Kansas Flac

Kansas - The Best Of Kansas (1999) (Reissued & Remastered)  

Posted by muddboogers at Dec. 27, 2011
Kansas - The Best Of Kansas (1999) (Reissued & Remastered)

Kansas - The Best Of Kansas (1999)
EAC | FLAC IMG+CUE+LOG | Scans | RAR 3% Recovery | 671 MB
Classic Rock / Progressive Rock | 1999 Epic Records, Legacy Recordings #ZK 65690

The Best of Kansas is the first compilation album and 11th album overall from the American rock band Kansas. It was originally released in 1984, and featured one new track, "Perfect Lover," written and performed by then-lead vocalist John Elefante. The compilation was re-released in 1999 in a version supervised by the original band members, so "Perfect Lover" was dropped in favor of three additional tracks: from Song for America, Masque, and a track deleted from Two for the Show to make it fit on a single CD. The album has sold over 4 million copies in the US, and was certified quadruple platinum in 2001.

Kansas - Masque (1975) [Non-Remastered]  Music

Posted by Designol at Feb. 26, 2017
Kansas - Masque (1975) [Non-Remastered]

Kansas - Masque (1975) [Non-Remastered]
EAC | FLAC | Tracks (Cue&Log) ~ 237 Mb (incl 5%) | Mp3 (CBR320) ~ 103 Mb (incl 5%) | Scans included
Progressive Rock, Art Rock, Classic Rock | Label: CBS/Kirshner | # ZK 33806 | Time: 00:40:49

Kansas' third album, Masque, is a lyrically dark effort courtesy of guitarist/keyboardist Kerry Livgren's brooding songwriting. Musically, Masque foreshadows the tight melodies and instrumental interplay on the next two albums, Leftoverture and Point of Know Return, which together serve as the peak of Kansas' vision. The band deserves more respect than it gets for incorporating British hard rock and progressive rock to become the only U.S. progressive rock band of note during the genre's 1970s heyday. Robbie Steinhardt's violin work certainly helped give Kansas a distinctive sound. The liner notes indicate Masque is a "concept album" thanks to the title's definition: "A disguise of reality created through a theatrical or musical performance." Vocalist/keyboardist Steve Walsh's "It Takes a Woman's Love (To Make a Man)" is the leadoff track, and it's atypical of the rest of the album. The song is a fairly basic yet groovy pop/rock tune about musicians' loneliness on the road, but it is spiced up with some saxophone lines.

Kansas - The Prelude Implicit (Deluxe Edition) (2016)  Music

Posted by SERTiL at Sept. 20, 2016
Kansas - The Prelude Implicit (Deluxe Edition) (2016)

Kansas - The Prelude Implicit (Deluxe Edition)
Progressive Rock | EAC Rip | FLAC (tracks+.cue+log) | Artwork | 60:52 min | 494 MB + 5% Recovery
Label: Inside Out Music | Tracks: 12 | Rls.date: 2016

The album is the first new release in 16 years for the band that has sold more than 30 million albums worldwide, and is famous for classic hits such as ‘Carry On Wayward Son’ and ‘Dust In the Wind,’ to progressive epics like ‘Song for America’ and ‘Miracles Out of Nowhere.’
The Velvet Underground - Live At Max's Kansas City (1972) {1989 Atlantic}

The Velvet Underground - Live At Max's Kansas City (1972) {1989 Atlantic}
EAC Rip | FLAC with CUE and log | scans | 262 mb
MP3 CBR 320kbps | RAR | 108 mb
Genre: rock, classic rock, acid rock, hippie rock

As the story goes, Brigid Polk was a longtime friend of the band and one night decided to bring a cassette recorder with her to record their set. This is the result. It's lo-fi, it's mono, but it still sounds like a decent bootleg (even though it is an official release). By the time this was released, Lou Reed had left the band and Velvet Underground was nothing like they were in the days of the peeling banana and locking yourself in a box as a gift. A Deluxe Edition was released by Rhino a few years ago, but this is the original album on Cotillion/Atlantic, as is.
Kansas - The Epic Years Paper Sleeve Collection (10 albums 1974-1983) [11x Blu-Spec CD '2011] RE-UP

Kansas - The Epic Years Papersleeve Collection (10 albums 1974-1983) [11x Blu-Spec CD '2011]
EAC Rips | 11x FLAC Images with CUEs and LOGs > 4,3 GB | Full PNG Scans > 894 MB | MP3 CBR 320 Kbps > 1,38 GB
Progressive Rock | Featuring newest DSD Remastering | TT > 600:15 minutes | Label: Sony Music Japan | Catalogue # EICP-20071~81

Kansas is a 1970s American rock and roll band, specializing in progressive rock with a distinctly American flavor. In spite of a harsh critical reception then and now, Kansas has remained a classic rock radio staple. These cardboard sleeve reissue from Kansas featuring the high-fidelity Blu-spec CD format and 2011 remastering. The series featuring albums "Kansas", "Song For America", "Masque", "Leftoverture", "Point Of Know Return", "Two For The Show", "Monolith", "Audio Visions", "Vinyl Confessions", and "Drastic Measures".

