Beat is the second eighties studio album from King Crimson and the ninth album in all. Beat is the first King Crimson album to feature the same lineup as the previous album and it´s the first King Crimson album to be produced by someone else than a member of the band. The music on Beat is a continuation of the style that King Crimson started on Discipline which means that they have incorporated lots of eighties sounds into their style.
This gig appears to be a testimony to the recuperative powers of John Wetton’s constitution. Having been out partying in the company of David Enthoven and Richard Palmer-James the night before in Munich, he still manages an impressive performance on Doctor Diamond and indeed throughout the rest of the gig. Though the good Doctor would forever elude them in the studio it seems that the band really beginning to find the soul of this song in concert. Fracture has a risky quality tonight; Bruford is in an adventurous mood whilst David’s tron is a touch out of tune.
Highlights Limited Edition Box Set include:
* 9cds including new Steven Wilson and Robert Fripp stereo mixes of Discipline (2011), Beat (2016) and Three of a Perfect Pair (2016), and the final concert from each of the band's tours: Japan 1981 (new to CD), Germany 1982 (new mixes for this edition), Canada (Absent Lovers) 1984 (remastered for this edition)
* 2cds of additional studio recordings including 1 cd containing edited and expanded of sessions for the abandoned third album and a 'making of…' CD featuring studio snippets and outtakes from across the studio recordings (providing a fascinating audio insight into the 'Crimson process')
Making order on my vinyl library, I found my old copy of "In the court of the Crimson King". It is an original US pressing in textured gatefold sleeve. With great shape and pretty good sound quality (I recommend listening "I Talk To The Wind").