Mats Lidström is that rare thing, an original musician. The sheer mercurial energy which drives his performances can be both engaging and disturbing, but there is always a searching intelligence at work. The Royal Philharmonic Orchestra lost much when its compelling, if unpredictable, lead cellist departed. These two concertos show him at his persuasive best, bringing lesser known works to life. Kabalevsky’s 1964 Concerto stretches and yawns with slow pizzicato before springing into urgent life. Sub-Shostakovich in its motifs and tonality, it is nevertheless well-constructed and uses the saxophone to great effect. In both Allegro movements Lidström achieves a lightning speed and attack and, though Raphael Wallfisch’s recording on Nimbus has a more solid beauty of tone, the Swede’s nervous anticipation makes up for the thinner sound of his Grancino cello. Khachaturian’s 1946 Concerto would make a wonderful soundtrack to a cinematic faux-Oriental extravaganza, with its twisting major and minor intervals, and almost sleazy chromaticism. Lidström really knows how to swing, and makes the most of the memorable melodies.
…A real joy - don't hesitate, I find it really hard to imagine this disc being bettered for a long time to come.
On this Regis Records digital recording acclaimed soloist Marina Tarasova plays with total passion and commitment throughout. She is particularly impressive in the extended languorous passage in the second movement andante sostenuto that evolves into an intensified lament.
This CD speaks more than any amount of words as to the tragic loss music suffered over the early death of conductor, Kiril Kondrashin. "The Masquerade Suite" and "The Comedians" in particular have incredible style and sweep. These pieces which have been for so long relegated to the status of pops concerts level become in Kondrashin's hands the decided masterpieces of colorful writing and wonderful orchestration that they actually are. I must go so far as to say that these interpretations are definitive. We like to think of all the technical advances we have made in the last decades, but the sonics of the original analog tapes make these pieces sound like they were recorded yesterday rather than 40 years ago…