Kansas Raiders (1950)  Video

Posted by MirrorsMaker at May 27, 2017
Kansas Raiders (1950)

Kansas Raiders (1950)
BDRip 720p | MKV | 976x720 | x264 @ 7026 Kbps | 80 min | 4,37 Gb
Audio: English DTS 2.0 @ 768 Kbps | Subs: None
Genre: Western

Audie Murphy plays a young Jesse James falling under the Svengali-like spell of the outlaw William Quantrill, played by Brian Donlevy. Jesse and his youthful gang join the rebels to avenge the death of his parents only to become disillusioned with the senseless violence and looting of innocent civilians. Goaded by Quantrill's girl to leave, Jesse vacillates until the Yankess close in. Quantrill forces Jesse to leave and faces the Yankess gunfire alone. Jesse rides off with his gang and the rest is history.

Little Hatch - Goin' Back (1998/2013) [DSD64 + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at April 23, 2017
Little Hatch - Goin' Back (1998/2013) [DSD64 + Hi-Res FLAC]

Little Hatch - Goin' Back (1998/2013)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 57:47 minutes | 1,46 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 57:47 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

With APO's release of yet another superior collection of contemporary blues recordings, it's clear that special things are happening at a converted cathedral in Salina, Kansas, called Blue Heaven Studios. One day, while APO artist Jimmie Lee Robinson was laying down his impressive legacy for the ace release "Remember Me", a scarcely recorded Kansas City harmonica legend named Provine Hatch, known as "Little Hatch", walked in with his wife for a look. After Hatch was asked to cut loose in spectacular fashion with tape rolling, guitar wizard Bill Nye was enlisted to fan the flames. Little Hatch proceeded to record the songs for "Goin' Back", mostly in single takes. Check out "She's Nineteen Years Old" to hear a fine renewal of the Muddy Waters classic; "The Sky Is Crying" for his creative revisitation of Elmore James; and his superlative version of Jimmy Reed's "You Don't Have to Go".
VA - Kansas City - A Robert Altman Film: Original Motion Picture Soundtrack (1996)

VA - Kansas City - A Robert Altman Film: Original Motion Picture Soundtrack (1996)
EAC | FLAC | Tracks (Cue&Log) ~ 397 Mb | Mp3 (CBR320) ~ 162 Mb | Scans included
Genre: Soundtrack, Jazz | Label: Verve/Polydor K.K. | # POCJ-1321 | 01:03:07

For Robert Altman's Kansas City film, since the story was centered in 1934 Kansas City, Altman wanted to have younger musicians depict top jazz artists of the era playing at one of the legendary jam sessions. He recruited many of today's top modernists and, although they used arrangements based on older recordings, they did not have to necessarily improvise in the style of the time. Actually, it is surprising how close the musicians often come, recapturing not just the music of the period but the adventurous spirit of such immortals as Coleman Hawkins, Ben Webster, and Lester Young. A dozen songs from the film are on this very enjoyable and unique CD, which features such players as trumpeter Nicholas Payton, clarinetist Don Byron, guitarists Russell Malone and Mark Whitfield, pianists Geri Allen and Cyrus Chestnut, altoists Jesse Davis and David "Fathead" Newman, and four of today's great tenors: James Carter, Craig Handy, David Murray, and Joshua Redman. In addition, Kevin Mahogany sings "I Left My Baby." Although there are some audience shouts on a couple of the pieces, this is one soundtrack album that very much stands up on its own.
Jimmie Lee Robinson - Down In Kansas (2000/2016) [DSD64 + Hi-Res FLAC]

Jimmie Lee Robinson - Down In Kansas (2000/2016)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 58:43 minutes | 1,6 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 58:43 min | 1,06 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Killer, killer blues - Jimmie Lee's first electric blues recording for APO Records! Features an all-star backing group of Wild Child Butler, Sam Lay, Bob Stroger and Jimmy D. Lane. Long sitting in the APO vaults, this gorgeous, live to 2-track, all-analog recording finally gets its time in the sun.
University of Kansas Wind Ensemble; Paul W. Popiel - Philip Glass: Concerto Fantasy; Mohammed Fairouz: Symphony No.4 (2013)

Philip Glass - Concerto Fantasy for 2 Timpanists and Orchestra
Mohammed Fairouz - Symphony No.4 'In the Shadow of No Towers'
Ji Hye Jung & Gwendolyn Burgett (timpani), Jānis Porietis (trumpet)
University of Kansas Wind Ensemble; Paul W. Popiel, conductor

EAC | FLAC | Image (Cue&Log) ~ 314 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans included
Genre: Classical, Contemporary | Label: Naxos | # 8.573205 | Time: 00:57:45

Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”