between teacher and student are that much more pronounced. The songs are mostly King concert staples, with the exception of "Pride and Joy"; highlights include the T-Bone Walker classic "Call It Stormy Monday" and one of King's own, "Overall Junction," which features some excellent guitar solo work. The snippets of recorded conversation between songs are interesting curiosities as well.
The tapes of this Albert King/John Mayall album were discovered by Bill Belmont in 1986 while rummaging through the Stax vaults looking for Albert King tapes for an album of unreleased blues material. It was produced by John Mayall at Wolfman Jack Studios in Los Angeles on August 28, 1971.
Born in Indianola, Mississippi, Albert King remains one of the most influential blues guitarists of all time and enjoyed a successful career that spanned four decades, with wide critical and commercial acceptance throughout the world. The left- handed blues giant wrenched stinging solos from his trademark Gibson Flying V, informing the sound and style of such admirers as Eric Clapton, Luther Allison, Stevie Ray Vaughan, Taj Mahal and Jimi Hendrix. This never before released concert film presents King in top form, tearing through his signature songs at the peak of his career. Songs include "Born under a Bad Sign," "The Sky Is Crying," "The Very Thought of You," "Cadillac Assembly Line," "Summertime," "Cold Women with Warm Hearts," "As the Years Go Passing By."
The concept behind Blues at Sunrise is a good one: collect ten of SRV's best slow blues numbers, primarily from the official studio albums but also a couple of unreleased cuts and rarities, and sequence them as if they were a lost studio album. It's a neat idea, especially when it's packaged in artwork that deliberately evokes memories of classic blues albums from the '60s (there's even a fake, faded record ring on the front and back covers), and it's hard to fault the music here. All the obvious selections are here – "Ain't Gone 'N' Give Up on Love," "The Things (That) I Used to Do," "Leave My Girl Alone." And the rarities are all worthwhile, including a live "Texas Flood" from the Live at the El Macambo video…
Couldn't Stand the Weather is the second studio album by American blues rock band Stevie Ray Vaughan and Double Trouble. It was released on May 15, 1984, by Epic Records as the follow-up to the band's critically and commercially successful 1983 album, Texas Flood. Recording sessions took place in January 1984 at the Power Station in New York City. Stevie Ray Vaughan wrote half the tracks on Couldn't Stand the Weather. The album went to No. 31 on the Billboard 200 chart.
Texas Flood is the first studio album by the American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles. Vaughan wrote six of the ten tracks on Texas Flood. The album peaked at #38 on the Billboard 200 chart immediately after its release. It went platinum in Canada and double-platinum in the United States.