In the summer of 1781 Mozart described his new home Vienna as "the land of the piano". He soon set about presenting his own subscription concerts, offering the three newly-composed concertos on this disc for publication "either with a large orchestra or a quattro". The latter, more intimate versions of these charming works are performed here by Robert Blocker, Dean of Music and Professor of Piano at Yale University, and the youthful Biava Quartet, winners of the Naumburg Chamber Music Award and top prizes at the Premio Borciani and London International Competitions.
The New York Times Best Seller list is widely considered the preeminent list of best-selling books in the United States. It is published weekly in The New York Times Book Review magazine, which is published in the Sunday edition of The New York Times and as a stand-alone publication. The best-seller list has been ongoing since April 9, 1942.
Comment occuper sa retraite quand on a été toute sa vie instituteur en CM1 ? Robert Poutifard n'a qu'une idée en tête : se venger de ses anciens élèves. Leur faire enfin payer ces années de chahut et d'humiliation ! La vengeance est un plat qui se mange froid, et Robert Poutifard leur prépare une vraie surprise du chef. Ces sales mômes vont vraiment déguster ! Et si le maître d'école détestait les enfants ? …
Perhaps the most telling tune on Shoulda Been Home is the T-Bone Walker-influenced "Renew Blues," not because of the style, but because the slow blues fades out after just one tiny minute. By contrast, the mellow soul sway of "Out of Eden" stretches out to over nine minutes. Robert Cray has been heralded as a savior of modern blues, but the truth is Cray's music is much closer to the vintage soul of O.V. Wright and Otis Redding than the 12-bar form of B.B. King or Albert King. Granted, his punctuating Stratocaster guitar riffs borrow from the books of all the blues masters, but his songwriting and arranging don't. Often backed by arpeggiated guitar chords, Cray's vocals are front and center here, passionately leaning into these predominantly slow or mid-tempo tunes. By contrast, only a couple of cuts are upbeat enough to really get the knees a-shakin'. The infectious opening cut "Baby's Arms" – the best tune on the record – could have been a hit single for Stax Records, and Sir Mack Rice's upbeat "Love Sickness" was a hit for Stax Records. Meanwhile, "Help Me Forget," with its mellow, candlelight mood, could have been a hit for Barry White.