This Japanese box set contains three consecutive entries in King Crimson's live and studio archival releases. The specific volumes in question are the tenth, 11th, and 13th from Discipline Global Mobile's Collectors' Club mail-order-only series covering Live in Central Park, NYC '74, the pre-Krim Discipline: Live at Moles Club, 1981, and the last gasp of the '90s double-trio incarnation on the Nashville Rehearsals, 1997. The July 1, 1974, concert in Central Park was the final King Crimson performance by the '70s quartet. While the recording is very good - not great - the group's spirited musical antics more than make up for any lack of audio fidelity…
Three CDs featuring the complete concert from Vienna on Dec. 1st 2016 mixed from the original multi-track tapes. CDs Presented in concert sequence with discs 1 & 2 featuring the complete first and second sets. CD 3 features Vienna encores plus the long awaited live recorded debut of Fracture by the 2016 line-up as performed in Copenhagen. CD3 also features a series of soundscapes edited into newly sequenced pieces. Drawn from the introduction music (composed/improvised afresh for each night) & featuring Robert Fripp, Mel Collins & Tony Levin, this essential component of current live KC shows also receives it's most complete presentation to date. Presented in a 4 fold-out digifile package with 16 pages booklet featuring tour photos & notes by David Singleton & housed in a slipcase.
Tour Box with a CD only available at King Crimson concerts during the 40th Anniversary Celebration Tour. Contains a mixture of interview clips, studio outtakes, and live performances.
'Larks' Tongues In Aspic', from 1973, is widely regarded as one of the truly great King Crimson albums. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. This 40th Anniversary edition features new mixes by Steven Wilson (Porcupine Tree) and Robert Fripp.
"Pictures of a City" seems meant to pick up where "20th Century Schizoid Man" left off, with it's furious ensemble passages, knotty Fripp guitar leads and Greg Lake's authoritative vocal. "Cadence and Cascade" helps fill out the ballad quotient with a beautiful, wispy vocal from transitional singer Gordon Haskell. A valuable note of humor is interjected into the proceedings via the jokey, off-handedly jazzy "Cat Food." Keith Tippet's piano and Mel Collins' sax–both soon to play larger roles–were introduced on POSEIDON as well.