Karl Bohm Mozart 41

Karl Bohm - Mozart & Strauss (2005) (8 CDs Box Set)  Music

Posted by murena at April 20, 2018
Karl Bohm - Mozart & Strauss (2005) (8 CDs Box Set)

Karl Bohm - Mozart & Strauss (2005) (8 CDs Box Set)
WEB Rip | APE (Image+.cue) | 8 CDs, 09:22:25 min | 1,46 Gb | Booklet *pdf-> 30,5 mb
Genre: Classical / Label: Deutsche Grammophon

Born in Graz, Austria, Böhm studied law and earned a doctorate on this subject. He later studied music at the Graz Conservatory. On the recommendation of Karl Muck, Bruno Walter engaged him at Munich's Bavarian State Opera in 1921. Darmstadt (1927) and Hamburg (1931) were the next places he resided as a young conductor, before succeeding Fritz Busch as head of Dresden's Semper Opera in 1934. He secured a top post at the Vienna State Opera in 1943, eventually becoming music director.
Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012) [Official Digital Download 24/192]

Wiener Philharmoniker, Karl Bohm - Mozart: Requiem, K.626 (1971/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 64:25 minutes | 2.34 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Karl Böhm's 1971 Deutsche Grammophon recording of Mozart's Requiem has long been regarded as the best, deepest, truest, and most Austrian recording of the work. With the Wiener Staatsopernchor and the Wiener Philharmoniker, plus soloists Edith Mathis, Julia Hamari, Wieslaw Ochman, and Karl Ridderbusch, Böhm created a fuliginously sorrowful, luminously consoling, and numinously blessed performance of Mozart's final masterpiece and Deutsche Grammophon has wisely kept the performance almost continuously in print since its release.
Emil & Elena Gilels, Wiener Philharmoniker, Karl Bohm - Mozart: Piano Concertos K.595 & K.365; Schubert: Fantasy (2001)

Wolfgang Amadeus Mozart: Piano Concerto No.27, K.595; Concerto For 2 Pianos, K.365
Franz Schubert: Fantasy in F minor, D. 940 (Op.103) for piano duet
Emil & Elena Gilels, pianos; Wiener Philharmoniker; Karl Böhm, conductor

EAC | FLAC | Image (Cue&Log) ~ 326 Mb | Mp3 (CBR320) ~ 188 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 463 652-2 | Time: 01:17:36

This is the most beautiful of Mozart playing, his last piano concerto given here by Emil Gilels with total clarity. This is a classic performance, memorably accompanied by the VPO and Böhm. Suffice it to say that Gilels sees everything and exaggerates nothing, that the performance has an Olympian authority and serenity, and that the Larghetto is one of the glories of the gramophone. He's joined by his daughter Elena in the Double Piano Concerto in E flat, and their physical relationship is mirrored in the quality, and the mutual understanding of the playing: both works receive marvellous interpretations. We think Emil plays first, Elena second, but could be quite wrong. The VPO under Karl Böhm is at its best; and so is the quality of recording, with a good stereo separation of the two solo parts, highly desirable in this work.
Karl Bohm, Wiener Philharmoniker, Wiener Symphoniker - Mozart: Symphonies [2006/1969-1975]

Mozart - Symphonies (Karl Böhm) [2006/1969-1975]
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.52+7.37+7.00 Gb (3xDVD9) | 402 min
Classical | Deutsche Grammophon

Böhm's Mozart as experienced in these precious films is marked by youthful vigour and directness, as well as a lack of pathos and sentimentality. Every reading glows with profound love and understanding. "Thanks to Bruno Walter's exemplary performances, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart." - Karl Böhm
Karl Bohm, Staatskapelle Dresden - Mozart: Idomeneo [1990/1977]

Mozart - Idomeneo (Karl Böhm, Staatskapelle Dresden) [1990/1977]
Classical | Deutsche Grammophon 429 864-2 | TT: 53.45+48.26+67.25 | EAC (FLAC, cue, log) | Covers | 714 Mb

…[Böhm] may be an octogenarian, but he directs the opera for the most part with a spirit and an urgency that many a young man might envy. Most of the accompanied recitatives are alert and fiery, and in this particular work they carry a great deal of the emotional weight. Here and there I find myself at odds with a choice of tempo. Especially in the closing scenes, some of the orchestral recitative seems to need to go more slowly; it is inclined to lack the proper sense of momentousness. I was a little surprised too at the quickish tempo for the opening aria and, most of all, for the great quartet in Act III, which has more turbulence and urgency than usual, particularly with its sharply contoured dynamics and its incisive accents. Of the choruses ending Act II, "Placido è il mar" is very slow and sticky, indeed positively becalmed (Dr Bain should remember that in ancient times an excessively calm sea did not portend a prosperous voyage— there could be no voyage at all!); the subsequent "Qual nuovo terrore", however, has tremendous power and drama, with superb choral singing and brilliant playing from the fine Dresden violins. And of course BOhm brings true grandeur and a sense of tragic inevitability to the noble music of the Temple Scene; "O voto tremendo" in particular is duly slow and weighty. All praise to him—and to the engineers—for the exceptional clarity of texture in these scenes; Mozart's orchestral writing is often unusually complex, and here every strand of it can be heard without any feeling of unnatural perspectives. – Gramophone

