“Beat” was released in June 1982 just eight months after the 80s Crimson lineup debut album “Discipline”. It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer – Rhett Davies. The juxtaposition of lyrics heavily influenced by 50s beat luminaries Jack Kerouac and Neal Cassady. The complex polyrhythmic musical textures of the ‘80s Crimson, the strength of the songs and the cohesion of the studio performances, all helped the album chart upon release in the US and the UK…
Beat is the second eighties studio album from King Crimson and the ninth album in all. Beat is the first King Crimson album to feature the same lineup as the previous album and it´s the first King Crimson album to be produced by someone else than a member of the band. The music on Beat is a continuation of the style that King Crimson started on Discipline which means that they have incorporated lots of eighties sounds into their style.
Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.
'Larks' Tongues In Aspic', from 1973, is widely regarded as one of the truly great King Crimson albums. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. This 40th Anniversary edition features new mixes by Steven Wilson (Porcupine Tree) and Robert Fripp.
Tour Box with a CD only available at King Crimson concerts during the 40th Anniversary Celebration Tour. Contains a mixture of interview clips, studio outtakes, and live performances.
"Pictures of a City" seems meant to pick up where "20th Century Schizoid Man" left off, with it's furious ensemble passages, knotty Fripp guitar leads and Greg Lake's authoritative vocal. "Cadence and Cascade" helps fill out the ballad quotient with a beautiful, wispy vocal from transitional singer Gordon Haskell. A valuable note of humor is interjected into the proceedings via the jokey, off-handedly jazzy "Cat Food." Keith Tippet's piano and Mel Collins' sax–both soon to play larger roles–were introduced on POSEIDON as well.