5 April 2008 marks the 100th anniversary of the birth of Herbert von Karajan, the legendary Austrian-born conductor who achieved a position of musical supremacy as director of the Berlin Philharmonic Orchestra that made him one of the most famous and celebrated conductors of the second half of the twentieth century. While the majority of his symphonic recordings were made for Deutsche Grammophon, von Karajan also recorded for Decca and EMI during the 1950s and 1960s. This set is reissued to mark this momentous anniversary and contains all of his orchestral recordings made with the Vienna Philharmonic for Decca during the late 1950s/early 1960s.
Herbert von Karajan recorded almost everything in the standard orchestral repertoire once, many works two or three times, between his 1950s recordings for EMI with the Philharmonia Orchestra, the early 1960s for Decca with the Vienna Philharmonic, and his 1960s - 1989 recordings, mostly with the Berlin Philharmonic, for Deutsche Grammophon.
Two great recordings of two of the greatest choral works. Karajan and Levin swoops the standards of tempi, phrasing and intens music making. Karajan's finest recording of the Requiem. Levin sets the bar a milestone higher. Remastering of the Requiem is confidentional good. Sound quality of K327 is superb.
The mutual admiration society that was Glenn Gould and Herbert von Karajan gave six concerts between May 1957 and September 1959 featuring Beethoven’s C minor Concerto (Berlin 1957) and Bach’s D minor (Berlin 1958, Lucerne 1959). Though neither of the Bach performances has appeared on disc, the Beethoven has had several CD outings. This handsomely packaged “official” transfer by Sony is the best we have had technically.
Mstislav Rostropovich did more for the advancement of the cello than probably any other artist since Pablo Casals. Even after his sad passing in 2007 at the age of 80, is musical influence is felt not only in the cello community, but among orchestral musicians as well. This Deutsche Grammophon DVD is among the many tributes to Rostropovich that have surfaced over the short time since his passing. It features the Schumann Concerto and Bloch's Schelomo with Leonard Bernstein and the Orchestre National de France and Strauss' Don Quixote with Karajan and the Berlin Philharmonic. All of these performances are given their first DVD release here. Schumann and Bloch are given intense, riveting performances by Rostropovich and orchestra alike. Any other cellist who played with as much force and aggression would be accused of overplaying, but with Rostropovich the intensity and conviction of his playing are what make the entire performance.