Mozart: Symphonies - Karl Bohm, Wiener Philharmoniker (2006)  Music

Posted by katoifa at Sept. 22, 2010
Mozart: Symphonies - Karl Bohm, Wiener Philharmoniker (2006)

Mozart: Symphonies - Karl Bohm, Wiener Philharmoniker (2006)
3 DVD-9 | 403mins | 720 x 480 | FPS (29.97fps) | MPEG-2 9800Kbps | 21.9 GB
Audio#1: DTS @755Kbps 6 CH | Audio#2: PCM @1536kbps 2 CH
Genre: Classical | Studio: Deutsche Grammophon | Full scans

Mozart's greatest symphonies in classic performances by Karl Böhm and the Wiener Philharmoniker.
Böhm’s Mozart as experienced in these precious films is marked by youthful vigour and directness, as well as a lack of pathos and sentimentality. Every reading glows with profound love and understanding.
“Thanks to Bruno Walter’s exemplary performances, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart.” – Karl Böhm
Karl Bohm, Orchester der Bayerischen Staatsoper - Mozart: Die Entfuhrung aus dem Serail (2005/1980)

Karl Böhm, Orchester der Bayerischen Staatsoper - Mozart: Die Entführung aus dem Serail (2005/1980)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.48 Gb (DVD9) | 146 min
Classical | Deutsche Grammophon | Sub: Deutsch, English, Francais, Espanol, Chinese

“One of Böhm's last operatic assignments, he accompanies his fine cast with huge wisdom. Gruberova and Talvela are outstanding. August Everding's production, adventurous for 1980, is now a delight to look at” (BBC Music Magazine). “the performance has a winning glow, with an excellent cast of soloists. Edita Gruberova as Konstanze is at her freshest…[Grist's Blonde] is a charming and characterful assumption, most of all when confronting the powerful Osmin of Martii Tavela” (Penguin Guide).
Wilhelm Backhaus, Vienna Philharmonic, Karl Bohm - Johannes Brahms: Piano Concertos Nos. 1 & 2 (1989) 2CDs

Johannes Brahms: Klavierkonzerte 1 & 2 (1989) 2CDs
Wilhelm Backhaus (piano); Wiener Philharmoniker, conducted by Karl Böhm

EAC | FLAC | Image (Cue&Log) ~ 367 Mb | Mp3 (CBR320) ~ 212 Mb | Artwork included
Genre: Classical | Label: Decca | # 425 763-2 | Time: 01:31:50

As an eleven-year-old in 1895, Wilhelm Backhaus met and performed for D'Albert, Grieg, Nikisch and Brahms, among others. Here was a pianist who shunned hectoring gestures of the late Romantic era for economy and purposefulness. "His facial expression always remained steady, showing an unceasing concentration on the sounds his hands were coaxing from the instrument with such concentrated energy. Everything lay in the act of playing, just as the preoccupation of a great painter or sculptor would be not with technique as such, but with craftsmanship - that is, skill not as an end in itself, but as a vehicle for the idea - giving pleasure to those who were able to watch and hear how a true master would execute even difficult passages effortlessly," writes Walter Frei. This 2-CD set brings together Backhaus's recordings with Karl Bohm and the Vienna Philharmonic of the two Brahms Piano Concertos.

Karl Bohm - Great Recordings 1953-1972 (17CDs, 2017)  Music

Posted by Discograf_man at June 4, 2017
Karl Bohm - Great Recordings 1953-1972 (17CDs, 2017)

Karl Bohm - Great Recordings 1953-1972 (17CDs, 2017)
Classical | MP3 CBR 320 kbps | 2,71 Gb
Label: Deutsche Grammophon

The rhythmic, textural and structural clarity of Karl Böhm’s recordings are much admired across the world. This new release includes Böhm’s celebrated recordings of Mozart Serenades and the great orchestral works of Richard Strauss, as well as equally notable performances of Beethoven and Brahms symphonies. This 17 CD box with booklet includes including new liner notes by Berliner Philharmoniker intimus Helge Grünewald and rare Böhm photographs.
Karl Bohm, Wiener Philharmoniker, Jean-Pierre Ponnelle - Mozart: Le nozze di Figaro [2005/1976]

Mozart - Le nozze di Figaro (Karl Böhm, Mirella Freni, Kiri Te Kanawa, Hermann Prey, Dietrich Fischer-Dieskau) [2005/1976]
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | 6.33 Gb+5.07 Gb (2xDVD9) | 181 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

This luxuriously cast film of Mozart's beloved opera buffa features a host of legendary interpretations, including Kiri Te Kanawa's exquisite Countess Almaviva, Dietrich Fischer-Dieskau as her philandering husband, Hermann Prey as the wily title character, Mirella Freni, a delight as his no less savvy bride Susanna, and Maria Ewing, hilarious as the lovesick page Cherubino. Director Jean-Pierre Ponnelle's imaginative camera-work tellingly emphasizes character and mood in this immortal story of love, intrigue and class struggle, set against the historical background of ancien regime Europe sliding inexorably towards revolution.