King Crimson 2001

King Crimson - Starless (2014) [23CD+2DVD-A+2Blu-Ray Super Deluxe Edition Box Set]

King Crimson - Starless (2014)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
23CD | Discipline Global Mobile, KCCBX6 | ~ 7637 or 2890 Mb | Scans(png) -> 886 Mb
2xDVD: ISO | NTSC 16:9 (720x480) VBR | LPCM, 2 ch / Dolby AC3, 6 ch | ~ 14.93 Gb
2xBlu-Ray: MPEG-4 AVC Video 1920 × 1080 (16:9), 2001 kbps, 1080p, 23,976 fps, High Profile 4.1
LPCM 2.0, 192 kHz, 9216 kbps, 24-bit / DTS-HD MA 2.0, 192 kHz, 6442 kbps, 24-bit | ~ 87.87 Gb
Progressive Rock

Few bands of the era offered as much variety in material from night to night. King Crimson’s propensity for improvisation & fondness for playing its newest material – often unreleased on record at the time of the concerts - is legendary. Fewer bands still, whether by accident or design, recorded so many of their live shows…
King Crimson - Live In Toronto - June 24, 1974 (2011) {2CD King Crimson Collectors' Club CLUB45}

King Crimson - Live In Toronto - June 24, 1974 (2011) {2CD King Crimson Collectors' Club CLUB45}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 595 Mb | MP3 @320 -> 214 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1974, 2011 Robert Fripp | King Crimson Collectors' Club | CLUB45
Rock / Progressive Rock / Art Rock

The Massey Hall King Crimson show is one of the most well known and well documented. Live In Toronto is the latest Club silver pressed release which has the complete soundboard recording from that night for the first time. Live In Toronto is truly an important archive release by King Crimson. They’ve mostly been going down the download route, posting their tapes online and not bothering with silver releases. But this one, despite the sub par show, certainly is interesting enough for a Collector’s Club release. This is available from the DGM website for a reasonable price, definitely worth having.

King Crimson - Level Five (2001) (HDCD)  Music

Posted by uff at Jan. 18, 2016
King Crimson - Level Five (2001) (HDCD)

King Crimson - Level Five (2001) (HDCD)
Rock | EP | EAC Rip | Flac + Cue + Log | covers
WHD, IECP-10047 | rel: 2006 | 340Mb

The 45-minute mini-set captures the quartet – Adrian Belew (guitar/vocals), Robert Fripp (guitar), Trey Gunn (Warr guitar), and Pat Mastelotto (percussion) – thrashing out some of the most intense and rhythmically diverse sounds to ever bear the King Crimson moniker.

King Crimson - VROOOM VROOOM (2001) (HDCD)  Music

Posted by uff at Jan. 11, 2016
King Crimson - VROOOM VROOOM (2001) (HDCD)

King Crimson - VROOOM VROOOM (2001) (HDCD)
Rock | 2cd | EAC Rip | Flac + Cue + Log | covers
Universal, UICE-9070/1, 21st Century Complete Edition Series | rel: 2004 | 1070Mb

This is a two-CD collection capturing King Crimson during a pair of multi-night stands at The Longacre Theater in New York City (November 20-25, 1995) and The Metropolitan Theater in Mexico City (August 2-6, 1996). This double-trio lineup includes the talents of: Robert Fripp (guitar, soundscapes), Adrian Belew (guitar, vocals), Trey Gunn (touch guitar), Tony Levin (basses, stick), Bill Bruford (percussion of all sorts), and Pat Mastelotto (percussion of all sorts).
King Crimson - Live in Detroit, MI, December 13, 1971 (2001)

King Crimson - Live in Detroit, MI, December 13, 1971 (2001)
Rock | 2cd | EAC Rip | Flac + Cue + Log | covers
Discipline Global Mobile, CLUB18 | rel: 2001 | 590Mb

