Whether he gets (enough) credit or not from jazz heads, guitarist George Benson certainly created the template for smooth jazz , with 1975's Good King Bad a perfect example of the style in its infant stages. Benson combines his classy, Wes Montgomery-inspired guitar style with funky material ("Hold On I'm Coming"), yearning balladry ("Cast Your Fate To the Wind"), plush arrangements, and, on one song, buttery vocals for a classic slice of easygoing jazz.
Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century…
Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.
Features 24 bit digital remastering. Comes with a description. Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You."
Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
We know now that Purcell's three Funeral Sentences were not written for the funeral of Queen Mary in 1695. Following the tradition of the English court, it was pieces by Thomas Morley, originally written for the funeral of Elizabeth I, that were sung there. Purcell's only contribution to the ceremony was the composition of two pieces for slide trumpets (March and Canzona), and the anthem in the archaic style Thou knowest, Lord. During the funeral procession to Westminster Abbey, a band of oboes played two marches written by John Paisible and Thomas Tollet. This recording assembles the music composed for the funeral of Queen Mary and that used at the funeral of Elizabeth I in 1603.
7 is the ninth studio album by British soul and R&B singer-songwriter Seal. The album was released on 6 November 2015 by Warner Bros. Records. Limited edition includes two bonus tracks. Seal 7 followed the all-covers 2012 set Soul 2 and was the singer's first set of original material since the 2010 release Seal 6: Commitment.
"Yes It's You Lady" is a 1982 album by American singer Smokey Robinson. As 1981's Being with You it was produced by George Tobin in association with Mike Piccirillo and recorded and mixed at Studio Sound Recorders, North Hollywood, California. It was released on the Motown sub-label Tamla. The album was peaking at #33 in Billboard pop charts, and at #6 on the R&B charts. The two follow-up singles to 1981's chart success' "Being with you" were strangely no Robinson compositions: "Tell Me Tomorrow" peaked at #33 Billboard and #3 R&B charts, "Old Fashioned Love" at #60 Billboard and #17 R&B charts. The third and final single, Robinson's "Yes It's You Lady" only peaked at #107 Billboard, without entering the R&B charts.