Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
"Una democrazia non può esistere se non si mette sotto controllo la televisione, o più precisamente non può esistere a lungo fino a quando il potere della televisione non sarà pienamente scoperto." (Karl R. Popper) Un classico che ha suscitato un dibattito inesauribile e oggi è più che mai attuale, un una nuova edizione arricchita da un saggio introduttivo di Giancarlo Bosetti e dai testi di John Condry, Karol Woytila, Raimondo Cubeddu e Jean Baudoin.
Abel published quite a few chamber works with flute, meeting the demand for new music by the many gentleman flutists in England. The flute concertos contained here, despite their opus number, were never published, but are found in a manuscript held in Leipzig which can be dated prior to 1759. Stylistically these works have left the Baroque far behind, with regular phrases, simple basses , broad harmonic movement. The melodies make ample use of lombardic rhythms and syncopations and the florid passaggi sparkles with triplets and scalar passages in sixteenths. Though there are occasional harmonic complications which recall Abel's background, the overall tone here is that of the Enlightenment. Who can Abel have written these works for?
This is the second CD Ivo Perelman recorded with Karl Berger. However, on the first CD ( CD LR 712 - Reverie) Karl played piano while this time he played vibraphone. This was the first time ever that Ivo played with vibraphone. Both albums are very different because of the nature of the instruments. Playing with vibraphone opened the door for Ivo to show his kinder, gentler side. According to Ivo, Karl happened to be more 'European,' more romantic.