The 18th installment of the DGM collector's club presents a 90-minute live King Crimson set derived from the second evening of a two-night run at the Eastown Theater in Detroit, MI, on November 11, 1971 (initial pressings erroneously list December as the month of the performance). This incarnation of King Crimson adheres to the unspoken, albeit stringent band policy of sounding completely unlike any previous or future version(s) of the group.
Pat Mastelotto & Bill Munyon (BPM&M) - XtraKcts & ArtifaKcts (2001) {Papa Bear Records} [King Crimson related]

Pat Mastelotto & Bill Munyon (BPM&M) - XtraKcts & ArtifaKcts (2001) {Papa Bear Records} [King Crimson related]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 417 Mb | MP3 @320 -> 140 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 2001 Papa Bear Records | PBCD5
Rock / Experimental / Art Rock / Prog Rock / Abstract

BPM&M, an experimental exploration that involves remixing an assortment of aural documents created throughout the years by legendary group King Crimson, it's associates, and other sources from beyond. With an assortment of computers, this literal dynamic duo have somehow managed to modify their laptops into musical electrocardiogram machines and have output a display of techno heartbeats previously unknown to mankind. The grand result is one aluminum and plastic-based compact disc containing sounds of nuclear beats and jungles of drone, compiled in measures of time that will have patrons of raves dancing on walls and exchanging the left sides of their brains with the right.
King Crimson - Happy With What You Have To Be Happy With (2002) {Sanctuary Records}

King Crimson - Happy With What You Have To Be Happy With (2002) {Sanctuary Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 228 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 22 Mb | 5% repair rar
© 2002 Sanctuary Records / DGM | SANEP123
Rock / Art Rock / Prog Rock

The relationship between this EP and King Crimson's Power to Believe (2003) long-player mirrors that of the six-track Vrooom (1994) sampler and subsequent full-length release Thrak (1994). The music perfectly contrasts the primarily instrumental and live Level Five (2001) EP by honing in on the latest lyrical contributions from Adrian Belew (guitar/vocals). The disc begins with "Bude," the first in a series of short spoken verses incorporating an electronically manipulated and harmonized Belew. The result is similar to the voice box effect used by Peter Frampton on "Do You Feel Like We Do?."
King Crimson - In The Court Of The Crimson King (1969) [1989, The Definitive Edition] Re-Upload

King Crimson - In The Court Of The Crimson King (1969)
[1989, The Definitive Edition]

EAC: ape (image) + cue + log + scans | RAR, 3%, 239,84 MB| mp3, 320 kbps | RAR, 3%, 128,15 MB
Label: E`G Records/Virgin | Cat №: EGCD 1 (0777 7 86485 2 9)

"In the Court of the Crimson King" is the 1969 debut album by the British progressive rock group King Crimson. The album reached #5 on the British charts, and is certified gold in the United States.
The album is generally viewed as one of the strongest of the progressive rock genre, where King Crimson largely stripped away the blues-based foundations of rock music and mixed together jazz and Classical symphonic elements. In his 1997 book "Rocking the Classics", critic and musicologist Edward Macan notes that "In the Court of the Crimson King" "may be the most influential progressive rock album ever released".
King Crimson - In The Court Of The Crimson King (Japan Band Score)

King Crimson - In The Court Of The Crimson King (Japan Band Score)
Shinko Music Pub. | 1991 | ISBN: 440134619X | 66 pages | PDF | 13 MB
King Crimson - Augsburg, Germany - March 27, 1974 (2007) {DGM Official Digital Download}

King Crimson - Augsburg, Germany - March 27, 1974 (2007) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 387 Mb | MP3 @320 -> 139 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1974, 2007 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

This gig appears to be a testimony to the recuperative powers of John Wetton’s constitution. Having been out partying in the company of David Enthoven and Richard Palmer-James the night before in Munich, he still manages an impressive performance on Doctor Diamond and indeed throughout the rest of the gig. Though the good Doctor would forever elude them in the studio it seems that the band really beginning to find the soul of this song in concert. Fracture has a risky quality tonight; Bruford is in an adventurous mood whilst David’s tron is a touch out of tune.